Shadows on the Grand Canal | |
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Directed by | Glauco Pellegrini |
Written by | Glauco Pellegrini Rodolfo Sonego |
Produced by | Luigi Rovere |
Starring | Isa Pola Antonio Centa Carlo Hintermann |
Cinematography | Mario Montuori |
Music by | Gino Gorini |
Production company | Rovere Film |
Distributed by | Lux Film |
Release date |
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Running time | 94 minutes |
Country | Italy |
Language | Italian |
Shadows on the Grand Canal (Italian: Ombre sul Canal Grande) is a 1951 Italian crime film directed by Glauco Pellegrini and starring Isa Pola, Antonio Centa and Carlo Hintermann. [1] It was entered into the competition at the 12th Venice International Film Festival. [2]
Headlights in the Fog is a 1942 Italian drama film directed by Gianni Franciolini and starring Fosco Giachetti, Luisa Ferida and Antonio Centa. The film's art direction was by Camillo Del Signore. It was made at the Palatino Studios in Rome and on location in Piedmont and Liguria.
Under the Southern Cross is a 1938 Italian drama film directed by Guido Brignone and starring Antonio Centa, Doris Duranti and Enrico Glori. The film is set in Italian-occupied Abyssinia following the recent Italian victory there. It was one of a sequence of eight films set in Italy's African Empire during the Fascist era that were released between 1936 and 1939. The film is a propaganda piece designed to support Fascist policy on empire and concerns about inter-racial romances.
Isa Pola was an Italian stage and film actress. She appeared in more than 30 films during her career; an early screen role was the female lead in Steel (1933), a realist film set in the steelworking industry.
Girl of the Golden West is a 1942 Italian western film directed by Carl Koch and starring Michel Simon, Isa Pola and Rossano Brazzi. It is based on the 1936 novel, La Dame de l'Ouest, by Pierre Benoit. It was made at the Scalera Studios in Rome, and on location in Lazio countryside. The film's title alludes to the opera The Girl of the Golden West by Giacomo Puccini, but is not an adaptation of it. It was one of only a handful of Westerns to be made during the silent and Fascist eras, in a genre in which Italy later became famous.
The Widow is a 1939 Italian drama film directed by Goffredo Alessandrini and starring Isa Pola, Leonardo Cortese and Osvaldo Valenti. A mother's possessive love for her dead son leads to a hostile attitude towards his widow.
Mother Earth is a 1931 Italian drama film directed by Alessandro Blasetti and starring Leda Gloria, Sandro Salvini and Isa Pola. It was made at the Cines Studios in Rome. Along with Blasetti's other early films, it shows a strong influence of Soviet-style realism. A country landowner decides to sell up and move to the city, but later has a change of heart. It was part of Fascist Italy's promotion of rural over urban values.
The Cavalier from Kruja is a 1940 Italian war film directed by Carlo Campogalliani and starring Doris Duranti, Antonio Centa and Leda Gloria. The film portrays the 1939 Italian invasion of Albania. It was made as a propaganda work in support of the Fascist regime of Benito Mussolini.
Lucrezia Borgia is a 1940 Italian historical film directed by Hans Hinrich and starring Isa Pola, Friedrich Benfer and Carlo Ninchi. The film portrays the life of Lucrezia Borgia (1480-1519), one of a number of Italian films of the era set during the Renaissance. It was made at the Scalera Studios in Rome.
Fury is a 1947 Italian melodrama film directed by Goffredo Alessandrini and starring Isa Pola, Rossano Brazzi and Gino Cervi. The film was remade in 1957 as Wild Is the Wind, Anna Magnani's second Hollywood role. Loosely based on Giovanni Verga's novel La lupa, it is a melodrama set in the horsebreeding community.
Princess Tarakanova is a 1938 French-Italian historical film directed by Fyodor Otsep and Mario Soldati and starring Annie Vernay, Pierre Richard-Willm and Roger Karl. It portrays the life of the 18th century pretender to the Russian throne Princess Tarakanova. The story has been turned into films a number of times including a 1930 film, Tarakanova.
Carlo Hintermann was an Italian film, television and stage actor and voice actor. He was sometimes credited as Carlo Hinterman.
Margaret of Cortona is a 1950 Italian historical drama film directed by Mario Bonnard and starring Maria Frau, Isa Pola and Galeazzo Benti. It portrays the life of the thirteenth century saint Margaret of Cortona. The film's sets were designed by the art director Virgilio Marchi.
A Wife in Danger is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Marie Glory, Antonio Centa and Carlo Lombardi. It is a "White Telephone" film, shot at the Cinecittà Studios in Rome.
The Opera Singer is a 1932 Italian musical film directed by Nunzio Malasomma and starring Gianfranco Giachetti, Germana Paolieri and Isa Pola.
The Last Adventure is a 1932 Italian comedy film directed by Mario Camerini, starring Armando Falconi and Diomira Jacobini.
La Wally is a 1932 Italian musical drama film directed by Guido Brignone and starring Germana Paolieri, Isa Pola and Carlo Ninchi. It is an adaptation of the 1892 opera La Wally by Alfredo Catalani. It was shot at the Cines Studios in Rome. The film's sets were designed by the art directors Gastone Medin and Ivo Perilli.
The Rival of the Empress is a 1951 Italian historical adventure film directed by Jacopo Comin and Sidney Salkow and starring Richard Greene, Valentina Cortese and Isa Pola. A separate English-language version Shadow of the Eagle was released the previous year.
The Castle Ball or Ball at the Castle is a 1939 Italian "white-telephones" romantic comedy film directed by Max Neufeld and starring Alida Valli, Antonio Centa and Carlo Lombardi.
The Anonymous Roylott is a 1936 Italian thriller film directed by Raffaello Matarazzo and starring Camillo Pilotto, Isa Pola and Giulio Donadio. The film is an adaptation of a play set in the United States, about a murder that arises over a dispute at the Roylott chemical company.
Battles in the Shadow is a 1938 Italian spy thriller film directed by Domenico Gambino and starring Antonio Centa, Dria Paola and Paola Barbara. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Giorgio Pinzauti.