Shani Peters (born 1981) is an artist from Lansing, Michigan, based in New York.[1] She received her BA from Michigan State University and her MFA from the City College of New York,[1][2] where she taught in 2020.[3] Her work often addresses issues related to social justice in a range of media and processes including printmaking, interpretations of record-keeping, collaborative projects, video and collage.[4] Shani Peters has presented work all throughout the US and abroad at the New Museum, NY; The Schomburg Center for Research in Black Culture, NY; Seoul Art Space Geumcheon, South Korea; The National Gallery of Zimbabwe; and Bauhaus-Building Dessau, Germany[5].In 2019, she was a Joan Mitchell Foundation artist-in-residence in New Orleans.[5]. In 2017, she exhibited at Columbia University's Wallach Gallery.[6][7]
Shani Peters inspirations comes from various aspects of her life as she mentioned; "My art practice encompasses community building, activism histories, the subversion of popular media, and the creation of accessible imaginative experiences..." [8]
Published Writing
Shani Peters, a contemporary artist known for her socially engaged and multi-disciplinary practice, has contributed to various publications over the years. In 2015, she wrote The Good, which was published in Notebook 4: U.S. Independent Art Spaces & Initiatives Directory by Threewalls.[9]That same year, she authored Chameleon Street: A Reintroduction, which appeared in The Crown: Contemporary Construction of Self in America, a project associated with her exhibition at GalleryDAAS and published by The Regents of the University of Michigan in April 2015.[10] More recently, in April 2023, Shani Peters wrote U.S.->U.K.->S.K. and Back: Observations on the Western World's Fat Clogging of Arteries and Sugar Coating of Truth, which was featured in Arts in a Changing America. Through her written work, alongside her artistic practice, Peters continues to explore themes of identity, social justice, and collective empowerment.
Works
2011: "We Promote Love and Knowledge" (performance)[11]
2016: "Peace & Restoration for Self-Determination" (exhibit)[8]
Grants and Awards
2009 Urban Artist Initiative/New York City Fellowship[16]
2014 Foundation for Contemporary Arts, Emergency Grant[16]
2015 Joan Mitchell Foundation Emerging Artist Grant Rema Hort Mann Foundation Artist Community Engagement Grant: "Tradução: Intercultural Media Exchange: US & Brazil", w/ Sharita Towne Alumni Award: The Laundromat Project The Rauschenberg Foundation, Artist As Activist Travel Grant: Zimbabwe & South Africa[16]
2016 Precipice Fund: URe:AD Press, w/ Sharita Towne Rema Hort Mann Foundation Artist Community Engagement Grant: URe:AD Press, w/ Sharita Towne[16]
2018 UMEZ Engagement, LMCC w/ The Black School Creative Learning, LMCC, w/ The Black School Creative Learning, LMCC, w/ The Black School[16]
↑ Jones, Martha (March 23, 2015). "Artist Talk with Shani Peters". University of Michigan College of Literature, Science, and the Arts. Retrieved March 31, 2017.
1 2 3 "Shani Peters". Joan Mitchell Foundation. January 10, 2019. Retrieved March 22, 2024.
↑ "Contact - CV — Shani Peters". Shani Peters. Archived from [ttps://www.shanipeters.com/pagecv the original] on January 14, 2025. Retrieved February 28, 2025.
↑ "Contact - CV — Shani Peters". Shani Peters. Archived from [ttps://www.shanipeters.com/pagecv the original] on January 14, 2025. Retrieved February 28, 2025.
↑ Bernard, Audrey J (December 21, 2008). "Lots of beautiful truths revealed at 'white lies, black noise' exhibition". New York Beacon. ProQuest368007848.(subscription required)
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