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Vienna has been an important center of musical innovation. 18th- and 19th-century composers were drawn to the city due to the patronage of the Habsburgs, and made Vienna the European capital of classical music. Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert and Johann Strauss II, among others, were associated with the city, with Schubert being born in Vienna. During the Baroque period, Slavic and Hungarian folk forms influenced Austrian music. Vienna's status began its rise as a cultural center in the early 16th century, and was focused on instruments including the lute.
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the mandoliny and kabosy owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous djembe originated in mainland Africa and the valiha—the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes.
Laïs is a Flemish group that creates folk, and world music consisting of polyphonic close harmony songs, occasionally a cappella, based on self-composed melodies with lyrics dating back to the Middle Ages. "Laïs" is a Celtic word, meaning "voice".
Salegy is a popular music genre from Madagascar. Originating as a Sub-Saharan African folk music style in the northwestern coastal areas of Madagascar, modern salegy is the genre of Malagasy music that has gained the widest recognition and commercial popularity in the international market. Its sound is considered emblematic of the island. Eusèbe Jaojoby, a Sakalava singer from Anboahangibe, was a key originator of the style and is widely considered the "King of Salegy".
Eusèbe Jaojoby, commonly known by his surname Jaojoby, is a Malagasy composer and singer of salegy, a musical style of northwestern Madagascar. Critics consider him to be one of the originators of the modern salegy style that emerged in the 1970s, and credit him with transforming the genre from an obscure regional musical tradition into one of national and international popularity. Jaojoby also contributed to the creation of two salegy subgenres, malessa and baoenjy. Jaojoby has been called the most popular singer in Madagascar and the Indian Ocean islands, and is widely referred to as the "King of Salegy". His success has earned him such honors as Artist of the Year in Madagascar for two consecutive years (1998–1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999.
Salala may refer to:
The Tandroy are a traditionally nomadic ethnic group of Madagascar inhabiting the arid southern part of the island called Androy, tracing their origins back to the East Africa mainland. In the 17th century however, the Tandroy emerged as a confederation of two groups ruled by the Zafimanara dynasty until flooding caused the kingdom to disband around 1790. The difficult terrain and climate of Tandroy protected and isolated the population, sparing them from subjugation by the Kingdom of Imerina in the 19th century; later, the French colonial authority also struggled to exert its influence over this population. Since independence the Tandroy have suffered prejudice and economic marginalization, prompting widespread migration and intermarriage with other ethnic groups, and leading them to play a key role in protests that sparked the end of President Philibert Tsiranana's administration in 1972.
Nicolas Vatomanga Andrianaivo Rakotovao, known as Nicolas Vatomanga is a Malagasy saxophonist, flutist, bandleader and composer. His music combines elements of jazz, blues and traditional musics of Madagascar, including: the hira gasy of the Centre, the beko from the South and the salegy from the North of the Great Island.
Paul Bert Rahasimanana, better known as Rossy, is a Malagasy singer and songwriter, generally considered the most popular Malagasy artist of the 1990s. Beginning his musical career as an accordionist and singer within a traditional hira gasy musical troupe, Rossy innovated a fusion of hira gasy instrumentation and vocal style with contemporary rock, funk and folk sounds to create a uniquely Malagasy genre of contemporary popular music. Rossy actively promoted former president Didier Ratsiraka through concert performances throughout his presidency and served within the Ministry of Culture to promote artists' rights and copyright law. When Ratsiraka fell into disfavor following the contentious 2001 Malagasy presidential elections, Rossy went into self-imposed exile in France. He returned to the island to give concerts beginning in 2008 and enjoyed enormous popularity despite six years of absence, setting an unbroken record of 35,000 tickets sold for a performance given that year. His compositions and style are frequently associated with the Ratsiraka socialist period and commonly evoke a sense of nostalgia among Malagasy fans.
Justin Vali ranks among the greatest living players of traditional Malagasy music on the valiha, a bamboo tube zither considered the national instrument of Madagascar. He also performs on the marovany box zither of central and southern Madagascar. Vali contributed to several compilations in the late 1980s before beginning to release his own albums in 1990. In 1994 he recorded Ny Marina at Real World Studios under Peter Gabriel's Real World Records. In 1999 he released The Sunshine Within, a collaboration with Paddy Bush. In 2008 he collaborated with Eric Manana and other prominent Malagasy artists to record an album as the Malagasy All Stars. Vali resides in Paris and performs regularly on the international world music festival circuit, including performances on several continents with the WOMAD festival. In 2006 he was awarded the Grand Prize for Traditional Music by Société des Auteurs Compositeurs et Editeurs de Musique, the French songwriters' guild.
Lego is a Sakalava musician who performs accordion music in the traditional style of the coastal regions of Madagascar. In addition to his acclaim as a musician, Lego is also known for having lost his sight as a child, and for being the half-brother of Malagasy superstar Rossy. Lego has released numerous albums and has toured regularly on the international world music circuit.
Wawa is a performer and composer of salegy, a genre of music from the northern coastal region of Madagascar. He is among the most popular contemporary salegy artists and has recorded songs in collaboration with numerous other Malagasy artists. In 2011 he released an album of traditional salegy, featuring kabosy, marovany and traditional percussion accompaniment. Wawa enjoys strong popularity among Malagasy audiences both domestically and within the diaspora, and regularly tours at home and abroad. In 2010 the band completed extensive tours to sold-out audiences in France and Madagascar. A music reviewer for Midi Madagasikara described Wawa in 2013 as the "perfect entertainer, who never ceases to perform at the highest levels."
