Shakespeare: The World As Stage

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Shakespeare: The World as Stage
Billbryson-shakespeare.jpg
Author Bill Bryson
LanguageEnglish
Series Eminent Lives
Genre Non-fiction, Biography
Publisher HarperCollins
Publication date
2007
Media typePrint (hardcover, paperback), Audiobook
Pages199 pp
ISBN 978-0-06-074022-1
OCLC 136782567
822.3/3 B 22
LC Class PR2895 .B79 2007

Shakespeare: The World As Stage is a biography of William Shakespeare by author Bill Bryson. The 199-page book is part of HarperCollins' series of biographies, "Eminent Lives". The focus of the book is to state what little is known conclusively about Shakespeare, and how this information is known, with some discussion of disproved theories, myths, and that which is believed by the public but not provable. It also explores the political, social, cultural and economic background to Shakespeare's work.

Contents

The book is also available as an unabridged audiobook, published by Harper Audio and read by the author.

Content

Bryson discusses a wide range of matters relating to Shakespeare, his time and work, for example the Chandos portrait [1] and the existence (or not) of Anne Whateley.

He also explores Shakespeare's 'lost years'.

In the work he cites scholars such as Stephen Greenblatt, Frank Kermode, Edmond Malone, Samuel Schoenbaum, Caroline Spurgeon and Charles William Wallace.

The book also addresses the colorful history, characters, and conspiracy theories behind the Shakespeare authorship question. [2]

Critical reception

Nancy Dalva wrote in the New York Observer : "Right off, the author’s established his blithe and sunny tone: If a trio of witches were cooking up this book in a cauldron, there’d be a pinch of P.G. Wodehouse, a soupçon of Sir Osbert Lancaster and a cup of Sir Arthur Conan Doyle. One can be firm of purpose and blithe at the same time, it turns out; one can write a seriously entertaining book." [3]

Tom Payne's review in the Telegraph was more critical. Payne thought that the book was "an accessible, sensible" life of Shakespeare but felt that the author should have discussed his personal feelings about the subject. Payne also noted that Bryson provided a significant amount of factual detail concerning Shakespeare's plays and vocabulary but failed to reach any conclusion. The review concluded by stating that the book worked as a companion to other books which examined Shakespeare's body of work but recommended Frank Kermode's The Age of Shakespeare as a superior alternative. [4]

Related Research Articles

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William McGuire Bryson is an American–British journalist and author. Bryson has written a number of nonfiction books on topics including travel, the English language, and science. Born in the United States, he has been a resident of Britain for most of his adult life, returning to the U.S. between 1995 and 2003, and holds dual American and British citizenship. He served as the chancellor of Durham University from 2005 to 2011.

<span class="mw-page-title-main">William Empson</span> English literary critic and poet

Sir William Empson was an English literary critic and poet, widely influential for his practice of closely reading literary works, a practice fundamental to New Criticism. His best-known work is his first, Seven Types of Ambiguity, published in 1930.

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Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient, they are almost always classified as tragedies rather than histories. Shakespeare's romances were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. Scholars continue to disagree on how to categorize some Shakespearean plays.

<span class="mw-page-title-main">John Payne Collier</span> English Shakespearian critic (1789–1883)

John Payne Collier was an English Shakespearean critic and forger.

<span class="mw-page-title-main">J. Thomas Looney</span> English school teacher (1870–1944)

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<span class="mw-page-title-main">Frank Kermode</span> Manx writer, literary critic and professor

Sir John Frank Kermode, FBA was a British literary critic best known for his 1967 work The Sense of an Ending: Studies in the Theory of Fiction and for his extensive book-reviewing and editing.

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Stephen Booth was a professor of English literature at the University of California, Berkeley. He was a leading Shakespearean scholar.

<span class="mw-page-title-main">Jonathan Bate</span> British author, scholar and critic

Sir Andrew Jonathan Bate, CBE, FBA, FRSL, is a British academic, biographer, critic, broadcaster, scholar, and occasional novelist, playwright and poet. He specializes in Shakespeare, Romanticism and Ecocriticism. He is Foundation Professor of Environmental Humanities in a joint appointment of the College of Liberal Arts, the School of Sustainability and the Global Futures Laboratory at Arizona State University, as well as a Senior Research Fellow at Worcester College in the University of Oxford, where he holds the title of Professor of English Literature. Bate was Provost of Worcester College, Oxford, from 2011 to 2019. From 2017 to 2019 he was Gresham Professor of Rhetoric in the City of London. He was knighted in 2015 for services to literary scholarship and higher education. He is also Chair of the Hawthornden Foundation.

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<span class="mw-page-title-main">Hamnet Shakespeare</span> Son of William Shakespeare

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Pierre Stephen Robert Payne was an English-born author, known principally for works of biography and history, although he also wrote novels, poetry, magazine articles and many other works. After working in Singapore and China, he moved to the United States in 1946 and became a professor of English literature. From 1954 onwards he lived as a writer in New York.

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Coney-catching is Elizabethan slang for theft through trickery. It comes from the word "coney", meaning a rabbit raised for the table and thus tame.

<span class="mw-page-title-main">History of the Shakespeare authorship question</span>

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The Sense of an Ending: Studies in the Theory of Fiction is the most famous work of the literary scholar Frank Kermode. It was first published in 1967 by Oxford University Press.

<span class="mw-page-title-main">Nevillean theory of Shakespeare authorship</span> Theory of Shakespeare authorship

The Nevillean theory of Shakespeare authorship contends that the English parliamentarian and diplomat Henry Neville (1564–1615) wrote the plays and poems traditionally attributed to William Shakespeare.

<span class="mw-page-title-main">Christopher Marlowe in fiction</span>

Christopher Marlowe (1564–1593), English playwright and poet, has appeared in works of fiction since the nineteenth century. He was a contemporary of William Shakespeare, and has been suggested as an alternative author of Shakespeare's works, an idea not accepted in mainstream scholarship. Marlowe, alleged to have been a government spy and frequently claimed to have been homosexual, was killed in 1593.

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References