She Didn't Say No! | |
---|---|
Directed by | Cyril Frankel |
Written by | T.J. Morrison |
Based on | We Are Seven by Una Troy |
Produced by | Sergei Nolbandov |
Starring | Eileen Herlie Perlita Neilson Niall MacGinnis |
Cinematography | Gilbert Taylor |
Edited by | Charles Hasse |
Music by | Tristram Cary |
Production company | GW Films |
Distributed by | Associated British-Pathé |
Release date |
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Running time | 97 minutes |
Country | United Kingdom |
Language | English |
She Didn't Say No! is a 1958 British comedy film directed by Cyril Frankel and starring Eileen Herlie, Perlita Neilson and Niall MacGinnis. [1] Based on the 1955 novel We Are Seven by Una Troy, an attractive young Irishwoman has six children from five different fathers.
In a little Irish town the authorities apply for a court order to remove the unmarried Bridget Monaghan's six children, who have five different fathers. When the judge disagrees, finding them to be a happy and united family, the doctor convenes a meeting of the surviving fathers (one has died) at which, after long discussion, they agree on a plan. To remove the scandal, they will buy the Monaghans a farm over 150 kilometres away.
Negotiations will be conducted by Casey, unmarried father of the eldest Monaghan boy, whom he takes to work on his own farm. The eldest Monaghan girl falls in love with a visiting painter, who wants to take her to Italy. The next Monaghan girl catches the eye of a visiting film director, who wants to take her to London. The youngest Monaghan boy wins the heart of his father's childless wife, who wants to adopt him. Two children are left when Casey is ready to move the family to their new home and, to remove scandal, he marries their mother.
The film was shot at Elstree Studios and in Cornwall, using Technicolor. The film's sets were designed by the art director William Kellner.
The Monthly Film Bulletin wrote: "All the humour to be evoked from the subject of illegitimacy is here unmercifully bludgeoned, and a jolly musical score insists what a gay affair it all is. The direction is heavily unsubtle and the playing coyly emphatic. As an entertainment, the film is mediocre as well as mildly offensive." [2]
British film critic Leslie Halliwell said: "Coyly daring comedy full of stage Oirishisms and obvious jokes, a few of whoich work." [3]
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