A door is a hinged or otherwise movable barrier that allows ingress (entry) into and egress (exit) from an enclosure. The created opening in the wall is a doorway or portal. A door's essential and primary purpose is to provide security by controlling access to the doorway (portal). Conventionally, it is a panel that fits into the doorway of a building, room, or vehicle. Doors are generally made of a material suited to the door's task. They are commonly attached by hinges, but can move by other means, such as slides or counterbalancing.
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
An altarpiece is an work of art in painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting.
Las Meninas is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Baroque. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.
An alidade or a turning board is a device that allows one to sight a distant object and use the line of sight to perform a task. This task can be, for example, to triangulate a scale map on site using a plane table drawing of intersecting lines in the direction of the object from two or more points or to measure the angle and horizontal distance to the object from some reference point's polar measurement. Angles measured can be horizontal, vertical or in any chosen plane.
Venetian red is a light and warm (somewhat unsaturated) pigment that is a darker shade of red. The composition of Venetian red changed over time. Originally it consisted of natural ferric oxide (Fe2O3, partially hydrated) obtained from the red hematite. Modern versions are frequently made with synthetic red iron oxide produced via calcination of green vitriol (a.k.a. copperas) mixed with white chalk. The pigment contains up to 50% of the ferric oxide.
A rabbet or rebate is a recess or groove cut into the edge of a piece of machinable material, usually wood. When viewed in cross-section, a rabbet is two-sided and open to the edge or end of the surface into which it is cut.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum. Wood panels were also used for mounting vellum paintings.
A picture frame is a protective and decorative edging for a picture, such as a painting or photograph. It makes displaying the work safer and easier and both sets the picture apart from its surroundings and aesthetically integrates it with them.
A stretcher bar is used to construct a wooden stretcher used by artists to mount their canvases.
Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides of the stretcher bar or strainer bars and is secured to the back of the wooden frame.
An atelier is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision.
The M-1956 load-carrying equipment (LCE), also known as the individual load-carrying equipment (ILCE), was developed by the U.S. Army and first issued in the early 1960s. The M-1956 LCE was designed to replace the M-1945 Combat Pack, the M-1923 cartridge belt, the M-1936 pistol belt and the M-1937 BAR magazine belt. The M-1956 LCE was designed to be quickly configured, using no tools, to accommodate various mission and ammunition loads. The M-1956 LCE remained in service through the 1980s and set the standard for future United States military load-carrying equipment.
In astronomy, sextants are devices depicting a sixth of a circle, used primarily for measuring the position of stars. There are two types of astronomical sextants, mural instruments and frame-based instruments.
Iron oxide red is a generic name of a ferric oxide pigment of reddish colors. Multiple shades based on both anhydrous Fe
2O
3 and its hydrates were known to painters since prehistory. The pigments were originally obtained from natural sources, since the 20th century they are mostly synthetic. These substances form one of the most commercially important groups of pigments, and their names sometimes reflect the location of a natural source, later transferred to the synthetic analog. Well-known examples include the Persian Gulf Oxide with 75% Fe
2O
3 and 25% silica, Spanish red with 85% of oxide, Tuscan red.
This glossary defines terms that are used in the document "Defining Video Quality Requirements: A Guide for Public Safety", developed by the Video Quality in Public Safety (VQIPS) Working Group. It contains terminology and explanations of concepts relevant to the video industry. The purpose of the glossary is to inform the reader of commonly used vocabulary terms in the video domain. This glossary was compiled from various industry sources.
In visual arts, the ground is a prepared surface that covers the support of the picture and underlies the actual painting. Occasionally the term is also used in a broad sense to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.
In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel. Support is technically distinct from the overlaying ground, but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.
The hiding power is an ability of a paint to hide the surface that the paint was applied to. Numerically, it is defined as an area of surface coated by a volume of paint at which the "complete hiding" of the underlying surface occurs.
