Sheila Mullen (born 1942) is a Scottish painter who lives and works in Scotland. [1] She was born on 24 January 1942 in Glasgow, Scotland. She grew up near Auchtermuchty, Fife, Scotland. She attended the Glasgow School of Art and started painting professionally in 1978. Her works are in the permanent collections of the Leeds Art Gallery and the Duke of Buccleuch among others. In 2010 she was the subject of a monograph by Ann Matheson: The Bairns O Adam: The Paintings of Sheila Mullen. [2] [3] In 2006 she collaborated with the group of Scottish writers called the Crichton Writers [4] in a project called The Art of Ballads and Bards: An Anthology of Work by the Crichton Writers and Art by Sheila Mullen resulting in a published volume documenting the series of workshops and sessions between the writers and Mullen. [5] [6]
Lucy Skaer is a contemporary English artist who works with sculpture, film, painting, and drawing. Her work has been exhibited internationally. Skaer is a member of the Henry VIII’s Wives artist collective, and has exhibited a number of works with the group.
Sir Henry Raeburn was a Scottish portrait painter. He served as Portrait Painter to King George IV in Scotland.
The Glasgow School of Art (GSA) is a higher education art school offering undergraduate degrees; post-graduate awards and PhDs in architecture, fine art and design based in Glasgow, Scotland.
The Scottish Renaissance was a mainly literary movement of the early to mid-20th century that can be seen as the Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics. The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating folk influences, and a strong concern for the fate of Scotland's declining languages.
Thomas Faed RSA (1826–1900) was a Scottish painter who is said to have done for Scottish art what Robert Burns did for Scottish song.
Ken Currie is a Scottish artist and a graduate of Glasgow School of Art (1978–1983). Ken grew up in industrial Glasgow. This has had a significant influence on his early works. In the 1980s Currie produced a series of works that romanticised Red Clydeside depicting heroic Dockworkers, Shop-stewards and urban areas along the River Clyde. These works were also in response to then British Prime Minister Margaret Thatcher's policies that he believed were the greatest threat to culture of labour.
James McIntosh Patrick, OBE RSA was a Scottish painter, celebrated for his finely observed paintings of the Angus landscape and Dundee, Scotland, where he was based for most of his life.
Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art.
The Crichton is an institutional campus in Dumfries in southwest Scotland. It serves as a remote campus for the University of Glasgow, the University of the West of Scotland, Dumfries and Galloway College, and the Open University. The site also includes a hotel and conference centre, and Crichton Memorial Church, set in a 100-acre (40 ha) park. The campus was established in the 19th century as the Crichton Royal Hospital, a psychiatric hospital.
Joan Kathleen Harding Eardley was a British artist noted for her portraiture of street children in Glasgow and for her landscapes of the fishing village of Catterline and surroundings on the North-East coast of Scotland. One of Scotland's most enduringly popular artists, her career was cut short by breast cancer. Her artistic career had three distinct phases. The first was from 1940 when she enrolled at the Glasgow School of Art through to 1949 when she had a successful exhibition of paintings created while travelling in Italy. From 1950 to 1957, Eardley's work focused on the city of Glasgow and in particular the slum area of Townhead. In the late 1950s, while still living in Glasgow, she spent much time in Catterline before moving there permanently in 1961. During the last years of her life, seascapes and landscapes painted in and around Catterline dominated her output.
Ann Oenone Grocott is an Australian writer and painter, whose two children's books have been translated into Swedish and Danish. In addition to figurative, portraiture and landscape painting, her artworks include: assemblages in fabric, cement, wood, found objects etc.; oils on canvas, paper and plaster; watercolours and small sculptures. In 1999, Grocott was one of five artists chosen to represent Australia in "Our World in the Year 2000", the Winsor and Newton Worldwide Millennium Exhibition, as a result of which her work appeared in London, Stockholm, Brussels and New York.
Alasdair James Gray was a Scottish writer and artist. His first novel, Lanark (1981), is seen as a landmark of Scottish fiction. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of English and Scots literature. His works of fiction combine realism, fantasy, and science fiction with the use of his own typography and illustrations, and won several awards.
Tom Hubbard was the first librarian of the Scottish Poetry Library and is the author, editor or co-editor of over thirty academic and literary works.
Events from the year 1993 in Scotland.
Cordelia Patrick Oliver was a Scottish journalist, painter and art critic, noted as an indefatigable promoter of Scottish arts in general and the avant-garde in particular.
Events from the year 1942 in Scotland.
Barbara Davis Rae CBE RA FRSE is a Scottish painter and printmaker. She is a member of the Royal Scottish Academy and the Royal Academy of Arts.
Duncan Macmillan, FRSA, FRSE, HRSA, is a Scottish art historian, art critic, and writer.
Elizabeth "Bessie" MacNicol (1869–1904) was a Scottish painter and member of the Glasgow Girls group of artists affiliated with the Glasgow School of artists.
Carol Mary Rhodes was a Scottish artist known for paintings and drawings of landscapes and marked by human intervention. Rhodes was born in Edinburgh, but spent her infancy and youth in Serampore, India. She moved to the UK in her mid teens and studied fine art at the Glasgow School of Art. Graduating in 1982 she became politically active around issues of disarmament, feminism and social justice. Her focus returned to painting around 1990, and she developed her distinctive idiom of aerial-view, ‘man-made’ landscapes around 1994. These began to be exhibited in the United Kingdom and internationally, and entered many public collections. Rhodes’s work, and her part-time lecturing at Glasgow School of Art, was influential for younger generations of artists. In 2013 she was diagnosed with motor neurone disease.