Sheryl Cormier | |
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Background information | |
Birth name | Sheryl Guidreau |
Born | Grand Coteau, Louisiana | March 15, 1945
Genres | Cajun music |
Occupation | Accordion player |
Sheryl Cormier (born March 15, 1945) is an American Cajun accordion musician. She began playing the accordion when she was 7 years old. She is "one of the few women to establish herself in Cajun music" and is the first professional Cajun accordion female musician.
Cormier was a hair stylist before she became a professional musician. [1] She started her own group in 1990 which included her husband Russell singing and her son Russell Jr. playing the drums. The group recorded the album "Queen of Cajun Music" ("La Reine de Musique Cadjine"). [2] She also led an all-female Cajun band. [1] In 1992, she released her second album titled Sheryl Cormier and Cajun Sounds. [1] Throughout the 1990s, Cormier performed in Europe. The Arcadian Museum named her a Living Legend in 2002, [2] and that year it was reported that Cormier released 45 recordings and performed in every major Cajun music festival. [3] Her band, The Cajun Sound, includes her husband and son among others. [4] Cormier had a heart attack in 2004 that kept her from performing for close to a year. In 2005, Cormier and her husband traveled to England for a performance at the Gloucester International Music Festival and throughout Europe. [5]
Cormier is "one of the few women to establish herself in Cajun music" and she is the first professional female Cajun accordion musician. [6] She has been named the Cajun Queen in the United States and Europe. [5] In 1988, she was voted as Female Vocalist of the Year by The Times of Acadiana and she was given the title of Best Contemporary Artist. Her song "Mon Coeur et Mon Armour" won Best Song at the Cajun French Music Awards in 1989 and her band won Best Upcoming Band. Cormier was nominated for a Grammy Award in 1993. In 1997, she was placed in the Cajun Music Hall of Fame. [3]
Cormier was born as Sheryl Guidreau on March 15, 1945, in Grand Coteau, Louisiana. [4] [3] She started playing music when she was 7 years old after taking her father's accordion. Cormier said, "I wanted to play his forbidden musical instrument. For a farmer, the accordion was a prized and costly possession, and the children weren't allowed to touch it. I quickly taught myself to play the Cajun music that I often heard my father and his band play." [4] When she was a teenager, she played the accordion in a group that was led by her parents. [2]
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
Cajun music, an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African origins. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials.
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Nathan Abshire was an American Cajun accordion player. His time in the U.S. Army inspired Abshire to write the crooner song "Service Blues", which the newspaper Daily World reported as "one of his most memorable tearjerkers". After the war, he settled in Basile, Louisiana, where he played regularly at the Avalon Club. He released his best-known record, "Pine Grove Blues", in 1949. Abshire's music became more well known outside of Louisiana at the 1964 Newport Folk Festival. Abshire was never able to write so he was unable to sign autographs, resulting in him having to politely decline the requests. Despite thoughts of Abshire being "arrogant or stuck-up" for not signing autographs, he was unable to read and write. However, Abshire was taught how to write his own signature by Barry Jean Ancelet. Despite receiving more income from music than the majority of Cajun musicians, Abshire was not able to entirely depend on that income to live on. Abshire had multiple jobs during his life and his final job was working as the custodian of the town's dump. Abshire's legacy continued after his death in the form of a museum, a book, and a magazine special issue.
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Warren Storm was an American drummer and vocalist, known as a pioneer of the musical genre swamp pop; a combination of rhythm and blues, country and western, and Cajun music and black Creole music.
Leo Soileau was one of the most prolific Cajun recording artists of the 1930s and 1940s, recording over 100 songs, which was a substantial amount considering the reluctance to record the music during its early stages. He is known as the second person to record a Cajun record and the first to record this genre with a fiddle.
Cléoma Falcon was an American guitarist and vocalist who, along with her husband Joe Falcon, recorded one of the first known examples of Cajun music. The recording, "Allons à Lafayette" was released in 1928, and opened the way for other commercial releases of Cajun music. Aside from being a ground-breaking recording artist, Cléoma Breaux also was one of the few women to perform live, despite the social standards of the era. She was the first woman inducted into the Cajun Music Hall of Fame.
Mabel Sonnier Savoie was an American singer and guitar player with roots in Southern Louisiana's country and western and Cajun music scene. She was one of the first solo female recording artists in Louisiana.
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