Joseph Frank "Buster" Keaton was an American actor, comedian and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934-37) and the earliest screen appearances of Shirley Temple (1932-34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.
Clyde Adolf Bruckman was an American writer and director of comedy films during the late silent era as well as the early sound era of cinema. Bruckman collaborated with such comedians as Buster Keaton, Monty Banks, W. C. Fields, Laurel and Hardy, The Three Stooges, Abbott and Costello, and Harold Lloyd.
Irene Mary Purcell was an American film and stage actress, who appeared mostly in comedies, and later married Herbert Fisk Johnson Jr., the wealthy grandson of the founder of S. C. Johnson & Son.
Seven Chances is a 1925 American silent comedy film directed by and starring Buster Keaton, based on the play of the same name by Roi Cooper Megrue, produced in 1916 by David Belasco. Additional cast members include T. Roy Barnes, Snitz Edwards, and Ruth Dwyer. Jean Arthur, a future star, has an uncredited supporting role. The film's opening scenes were shot in early Technicolor.
Jules White was a Hungarian-American film director and producer best known for his short-subject comedies starring The Three Stooges.
The Garage is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as Fire Chief.
Boom in the Moon is a 1946 Mexican comedy science fiction film directed by Jaime Salvador and starring Buster Keaton. The film is notable both as Keaton's only Mexican production and as the last time Keaton had star billing in a feature film.
Pest from the West is the first short subject starring American comedian Buster Keaton made for Columbia Pictures. Keaton made a total of ten films for the studio between 1939 and 1941.
Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane. The film is a behind-the-scenes documentary shot while Buster Keaton's film The Railrodder (1965), was being produced. Although it is a production documentary, the film is actually longer than The Railrodder, which was only 24 minutes long. Both films were produced by the National Film Board of Canada (NFB). In addition, a French version of Buster Keaton Rides Again, Avec Buster Keaton was released.
Allez Oop is a 1934 American short comedy film starring Buster Keaton. It was the second film Keaton made for Educational Pictures.
What - No Beer? is a 1933 Pre-Code comedy film released by Metro-Goldwyn-Mayer directed by Edward Sedgwick and starring Buster Keaton and Jimmy Durante. MGM had also paired Keaton and Durante as a comedy team during this period in The Passionate Plumber and Speak Easily.
The Passionate Plumber is a 1932 American pre-Code comedy film directed by Edward Sedgwick, and starring Buster Keaton, Jimmy Durante, and Irene Purcell. The screenplay by Laurence E. Johnson and Ralph Spence is based on the 1926 play Dans sa candeur naïve by Jacques Deval. It is the second screen adaptation of the play, following the 1928 silent film The Cardboard Lover. It later was remade in 1942 as Her Cardboard Lover.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
The International Buster Keaton Society Inc.— a.k.a. "The Damfinos"—is the official educational organization dedicated to comedy film producer-director-writer-actor-stuntman Buster Keaton.
The Taming of the Snood is a 1940 film directed by Jules White. It is the fifth short subject starring Buster Keaton made for Columbia Pictures.
General Nuisance (1941) is the ninth short subject starring Buster Keaton made for Columbia Pictures.
Elsie Ames was an American comic dancer and film actress. Between 1937 and 1974 she acted in 15 films. She is best known as the female film partner of Buster Keaton.