Mily Clement is one of the originators of the contemporary form of salegy, a traditional musical style of the northern coastal areas of Madagascar. He grew up surrounded by the music of the tromba spirit possession ceremonies in his community, and in his teens he became influenced by American and African guitarists, inspiring him to begin playing guitar. He began professionally performing guitar with local bands in Ambilobe.
Mama Sana (1900–1997) was a Tandroy singer and performer of traditional airs on the valiha tube zither, the national instrument of Madagascar. She was a charismatic performer and dressed in traditional clothing with coins braided into her hair. Sana gained national and international acclaim over the course of her career, distinguished by her innovative reinvention of the valiha performance technique and her fusion of traditional Tandroy and Sakalava musical styles.
Olombelona Ricky, also known as Ricky, is a Malagasy vocalist and roots musician based in Antananarivo, Madagascar. Launching his musical career in 1991, Ricky recorded his first album in 1998, sparking the phenomenon of "Rickymania". His socio-political messages and uncompromising approach to his career have earned him a strong following among urban youth within Madagascar. He is esteemed as a musical and cultural ethnologist by many of his fellow Malagasy musicians for his effort to capture and reinvent the traditional musical heritage of the island and that of the near-mythical Vazimba people in particular, believed by many Malagasy to be the island's earliest inhabitants. Despite an uncompromising approach to his career which slowed his international exposure, Ricky has performed at numerous international music festivals over the course of his career and regularly tours at home and abroad.
Toto Mwandjani is a Malagasy guitarist and singer who performs the traditional musical genres of tsapiky and salegy infused with Ndombolo music of the Democratic Republic of Congo. Mwandjani, who was born in Antsohihy in north-west Madagascar, began playing guitar at age eight and formed a band called Les Jeunes Cobras. In 1994 he joined legendary group Feon'ala before becoming a high-demand musician at Studio Mars, the premier professional recording studio on the island. He formed the group Soley, gaining further acclaim for his unique adaptations of traditional musical styles. In the late 1990s after the dissolution of the band, Mwandjani was regularly invited to record and perform with the superstars of salegy, including Jaojoby, Mily Clément and Ninie Doniah. His single Malemilemy elevated him to national stardom. He has recorded two albums and toured extensively in Madagascar and Europe. Mwandjani has twice given concerts to represent Malagasy culture at the annual Days of Madagascar event held at UNESCO in Paris.
Samoëla Rasolofoniaina, better known as Samoëla, is a Malagasy vocalist and composer of contemporary folk fusion and roots music that draws upon musical traditions throughout the island of Madagascar. He typically sings and plays acoustic guitar, accompanied by an ensemble including bass guitar, Western and traditional percussion, and backup singers. He is distinguished by his use of hainteny traditional poetry and its metaphorical language, as well as youth slang and culturally subversive direct language to critique and address sensitive social and political topics.
Tearano is a musical group from the southwestern region of Madagascar. They perform a contemporary form of the traditional beko genre, fusing southern vocal harmonies and tsapiky rhythms with modern instrumentation heavily featuring synthesizers and electric guitars. The band's innovative instrumentation modernized the tsapiky sound and rendered it more radio friendly and accessible to listeners in other regions of Madagascar. The band is considered an ambassador of the musical traditions of the south, and is credited with popularizing the tsapiky genre outside of the southern region of Toliara where it originated.
Salala is an a capella vocal trio from the south of Madagascar. They perform a contemporary form of the traditional beko genre, which originates from the island's southern interior. In contrast to the traditional beko, a spiritual chant sung at funerals to honor the life of the deceased, Salala adapted the harmonies and style of the genre while shedding the religious purpose of the music by focusing the subject of their songs on matters of daily life. The group was founded by one of the singers, M'Bassa, in 1983, with singer Senge and a friend. All three performers belong to the southern Antandroy ethnic group and originate from a small village near Taolagnaro. Over the next ten years, the group gained in popularity in Madagascar, eventually winning the "Gasitsara Media Prize" for Best Band of the Year. Their first major domestic hit was "Salakao Raho Ene". The group went on to perform the Africolor music festival in 1994, where they were well received. In 1995 they recorded their first album, Salala, and were selected to represent the Indian Ocean states at the "Découvertes du Printemps de Bourges" tour, performing at 25 venues across France and Germany with Oumou Sangaré. After this success, the group's bass vocalist, Senge, launched a solo career, eventually teaming up with two other singers to lead his own trio, while still performing and recording with Salala. The band toured Africa in 1996, visiting the Seychelles, Uganda, Kenya, Rwanda, Malawi, Zambia, Namibia and South Africa. They performed at the third Jeux de la Francophonie in Madagascar in 1997 and toured Singapore in 1998. In 1999, Salala toured Reunion island with Granmoun Lélé.
Ny Antsaly is a band that performed traditional vakodrazana music from the central highlands of Madagascar. The band is considered Madagascar's first internationally acclaimed touring musical group. Ny Antsaly performed for several European sovereigns in the 1960s, and also gave a concert for the Welsh National Eistedfodd in 1962.
References
- Anderson, Ian (2000). "Ocean Music from Southeast Africa". The Rough Guide to World Music, Vol. 1: Africa, Europe and the Middle East. Rough Guides. pp. 523–532. ISBN 9781843535515.
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