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Fantasy comedy or comic fantasy is a subgenre of fantasy that is primarily humorous in intent and tone. Typically set in imaginary worlds, fantasy comedy often involves puns on, and parodies of, other works of fantasy.
Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows the peaceful alien invasion of Earth by the mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.
Algernon Henry Blackwood, CBE was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century".
Tales from the White Hart is a collection of short stories by science fiction writer Arthur C. Clarke, in the "club tales" style.
The Collected Stories of Arthur C. Clarke, first published in 2001, is a collection of almost all science fiction short stories written by Arthur C. Clarke. It includes 114 stories, arranged in order of publication, from "Travel by Wire!" in 1937 through to "Improving the Neighbourhood" in 1999. The story "Improving The Neighbourhood" has the distinction of being the first fiction published in the journal Nature. The titles "Venture to the Moon" and "The Other Side of the Sky" are not stories, but the titles of groups of six interconnected stories, each story with its own title. This collection is only missing a very few stories, for example "When the Twerms Came", which appears in his other collections More Than One Universe and The View from Serendip. This edition contains a foreword by Clarke written in 2000, where he speculates on the science fiction genre in relation to the concept of short stories. Furthermore, many of the stories have a short introduction about their publication history or literary nature.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
In science fiction, a time viewer, temporal viewer, or chronoscope is a device that allows another point in time to be observed. The concept has appeared since the late 19th century, constituting a significant yet relatively obscure subgenre of time travel fiction and appearing in various media including literature, cinema, and television. Stories usually explain the technology by referencing cutting-edge science, though sometimes invoking the supernatural instead. Most commonly only the past can be observed, though occasionally time viewers capable of showing the future appear; these devices are sometimes limited in terms of what information about the future can be obtained. Other variations on the concept include being able to listen to the past but not view it.
William Frederick Temple was a British science fiction writer, best known for authoring the novel-turned-film Four Sided Triangle.
"Jupiter Five" is a science fiction short story by British writer Arthur C. Clarke, first published in the magazine If in 1953. It appeared again in Clarke's collection of short stories Reach for Tomorrow, in 1956, and deals with the detection and exploration of an old spaceship from outside the Solar System.
Venture to the Moon is a group of six linked science fiction short stories by English writer Arthur C. Clarke. It was originally published in the British newspaper Evening Standard in 1956. The stories describe the first crewed mission to the Moon in 1975, as a joint American-Russian-British mission, and are narrated in first person from the point of view of the British team commander. Despite the death described in the third story, they are written in a humorous vein. They are collected in The Other Side of the Sky.
Supernovae, extremely powerful explosions of stars, have been featured in works of fiction since at least the early 1900s. The idea that the Sun could explode in this manner has served as the basis for many stories about disaster striking Earth, though it is now recognized that this cannot actually happen. Recurring themes in these stories include anticipating the inevitable destruction while being helpless and evacuating the planet, sometimes with the assistance of helpful aliens. The destruction of Earth in this manner occasionally serves as backstory explaining why humanity has started colonizing the cosmos. Another recurring scenario is radiation from more distant supernovae threatening Earth. Besides humans, alien civilizations are also occasionally subject to the dangers of supernovae. Supernovae are induced intentionally in several works, typically for use as weapons but sometimes for more peaceful purposes, and naturally occurring supernovae are likewise exploited in some stories.
Sir Arthur Charles Clarke was a British science fiction writer, science writer, futurist, inventor, undersea explorer, and television series host.
The following is a list of works by Arthur C. Clarke.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
"Silence Please" is a science fiction short story by British writer Arthur C. Clarke, first published in 1950. The piece was later used as the introductory story for Clarke's collection Tales from the White Hart.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was determined in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.
References
- 1 2 3 4 5 6 David N. Samuelson: Arthur C. Clarke (1917–). In: Richard Bleiler (ed.): Science Fiction Writers. Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. Charles Scribner's Sons, New York 1982, p. 313
- 1 2 3 4 5 6 David N. Samuelson: Arthur C. Clarke (1917–). In: Richard Bleiler (ed.): Science Fiction Writers. Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. Charles Scribner's Sons, New York 1982, p. 314
- ↑ David N. Samuelson: Arthur C. Clarke (1917–). In: Richard Bleiler (ed.): Science Fiction Writers. Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. Charles Scribner's Sons, New York 1982, p. 315