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Ships in Harbour, Evening | |
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Artist | Caspar David Friedrich |
Year | 1828 |
Medium | oil on canvas |
Dimensions | 76.5 cm× 88 cm(30.1 in× 35 in) |
Location | Galerie Neue Meister, Dresden |
Ships in Harbour, Evening (German - Schiffe im Hafen am Abend) is an 1828 oil on canvas painting by the German artist Caspar David Friedrich, now in the Galerie Neue Meister in Dresden. [1]
Caspar David Friedrich was a German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
Wanderer above the Sea of Fog is a painting by German Romanticist artist Caspar David Friedrich made in 1818. It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
The Stages of Life is an allegorical oil painting of 1835 by the German Romantic landscape painter Caspar David Friedrich. Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life.
The Monk by the Sea is an oil painting by the German Romantic artist Caspar David Friedrich. It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood in the Berlin Academy exhibition of 1810. On Friedrich's request The Monk by the Sea was hung above The Abbey in the Oakwood. After the exhibition, both pictures were bought by king Frederick Wilhelm III for his collection. Today, the paintings hang side by side in the Alte Nationalgalerie, Berlin.
Chalk Cliffs on Rügen is an oil painting of circa 1818 by German Romantic artist Caspar David Friedrich.
The Abbey in the Oakwood is an oil painting by the German Romantic artist Caspar David Friedrich. It was painted between 1809 and 1810 in Dresden and was first shown together with the painting The Monk by the Sea in the Prussian Academy of Arts exhibition of 1810. On Friedrich's request The Abbey in the Oakwood was hung beneath The Monk by the Sea. This painting is one of over two dozen of Friedrich's works that include cemeteries or graves.
The Sea of Ice, (1823–1824), is an oil painting that depicts a shipwreck in the Arctic by the German Romantic painter Caspar David Friedrich. Before 1826 this painting was known as The Polar Sea.
The Galerie Neue Meister in Dresden, Germany, displays around 300 paintings from the 19th century until today, including works from Otto Dix, Edgar Degas, Vincent van Gogh and Claude Monet. The gallery also exhibits a number of sculptures from the Dresden Sculpture Collection from the same period. The museum's collection grew out of the Old Masters Gallery, for which contemporary works were increasingly purchased after 1843.
The Tree of Crows is an oil painting by the German Romantic artist Caspar David Friedrich, from 1822. Acquired by the Louvre in 1975, it has been called one of Friedrich's "most compelling paintings." The painting depicts a twisted oak tree, bare but for a few dead leaves, seen against an evening sky. An inscription on the back of the canvas refers to the hill at the painting's center as a Hünengrab, or dolmen, a prehistoric burial ground. In the distance can be seen the ocean, and Cape Arkona's chalk cliffs, a favorite subject of Friedrich's. Two crows are perched on the oak, while a flock descends toward it. In the darkened foreground are a hacked trunk and the upright stump of another oak.
Two Men Contemplating the Moon and Man and Woman Contemplating the Moon are a series of similar paintings by Caspar David Friedrich, the setting being among his best-known works. Friedrich painted at least three versions, with one variation featuring a man and a woman. The 1819–20 version in the Galerie Neue Meister is thought to be the original; the c. 1824 variant with a woman is in the Alte Nationalgalerie; and the c. 1830 version is in the Metropolitan Museum of Art.
Cairn in Snow, also known as Dolmen in the snow, is a landscape painting by the German painter Caspar David Friedrich. Friedrich is noted for his landscapes depicting features such as trees or Gothic ruins, silhouetted against the sky or in morning mists. The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood. It was probably painted around 1807, making it among Friedrich's first oil paintings. It measures 61 by 80 centimetres and has been held by the Galerie Neue Meister in Dresden since 1905.
The Lonely Tree is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. It measures 55 × 71 centimetres (22 × 28 in). The work depicts a panoramic view of a romantic landscape of plains with mountains in the background. A solitary oak tree dominates the foreground.
Moonrise by the Sea or Moonrise over the Sea is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape.
Cross in the Mountains, also known as the Tetschen Altar, is an oil painting by the German artist Caspar David Friedrich designed as an altarpiece. Among Friedrich's first major works, the 1808 painting marked an important break with the conventions of landscape painting by including Christian iconography. In the hierarchy of genres, religious (history) painting was considered the highest genre of art; Friedrich's use of landscape to evoke a spiritual message was thus controversial, causing debate between proponents of neoclassical ideals and the new German Romanticism of Friedrich and his peers.
Evening is an 1821 oil on canvas painting by Caspar David Friedrich, now in the Niedersächsischen Landesmuseum Hannover. With Morning, Midday and Afternoon, it forms a series on different times of day.
River Bank in Fog is a c. 1821 oil on canvas painting by Caspar David Friedrich, now in the Wallraf-Richartz-Museum & Fondation Corboud in Cologne, for which it was acquired in 1942 from the Graf Hahn collection at Schloss Basedow (Mecklenburg). It is also known as Elbschiff in Early Fog.
The Gazebo or The Garden Bower is an 1818 oil on canvas painting by Caspar David Friedrich, now in the Neue Pinakothek, in Munich.
The Great Enclosure or The Ostra Enclosure (Ostra-Gehege) is an 1831 oil-on-canvas painting by Caspar David Friedrich, now in the collection of the Albertinum of the Galerie Neue Meister, in Dresden.
Hutten's Grave (1823) is an oil on canvas painting by Caspar David Friedrich, showing a man in Lützow Free Corps uniform standing by the grave of the Renaissance humanist and German nationalist Ulrich von Hutten. Influenced heavily by the political climate of the time and Friedrich's own political beliefs, the painting is one of Friedrich's most political works and affirms his allegiance to the German nationalist movement. The painting was made to commemorate the 300th anniversary of Hutten's death and the 10th anniversary of Napoleon's invasion of Germany. It is now in the Klassik Stiftung Weimar's collection and on show in the Schlossmuseum at the Stadtschloss Weimar.