Shari Frilot | |
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Born | June 18, 1965 |
Nationality | American |
Occupations |
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Awards | Peabody Award (2022) |
Shari Frilot (born June 18, 1965) is an artist, filmmaker, and chief curator of the New Frontier program at the Sundance Film Festival. [1] She is the director of two short films (Fly Boy, 1989 and Strange & Charmed, 2003), and one documentary feature (Black Nations/Queer Nations?, 1995). Frilot has been chief curator of the New Frontier program since 2007, where she leads programming of new experimental American film and has developed an exhibition space at the Sundance Film Festival which hosts "digital artworks, media installations, and multimedia performance," [2] including cinematic and artistic projects that make use of virtual reality technology. [3] In her role as chief curator of New Frontier, the integration of new technologies has included an international open call for VR-based projects, integration of haptic technologies, and the platforming of projects that made use of artificial intelligence in their creation. [4] Frilot has described the work of New Frontier by saying, "We wanted to cultivate an artistic and social environment to disarm people when they entered the space. It was a way of unlocking inhibitions and encouraging audiences to think about opening themselves up to the new rules and cinematic suggestions which the New Frontier artists are inviting you to consider." [5]
Her interests as a curator and a filmmaker are informed by her early experiences within a creative community of queer artists of color. [6] Alongside documentary filmmakers like Marlon Riggs, Cheryl Dunye, and Isaac Julien, Frilot was part of a generation of African-American directors whose work explicitly addressed issues of racial and sexual identity in the last two decades of twentieth century. [7] From 1992 to 1996, she served as Director of the gay and lesbian experimental film festival MIX festival in New York City, where she also co-founded the first gay Latin American subsidiary film festivals, MIX BRASIL and MIX MEXICO. She also served as co-director of Programming for OUTFEST from 1998 to 2001, where she founded the festival's Platinum Oasis, which introduced cinematic performance installation and performance to the festival for the first time. [8] In 2010, she was a featured speaker at the University of California, Berkeley's Art, Technology, and Culture Colloquium, where she presented a talk entitled "The Power of the Erotic: Curatorial Strategies at Sundance's New Frontier." [9]
Marlon Troy Riggs was a Black gay filmmaker, educator, poet, and activist. He produced, wrote, and directed several documentary films, including Ethnic Notions, Tongues Untied, Color Adjustment, and Black Is...Black Ain't. His films examine past and present representations of race and sexuality in the United States. The Marlon Riggs Collection is open to the public at Stanford University Libraries.
B. Ruby Rich is an American scholar; critic of independent, Latin American, documentary, feminist, and queer films; and a professor emerita of Film & Digital Media and Social Documentation at UC Santa Cruz. Among her many contributions, she is known for coining the term "New Queer Cinema". She is currently the editor of Film Quarterly, a scholarly film journal published by University of California Press.
Jenni Olson is a writer, archivist, historian, consultant, and non-fiction filmmaker based in Berkeley, California. She co-founded the pioneering LGBT website PlanetOut.com. Her two feature-length essay films — The Joy of Life (2005) and The Royal Road (2015) — premiered at the Sundance Film Festival. Her work as an experimental filmmaker and her expansive personal collection of LGBTQ film prints and memorabilia were acquired in April 2020 by the Harvard Film Archive, and her reflection on the last 30 years of LGBT film history was published as a chapter in The Oxford Handbook of Queer Cinema from Oxford University Press in 2021. In 2020, she was named to the Out Magazine Out 100 list. In 2021, she was recognized with the prestigious Special TEDDY Award at the Berlin Film Festival. She also campaigned to have a barrier erected on the Golden Gate Bridge to prevent suicides.
Rose Troche is an American film and television director, television producer, and screenwriter.
MIX NYC is a not-for-profit organization based in New York City dedicated to queer experimental film. It is also known as the "MIX festival," for its most visible program, the annual week-long New York Queer Experimental Film Festival (NYQEFF), which has featured early works by filmmakers such as Christine Vachon, Todd Haynes, Isaac Julien, Thomas Allen Harris, Barbara Hammer, Juan Carlos Zaldivar, Jonathan Caouette, Jennie Livingston, Gus Van Sant, and Matthew Mishory.
