| | |
| Current façade | |
| Formation | 1976 |
|---|---|
| Location | |
Creative Director/CEO | Natalie Rose |
Creative Producer/Access and Inclusion | Lauren Oakes |
Young Leader | Sophie Ward |
| Website | shopfront |
Shopfront Arts Co-op is a youth arts organisation on Bidjigal and Kameygal Country in Carlton, Sydney. For 50 years, it has championed the creative voices of Young People through collaborative, cross-disciplinary performance-making. Established in 1976, Shopfront operates as a member-driven co-operative, providing training, mentorship, and production opportunities for artists aged 8–26.
The organisation presents a year-round program of workshops, performances, festivals, and emerging artist and technician development initiatives that emphasise creative agency and social connection.
Shopfront partners with schools, local councils, national arts institutions and venues to deliver access-focused programs and touring works, and maintains a strong commitment to inclusivity through initiatives designed for young artists with disability and those from underrepresented communities.
As one of Australia’s longest-running youth-led arts organisations, Shopfront continues to play a significant role in nurturing the next generation of performers, makers, and cultural leaders.
Several well-known people in the entertainment industry have started careers there or taught there, including Paul Capsis, Andrew Upton, Trevor Ashley and Julia Zemiro.
Shopfront Arts Co-op began as St George Theatre for Young People in 1976 by Errol Bray and Garry Fry, two theatre directors committed to creating a platform where Young People could write and perform their own stories. In the words of Bray: "Too often the expression and creative ability of young people is patronised or ignored." [1] [2] [3]
It began in a dancehall on Carlton Parade, an adjacent house and two shops – a women's fashion store and a butcher shop – hence the name Shopfront.
Shopfront’s earliest productions in the late 1970s reflected a distinctive commitment to ensemble-devised performance, with adult artists working alongside Young People to create original theatre rooted in lived experience. Responding to significant demand for youth-led creative opportunities, the organisation soon formalised a year-round program of workshops for participants aged 8–25, establishing one of Australia’s first sustained pathways for Young People to develop theatre-making skills outside a school environment.
Through the 1980s and 1990s, Shopfront expanded its artistic scope, integrating contemporary performance, visual art, film, and digital media into its programs and evolving into a nationally recognised hub for experimentation and interdisciplinary collaboration. The Co-op became known for centring voices often absent from mainstream arts institutions, including young artists with disability, LGBTQIA+ young people, and those from diverse cultural and socioeconomic backgrounds. [3]
Today, Shopfront is regarded as a leading youth arts organisation in Australia, commissioning new work, touring regionally and nationally, and offering extensive training and development opportunities for emerging artists. Its programs support generations of young creatives, many of whom have gone on to prominent careers in theatre, film, community arts, and cultural leadership.
Notable productions include The Greening of the Common, (about the Greenham Common Women's Peace Camp); Detective Story by Sidney Kingsley and Jean-Paul Sartre's In Camera, Romeo and Juliet in 2015. [4] [5] [6] [7] Its company was invited to perform Piece by Piece for International Youth Year at the United Nations in June 1985. [8] [9] [10] [11]
In 1979 the co-operative raised money to buy the building – through 50-hour Actathons, costume parades, raffles, income from show, donations they raised $43,000, and with the additional help of Rockdale and Hurstville Council, the NSW Government, with a bank loan the building was purchased by the young people's co-op. [3] Thirty years later Shopfront was still at the venue but had shortened its name to Shopfront. [3]
The organisation shut down 1990 for seven years, to be re-established in 1997 [4] when, thanks to funding from Australia Council for the Arts and the Member for Banks, the site was redeveloped as a three-storey creative arts and community centre for the region. [12]
On 7 August 1980, social circus troupe Wimmins Circus, touring from Melbourne, performed at Shopfront. [13] [14]
From 1977 Shopfront initiated and hosted the Australian National Young Playwrights Weekend. [2] Held annually, this weekend congress brought together youth from all over the country who were actively writing for live theatre. Local professional acting and writing talent such Max Gillies as Anna Volska and Pamela Van Amstel volunteered as mentors, and attendees' plays would be workshopped privately or performed in full in the Shopfront theatre space. [2] [15] The event ran into the 1990s. [15]
In 1984 the concept evolved to become the ambitious "World Interplay", billed as The 1st International Festival of Young Playwrights, which drew more than 40 participants from the UK, Europe, Central America, and the US. [16] The first patrons of the festival included Dorothy Hewett, Edward Bond, and Stephen Sondheim. [16]
