Shakespeare: The Critical Heritage also known as William Shakespeare: The Critical Heritage [1] is a six volume work edited by Brian Vickers. [2] [3] Volumes 1 through 3 were published in 1974 and 1975 by Routledge & Kegan Paul. [3] Vickers' "Critical Heritage" is described as a "...more or less complete collection of criticisms of Shakespeare's works." [2] Additionally, this set was expected to span three centuries by the time Volume 3 was available. [2] Vickers as the editor, wrote digestible introductions to each volume and easy to read headnotes throughout. [2] [3] [4] [5] Volume 6 covers the years of 1774 to 1801, and was published in 1981. [6] The complete set covers viewpoints on Shakespeare's work "from 1623 through to 1801." [7]
Postmodernism is a mode of discourse that is characterized by philosophical skepticism toward the grand narratives offered by modernism; that rejects epistemological certainty and the stability of meaning; and rejects the emphasis on ideology as the means of maintaining political power. Postmodernism dismisses claims that facts are objective as naïve realism, given the conditional nature of knowledge. The investigative perspective of Postmodernism is characterized by self-reference, epistemological relativism, and moral relativism, pluralism, irony, and eclecticism; and dismisses the universal validity of the principles of binary opposition, the stablility of identity, hierarchy, and categorization.
Titus Andronicus is a tragedy by William Shakespeare believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
August WilhelmSchlegel, usually cited as August Schlegel, was a German poet, translator and critic, and with his brother Friedrich Schlegel the leading influence within Jena Romanticism. His translations of Shakespeare turned the English dramatist's works into German classics. Schlegel was also the professor of Sanskrit in Continental Europe and produced a translation of the Bhagavad Gita.
John Davies of Hereford was a writing-master and an Anglo-Welsh poet. He referred to himself as John Davies of Hereford in order to distinguish himself from others of the same name, particularly the contemporary poet Sir John Davies (1569–1626).
Stephen Booth was a professor of English literature at the University of California, Berkeley. He was a leading Shakespearean scholar.
Sir Andrew Jonathan Bate, CBE, FBA, FRSL, is a British academic, biographer, critic, broadcaster, poet, playwright, novelist and scholar. He specialises in Shakespeare, Romanticism and Ecocriticism. He is Foundation Professor of Environmental Humanities in a joint appointment of the College of Liberal Arts, the School of Sustainability and the Global Futures Laboratory at Arizona State University, as well as a Senior Research Fellow at Worcester College in the University of Oxford, where he holds the title of Professor of English Literature. Bate was Provost of Worcester College, Oxford from 2011 to 2019. From 2017 to 2019 he was Gresham Professor of Rhetoric in the City of London. He was knighted in 2015 for services to literary scholarship and higher education.
Critical international relations theory is a diverse set of schools of thought in international relations (IR) that have criticized the theoretical, meta-theoretical and/or political status quo, both in IR theory and in international politics more broadly – from positivist as well as postpositivist positions. Positivist critiques include Marxist and neo-Marxist approaches and certain ("conventional") strands of social constructivism. Postpositivist critiques include poststructuralist, postcolonial, "critical" constructivist, critical theory, neo-Gramscian, most feminist, and some English School approaches, as well as non-Weberian historical sociology, "international political sociology", "critical geopolitics", and the so-called "new materialism". All of these latter approaches differ from both realism and liberalism in their epistemological and ontological premises.
"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of Shakespeare's Sonnets. It was published by Thomas Thorpe.
Sonnet 73, one of the most famous of William Shakespeare's 154 sonnets, focuses on the theme of old age. The sonnet addresses the Fair Youth. Each of the three quatrains contains a metaphor: Autumn, the passing of a day, and the dying out of a fire. Each metaphor proposes a way the young man may see the poet.
Leon Eugene Stover was an anthropologist, a Sinologist, and a science fiction fan, who wrote both fiction and nonfiction. He was a scholar of the works of H. G. Wells and Robert A. Heinlein and an occasional collaborator with Harry Harrison.
William Shakespeare (1564–1616) was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems.
From its premiere at the turn of the 17th century, Hamlet has remained Shakespeare's best-known, most-imitated, and most-analyzed play. The character of Hamlet played a critical role in Sigmund Freud's explanation of the Oedipus complex. Even within the narrower field of literature, the play's influence has been strong. As Foakes writes, "No other character's name in Shakespeare's plays, and few in literature, have come to embody an attitude to life ... and been converted into a noun in this way."
The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment, edited by Michael D. C. Drout, was published by Routledge in 2006. A team of 127 Tolkien scholars on 720 pages cover topics of Tolkien's fiction, his academic works, his intellectual and spiritual influences, and his biography. Co-editors were Douglas A. Anderson, Verlyn Flieger, Marjorie Burns and Tom Shippey.
Sandra K. Ellston, also published under the pen names Sandra K. Fischer and Sandra Mason is an American Shakespearean scholar and professor of English and writing at Eastern Oregon University, where she also served as Dean of the College of Arts and Sciences and where she was recipient of the Woman of Vision and Courage Award.
Ronald Brunlees McKerrow, FBA was one of the leading bibliographers and Shakespeare scholars of the 20th century.
Shakespeare attribution studies is the scholarly attempt to determine the authorial boundaries of the William Shakespeare canon, the extent of his possible collaborative works, and the identity of his collaborators. The studies, which began in the late 17th century, are based on the axiom that every writer has a unique, measurable style that can be discriminated from that of other writers using techniques of textual criticism originally developed for biblical and classical studies. The studies include the assessment of different types of evidence, generally classified as internal, external, and stylistic, of which all are further categorised as traditional and non-traditional.
Resistance, Politics, and the American Struggle for Independence, 1765–1775 is a book that examines the role of nonviolent struggle in the period before the American Revolution. Edited by Walter H. Conser, Jr., Ronald M. McCarthy, David J. Toscano and Gene Sharp, the book was published in the United States in 1986. It argues that the Stamp Act resistance and other campaigns from 1765 to 1775 were fundamental for shaping the outcome of the struggle for American independence, and were not merely a "prelude" to armed conflict.
Patrick Gerard Cheney is an American scholar of English Renaissance Literature. He is Edwin Erle Sparks Professor of English and Comparative Literature at the Pennsylvania State University.
Returning to Shakespeare is a non-fiction book written by Brian Vickers the literary scholar, and published by Routledge, London, in 1989. The book's main focus is a collection of previously published critical essays by Vickers pertaining to Shakespeare. The book is also prefaced with an extensive autobiographical sketch that details Vickers' evolution within Shakespearean scholarship.
The Cambridge Companion to Shakespeare's Poetry is a nonfiction book edited by Patrick Cheney. It was published in 2007 by Cambridge University Press.