Seven Keys to Baldpate | |
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Written by | George M. Cohan |
Date premiered | 22 September 1913 |
Place premiered | Astor Theatre, New York |
Original language | English |
Genre | comedy mystery |
Setting | Office of Baldpate Inn. |
Seven Keys to Baldpate is a 1913 play by George M. Cohan based on a novel by Earl Derr Biggers. The dramatization was one of Cohan's most innovative plays. It baffled some audiences and critics but became a hit, running for nearly a year in New York, another year in Chicago and receiving later revivals; Cohan starred in the 1935 revival. Cohan adapted it as a film in 1917, and it was adapted for film six more times, and later for TV and radio. The play "mixes all the formulaic melodrama of the era with a satirical [farcical] send-up of just those melodramatic stereotypes." [1]
Novelist Billy Magee makes a bet with a wealthy friend that he can write a 10,000 word story within 24 hours. He retires to a summer mountain resort named Baldpate Inn, in the dead of winter, and locks himself in, believing he has the sole key. However he is visited during the night by a rapid succession of other people (melodrama stock types), including a corrupt politician, a crooked cop, a hermit, a feisty girl reporter, a gang of criminals, etc., none of whom have any trouble getting into the remote inn—there appear to be seven keys to Baldpate.
Magee gets no work done, instead being drawn into the hijinks of the other visitors. He eventually foils a plot by the crooks to steal money from the hotel safe that is earmarked for a city street railroad deal, and he falls in love with the reporter. He observes derisively that all of these complicated incidents and characters are ones that he has written over and over again. Just before midnight, he finds out that everyone is an actor hired to perpetrate a hoax, orchestrated by Magee's friend to keep him from completing the story.
In the epilogue, the inn is empty, and a typewriter is clattering upstairs: Magee has finished his story before midnight and won the bet. He reveals that nothing had happened during the 24 hours; all the preceding melodrama, including the actors and hoax, constitute the story.
The play premiered on Broadway on September 22, 1913 at the Astor Theatre and ran for 320 performances. The New York Times drama critic called it "melodrama of the good, old-fashioned sort". [2]
Cohan and his daughter were severely injured in a car crash during rehearsal of the original production. [3]
Although a 1935 revival, starring Cohan in the lead, was less successful, running only a week, [4] it remains Cohan's most popular play. [5]
The play was filmed several times, with versions appearing in 1916 (from Australia), 1917 (starring Cohan himself), 1925 (with Douglas MacLean), 1929 (with Richard Dix), 1935 (with Gene Raymond), 1947 (with Phillip Terry), and 1983 (as House of the Long Shadows ). Television adaptations appeared in 1946 and 1961.
The play was also adapted for radio in 1938 (for Lux Radio Theatre with Jack Benny) and 1946 (for Theatre Guild on the Air with Walter Pidgeon). [6]
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The Astor Theatre was located at 1537 Broadway, at West 45th Street in Times Square in New York City. It opened September 21, 1906, with Shakespeare's A Midsummer Night's Dream and continued to operate as a Broadway theatre until 1925. From 1925 until it closed in 1972, it was a first-run movie theater.
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Seven Keys to Baldpate is a 1917 American silent mystery/thriller film produced by George M. Cohan and distributed by Artcraft Pictures, an affiliate of Paramount. The film is based on Cohan's 1913 play of the 1913 novel by Earl Derr Biggers. Cohan himself stars in this silent version along with Anna Q. Nilsson and Hedda Hopper, billed under her real name Elda Furry. One version of the play preceded this movie in 1916 and numerous versions followed in the succeeding decades such as the early RKO talkie starring Richard Dix.
Seven Keys to Baldpate is a 1916 Australian silent film directed by Monte Luke for J. C. Williamson's. It was the first film adaptation of the popular play by George M. Cohan which had toured Australia successfully in 1914 with Fred Niblo. There were later versions of the story in 1917, 1925, 1929, 1935 and 1947.
Seven Keys to Baldpate is a 1929 sound film produced and distributed through RKO Pictures. It was the first sound film based on the 1913 Earl Derr Biggers novel/ George M. Cohan play Seven Keys to Baldpate, following three different silent film versions. The film had its premiere on Christmas Day, 1929 in New York City, and its official release was the following month.
Seven Keys to Baldpate is a lost 1925 American silent film based on the 1913 mystery novel by Earl Derr Biggers and 1913 play by George M. Cohan. Previously made in Australia in 1916 and by Paramount in 1917, this version was produced by, and starred, Douglas MacLean and was directed by Fred C. Newmeyer. Out of seven film adaptations of the story made between 1916 and 1983, this version is the only one that is now considered lost. The story was remade again later in 1929, 1935, 1946, and 1947. It was also remade in 1983 under the title House of the Long Shadows, featuring John Carradine, Peter Cushing, Vincent Price, and Christopher Lee.
Seven Keys to Baldpate is a 1935 film directed by William Hamilton and Edward Killy and starring Gene Raymond and Eric Blore. It is one of several filmed versions based on the popular 1913 play.
Seven Keys to Baldpate is a 1947 film directed by Lew Landers and starring Phillip Terry. It is the sixth film based on the popular 1913 play of the same name.
Seven Keys to Baldpate may refer to:
Seven Keys to Baldpate is a 1913 novel by Earl Derr Biggers. A bestseller, it was adapted by George M. Cohan into a play, which in turn was adapted several times for film, radio and TV.