Shopfront Arts Co-op is located in Carlton, New South Wales. Its stated aim is to provide space, resources, training, and development opportunities for young artists, aged between 8 and 26.[ citation needed ]
The building includes three rehearsal studios, a sound studio, and digital film editing suite.[ citation needed ]
| Year(s) | Title | Notes |
|---|---|---|
| ? | Bella's Caravan | Conducted by Christina Mimmocchi |
| Za Dusa | ||
| Detective Story | Directed by Jeremy Rice | |
| Mary Queen of Scots | Directed by Gemma Garner | |
| St George and the Dragon | Produced by Christina Mimmocchi | |
| Picnic at Hanging Rock | Directed by Jeremy Rice | |
| Gannon's Forest Gothic | ||
| Laugh or Die | Directed by Julia Zemiro | |
| Laugh and Have No Care | Directed by Alison Richardson | |
| Rated X | Directed by Jeremy Rice, winner of AWGIE for best play | |
| 1977 | The Playground Play [18] | |
| Thirteen | ||
| 1978 | Cappelletti | by John Turnbull |
| Kid's Cabaret | ||
| Playground Re-Play [18] | ||
| Concrete Sox | ||
| 1979 | Childmyth | |
| Quest for the IYC Touring Company | ||
| The Playground Play Touring Company | ||
| 1980 | A Rose For Zhivord Gardovich | |
| Replica | ||
| The Caravan Touring Company | ||
| 1983 | Room – The Musical | |
| 1985 | Piece By Piece | As part of the 1985 US/Canada Tour |
| 1986 | Power Play | Directed by Kingston Anderson, as part of the 1986 UK Tour |
| Great Australian Family Show | Directed by Cathy Henkel | |
| 1990 | Types Like Us | Directed by John De Feu, as part of the Pacific Rim Tour |
| When the Sky Falls | Directed by Michael McLaughlin, as part of the Pacific Rim Tour | |
| 1992-1993 | RATED M | Directed by Kaela Scott, winner of the Australia Day Award 1994 |
| 2002 | Live By The Die | |
| 2003 | Make RAW Not War | |
| CODA | Directed by TJ Eckleberg | |
| Frog Rocket | ||
| 2004 | RAWAir | |
| Wadya Call Me? | Directed by TJ Eckleberg | |
| Menus 4 Madness | ||
| Off the Wall | ||
| Shimmerer | ||
| 2005 | Drop It Like It's RAW | |
| Angels in the Architecture | Directed by TJ Eckleberg | |
| The(Neo)Sun | ||
| Shifting Spirits | ||
| 2006 | RAW On Fire | |
| POP UP! | Directed by TJ Eckleberg | |
| The Tuesday Clan | ||
| 2007 | Polyphonic Bonus Features | Directed by Chris Ryan |
| RAW – Shaken & Stirred | ||
| A City of Shadows and Ice | Directed by TJ Eckleberg | |
| Kaboom: ArtsLab Residency Showing | ||
| 2008 | Dracula's Cabaret Disco | |
| RAW No Use-By Date | ||
| (Lost Toy Story) | Directed by TJ Eckleberg | |
| Atomiser: ArtsLab Residency Showing | ||
| Villainous Business | ||
| 2009 | Rambos on Rollerskates | |
| RAW Reanimated Meat | ||
| Superperfect | ||
| Three: ArtsLab Residency Showing | ||
| Too Good To Be True | ||
| 2010 | Detours and Destinations | |
| At the Drive-In | ||
| Imagine Title Here | ||
| 2011 | Machine Atlas | |
| Island | ||
| 2012 | Arcade Assembly | |
| DanceHall Daze | ||
| 2013 | Travel Songs of Sea and Land | |
| A Walk in the Dark | ||
| The Drawing | ||
| 2014 | CITADEL | |
| Out of Line | ||
| The Hungry Games | ||
| 2015 | Romeo and Juliet | |
| Chasing Your Shadow | ||
| 2016 | Piece by Piece Redux | |
| Welcome To My World | ||
| The Greg Show | ||
| 2017 | ArtsLab: TREATS | |
| Telling Myths, Telling Lies | ||
| Star-Crossed | ||
| Umami | ||
| Un(Talented) | ||
| 2018 | Voices and Visions | |
| ArtsLab: BREAK GLASS (IN CASE OF EMERGENCY) | ||
| Organs! | ||
| The Magnificent, Terrible, Hottie Avery | ||
| The Pecking Order | ||
| 2019 | Cake | |
| The Unknown | ||
| 2020 | To My Younger Self | |
| Never, Ever | ||
| Elevate Festival | ||
| 2021 | ArtsLab: Unreliable Witness | |
| Tiny Universe | ||
| Hit Reset | ||
| Prisms | ||
| 2021-2023[ citation needed ] | The Lies We Were Told | Directed by Natalie Rose |
| 2022 | ArtsLab: Have We Been Here Before? | |
| Drag in the Daytime! | ||
| Little Jokes in Times of War | Created and performed by Charlotte Salusinszky | |
| Exquisite Corpse | Directed by Malcolm Whittaker | |
| In the Event of Moon Disaster | Members show, directed by Nick Vagne | |
| Teen Angst | Directed by Lucy Heffernan | |
| Negotiation Tactics for the Weak-Willed | Members show, written and directed by Kevin Tran | |
| Where Shall We Meet? | Directed by Natalie Rose and Jane Phegan | |
| Mums Tell Dad Jokes Too | Directed by Nicole Pingon and Tasha O'Brien | |
| ArtsLab: Here We Are Again! | ||
| Escape Together | ||
| 2023 | ArtsLab: Body of Work | |
| Stop. Drop. And Listen. | Directed by Hayden Tonazzi and Lily Hayman | |
| ArtsLab: WNW | ||
| In Between Moments | Directed by Lana Filies and Lauren Oakes | |
| Tender | Directed by Lana Filies and Lucy Heffernan | |
| 2024 | ArtsLab: COLLIDE | |
| When I Grow Up | Directed by Amelia Gilday and Nick Vagne | |
| Snail and Rocks | Created by Astra Milne and Miah Tito-Barratt | |
| Hello, Are You Still There? | ||
| Dignified Exit | Directed by Lauren Oakes and Lily Hayman | |
| Heebie Jeebies! | Directed by Jessica Melchert | |
| 2025 | ArtsLab: REVERB | |
| Cassidy’s Answers for Disquieting Questions | Members show, written and directed by Robin Bedward |
| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2023 | Sydney Theatre Awards | Best Production for Young People | The Lies We Were Told | Won | [19] |
| 2024 | Westfield Local Hero | Westfield Hurstville Local Hero | Zoe Ong for Shopfront Arts Co-op | Won |