A shrew's fiddle or neck violin is a variation of the yoke, pillory or rigid irons whereby the wrists are locked in front of the bound person by a hinged board or steel bar. It was originally used in the Middle Ages as a way of punishing those who were caught bickering or fighting. [1]
The shrew's fiddle was used in medieval Germany and Austria, where it was known as a Halsgeige, meaning "neck viola" [1] or "neck violin". [2] It was originally made out of two pieces of wood fitted with a hinge and a lock at the front. The shrew's fiddle consisted of three holes. One was a large hole for the neck and the other two were smaller holes which fastened the wrists in front of the face. [1]
A bell was sometimes attached to this portable pillory, to alert townspeople that the victim was approaching so that they might be mocked and otherwise humiliated. Another version was a "double fiddle" by which two people could be attached together face-to-face, forcing them to talk to each other. They were not released until the argument had been resolved. [3]
The cello ( CHEL-oh; plural celli or cellos) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef and treble clef used for higher-range passages.
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone, compared to the deeper tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught 'by ear' rather than via written music.
The violin, sometimes known as a fiddle, is a wooden chordophone in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings,, usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a 6-course plucked instrument tuned like a lute that looked like but was quite distinct from the 4-course guitar.
Handcuffs are restraint devices designed to secure an individual's wrists in proximity to each other. They comprise two parts, linked together by a chain, a hinge, or rigid bar. Each cuff has a rotating arm which engages with a ratchet that prevents it from being opened once closed around a person's wrist. Without the key, the handcuffs cannot be removed without specialist knowledge, and the handcuffed person cannot move their wrists more than a few centimetres or inches apart, making many tasks difficult or impossible.
A hinge is a mechanical bearing that connects two solid objects, typically allowing only a limited angle of rotation between them. Two objects connected by an ideal hinge rotate relative to each other about a fixed axis of rotation: all other translations or rotations being prevented, and thus a hinge has one degree of freedom. Hinges may be made of flexible material or of moving components. In biology, many joints function as hinges, like the elbow joint.
The pillory is a device made of a wooden or metal framework erected on a post, with holes for securing the head and hands, formerly used for punishment by public humiliation and often further physical abuse. The pillory is related to the stocks.
Stocks are feet restraining devices that were used as a form of corporal punishment and public humiliation.
The pochette is a small stringed instrument of the bowed variety. It is essentially a very small violinlike wood instrument designed to fit in a pocket, hence its common name, the "pochette".
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced military helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor was often employed from ca. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet".
The armet is a type of helmet which was developed in the 15th century. It was extensively used in Italy, France, England, the Low Countries and Spain. It was distinguished by being the first helmet of its era to completely enclose the head while being compact and light enough to move with the wearer. Its use was essentially restricted to the fully armoured man-at-arms.
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound.
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
The rebab is the name of several related bowed string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe.
The citole was a string musical instrument, closely associated with the medieval fiddles and commonly used from 1200–1350. It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the neck to get different notes, and picked or strummed with a plectrum. Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the cetra, and it may have influenced the development of the guitar as well. It was also a pioneering instrument in England, introducing the populace to necked, plucked instruments, giving people the concepts needed to quickly switch to the newly arriving lutes and gitterns. Two possible descendant instrument are the Portuguese guitar and the Corsican Cetera, both types of cittern.
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family. The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings. The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it. There are many variations of chinrests such as clamped to the body in the center, on either side of the tailpiece as with a Guaneri style chinrest or to the left of the tailpiece.
The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre. It was also spelled cithara or kithara and was Latin for the Greek lyre. However, lacking names for some stringed instruments from the medieval period, these have been referred to as fiddles and citharas/cytharas, both by medieval people and by modern researchers. The instruments are important as being ancestors to or influential in the development of a wide variety of European instruments, including fiddles, vielles, violas, citoles and guitars. Although not proven to be completely separate from the line of lute-family instruments that dominated Europe, arguments have been made that they represent a European-based tradition of instrument building, which was for a time separate from the lute-family instruments.
The classicalkemenche, Armudî kemençe or Politiki lyra is a pear-shaped bowed instrument that derived from the medieval Greek byzantine lyre.