Ondi Doane Timoner is an American filmmaker and the founder and chief executive officer of Interloper Films, a production company located in Pasadena, California.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
Outfest is an LGBTQ-oriented nonprofit that produces two film festivals, operates a movie streaming platform, and runs educational services for filmmakers in Los Angeles. Outfest is one of the key partners, alongside the Frameline Film Festival, the New York Lesbian, Gay, Bisexual, & Transgender Film Festival, and the Inside Out Film and Video Festival, in launching the North American Queer Festival Alliance, an initiative to further publicize and promote LGBT film.
Thomas Allen Harris is a critically acclaimed, interdisciplinary artist who explores family, identity, and spirituality in a participatory practice. Since 1990, Harris has remixed archives from multiple origins throughout his work, challenging hierarchy within historical narratives through the use of pioneering documentary and research methodologies that center vernacular image and collaboration. He is currently working on a new television show, Family Pictures USA, which takes a radical look at neighborhoods and cities of the United States through the lens of family photographs, collaborative performances, and personal testimony sourced from their communities..
Sundance Institute is a non-profit organization founded by Robert Redford committed to the growth of independent artists. The institute is driven by its programs that discover and support independent filmmakers, theatre artists and composers from all over the world. At the core of the programs is the goal to introduce audiences to the artists' new work, aided by the institute's labs, granting and mentorship programs that take place throughout the year in the United States and internationally.
Black women filmmakers have made contributions throughout the history of film. According to Nsenga Burton, writer for The Root, "the film industry remains overwhelmingly white and male. In 2020, 74.6 percent of movie directors of theatrical films were white, showing a small decrease from the previous year. In terms of representation, 25.4 percent of film directors were of ethnic minority in 2020. Of the 25.4 percent of minority filmmakers, a small percentage was female.
Greta Schiller is an American film director and producer, best known for the 1984 documentary Before Stonewall: The Making of a Gay and Lesbian Community and the 1995 documentary Paris Was a Woman.
Yoruba Richen is an American film director, screenwriter and producer. Her work has been featured on PBS, New York Times Op Doc, Frontline Digital, New York Magazine's website -The Cut, The Atlantic and Field of Vision. Her film The Green Book: Guide to Freedom was broadcast on the Smithsonian Channel to record audiences and was awarded the Henry Hampton Award for Excellence in Documentary Filmmaking.
Erica Tremblay is a Native American filmmaker known primarily for her documentaries.
Johnny Symons is a documentary filmmaker focusing on LGBT cultural and political issues. He is a professor in the Cinema Department at San Francisco State University, where he runs the documentary program and is the director and co-founder of the Queer Cinema Project. He received his BA from Brown University and his MA in documentary production from Stanford University. He has served as a Fellow in the Sundance Institute’s Documentary Film Program.
Vivian Kleiman is a Peabody Award-winning documentary filmmaker. Other honors include a National Emmy Award nomination for Outstanding Individual Achievement in Research and an Academy Award nomination for Documentary Short.
Garrett Bradley is an American filmmaker and director of short films, feature films, documentaries, and television. She is known for blending cinematic genres to explore the larger sociopolitical significance of the everyday moments of her subjects' lived experience.
Todd Douglas Miller is an American filmmaker known for directing the award-winning films Dinosaur 13 and Apollo 11.
Sophia Nahli Allison is an American documentary filmmaker and photographer. Her documentary short A Love Song for Latasha (2019) was nominated for an Academy Award for Best Documentary. It debuted at the Tribeca Film Festival and screened at the Sundance Film Festival in 2020. Allison directed and co-wrote the 2021 HBO Max special Eyes on the Prize: Hallowed Ground.
Sam Feder is a transgender American filmmaker whose work is focused on the exploration of visibility regarding race, class, and gender. Feder is concerned with bringing visibility to trans peoples experiences, and prefers to be identified with gender-neutral pronouns. They are best known for the 2020 Documentary Disclosure. Their films have been nominated for and received multiple awards, including the James Aronson Award for Social Justice Journalism, the GLADD outstanding Documentary Award, and the Peabody awards.
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