Sigurd Leeder

Last updated

1027-6-7-6-13 Portrat Sigurd Leeder.jpg

Sigurd Leeder (birth name: Carl Eduard Wilhelm Leder) was a German dancer, choreographer and dance education theorist. He was born in Hamburg on 14 August 1902, the son of Carl Eduard Gottfried Leder, lithographer, and Martha Auguste Anna Henriette Friedrich. [1] He died in Herisau, Switzerland, on 20 June 1981. He developed a method of teaching expressive dance and contributed, with Albrecht Knust, to the development and dissemination of labanotation, which pioneered the written language of symbols to record and represent modern dance.

Contents

Life and career

Sigurd Leeder.jpg

After studying graphic design in Hamburg for two and a half years, he studied dance in Ascona with Sarah Norden, a pupil of Rudolf Laban and Mary Wigman. In 1920 he devised his first solo choreography, Tanz ohne Musik, and performed it at the Curiohaus in Hamburg. He then joined Hamburger Kammerspiele under the leadership of Erich Ziegel that same year. Then, in 1923, he toured with the Munich Tanzgruppe directed by Jutta von Collande.

Two encounters shaped his future career – with Rudolf Laban in 1923, and then with Kurt Jooss in 1924. He met the latter while he was a dancer at the Stadttheater in Münster under the joint direction of Hans Niedecken-Gebhard and Rudolf Schulz-Dornburg. A close collaboration between Leeder and Jooss followed, lasting twenty-three years. In 1926 he was given a teaching and leadership commission at the Westfälische Akademie für Bewegung, Sprache und Musik in Münster. The following year, with Kurt Jooss, he founded the Neue Tanzbühne at the Münster Theater, which employed Fritz Cohen as a pianist, Aino Siimola – future wife of Jooss – as a dancer, and Hein Heckroth as stage and costume designer. He also became a professor at the newly established Folkwangschule in Essen. He traveled with Jooss to study classical dance in Paris and Vienna. Their collaborative piece Zwei Tänzer became an emblematic work.

In 1928 he participated in the II Dancers Congress in Essen, with Kurt Jooss, Dussia Bereska, Fritz Klingenberg and Rudolf Laban, where kinetography – subsequently known as Labanotation – was introduced by Laban himself. In 1933, he taught Ida Rubinstein's Persephone company in Paris, where he met Dorothy and Leonard Elmhirst, soon-to-be patrons, who invited him, Jooss and their dancers to England in early 1934, following rising Nazi oppression. This was the foundation of the Jooss-Leeder School of Dance at Dartington Hall in Devon. He developed his method of teaching based on the study of eukinetics and choreutics – which had begun in Essen – the various dynamics of movement and the coordination of spatiality in and around the body.

As a result of restrictive measures during the early part of the Second World War, he spent a few months in an internment camp, then moved to Cambridge in 1940, where he reformed the Jooss-Leeder Dance Studio with Kurt Jooss. The year 1947 marks the end of their collaboration, when he moved to London and set up his own school with the Studio Group as his own company. On 17 July of this year, his name change to Sigurd Leeder was authorised. In addition to teaching in London, he regularly participated in summer courses in Switzerland, notably alongside his peers in modern dance, including Mary Wigman, Rosalia Chladek and Harald Kreutzberg.

Among his students in London at this time were Birgit Cullberg, the founder of the Ballets Cullberg in Sweden, and Grete Müller who would become his later collaborator. As a teacher, he trained not only dancers but also future teachers, such as Simone Michelle and June Kemp, who took over the direction of the London school when he left for Chile to take up an appointment to direct the University of Chile's dance department from 1959 to 1964. In 1965 he was invited by Grete Müller to take over the direction of the school which she had opened in Herisau after her training at the school in London. He taught here until his death in 1981. In 1979 he headed the International Council of Kinetography Laban (ICKL), the international congress. They dedicated themselves to the development of the signs and language of Laban notation, the transcription of choreographies and the writing of movement studies for teaching.

Choreographies (non exhaustive list)

Dancer

Choreographer

Bibliography

Related Research Articles

<span class="mw-page-title-main">Rudolf von Laban</span> Austrian choreographer

Rudolf von Laban, also known as Rudolf Laban, was an Austro-Hungarian, German and British dance artist, choreographer and dance theorist. He is considered a "founding father of expressionist dance", and a pioneer of modern dance. His theoretical innovations included Laban movement analysis and Labanotation, which paved the way for further developments in dance notation and movement analysis. He initiated one of the main approaches to dance therapy. His work on theatrical movement has also been influential. He attempted to apply his ideas to several other fields, including architecture, education, industry, and management.

<span class="mw-page-title-main">Labanotation</span> System for analyzing and recording human movement

Labanotation is a system for analyzing and recording human movement, invented by Austro-Hungarian choreographer and dance Rudolf von Laban, who developed his notation on movements in the 1920s.

<span class="mw-page-title-main">Dance notation</span> Transcription systems for documenting dance

Dance notation is the symbolic representation of human dance movement and form. Using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A dance score is a recorded dance notation that describes a particular dance.

<span class="mw-page-title-main">Kurt Jooss</span>

Kurt Jooss was a famous German ballet dancer and choreographer mixing classical ballet with theatre; he is also widely regarded as the founder of Tanztheater. Jooss is noted for establishing several dance companies, including most notably, the Folkwang Tanztheater, in Essen.

<span class="mw-page-title-main">Expressionist dance</span> Form of dance focused on expression of feelings

Expressive dance from German Ausdruckstanz, is a form of artistic dance in which the individual and artistic presentation of feelings is an essential part. It emerged as a counter-movement to classical ballet at the beginning of the 20th century in Europe. Traditional ballet was perceived as austere, mechanical and tightly held in fixed and conventional forms. Other designations are modern dance and free dance, expressionist dance or new artistic dance, in Anglo-American countries German dance. In 2014, modern dance with the stylistic forms and mediation forms of rhythmic and expressive dance movements was included in the German List of intangible Cultural Heritage as defined by the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. German Expressionist dance is related to Tanztheater.

<span class="mw-page-title-main">Mary Wigman</span> German dancer and choreographer (1886–1973)

Mary Wigman was a German dancer and choreographer, notable as the pioneer of expressionist dance, dance therapy, and movement training without pointe shoes. She is considered one of the most important figures in the history of modern dance. She became one of the most iconic figures of Weimar German culture and her work was hailed for bringing the deepest of existential experiences to the stage.

The German Tanztheater grew out of German Expressionist dance in Weimar Germany and 1920s Vienna. The term first appears around 1927 to identify a particular style of dance emerging from within the new forms of 'expressionist dance' developing in Central Europe since 1917. Its main exponents include Mary Wigman, Kurt Jooss and Rudolf Laban. The term reappears in critical reviews in the 1980s to identify the work of primarily German choreographers who were students of Jooss and Wigman, along with the Austrian Johann Kresnik. The development of the form and its concepts was influenced by Bertolt Brecht and Max Reinhardt, and the cultural ferment of the Weimar Republic.

Yat Malmgren was a Swedish dancer and acting teacher, born in Gävle, Sweden to Gustaf Sigurd Eriksson and Signe Emma Maria Malmgren.

The Green Table is a ballet by the German choreographer Kurt Jooss. His most popular work, it depicts the futility of peace negotiations of the 1930s. It was the first work to be fully notated using kinetography Laban (Labanotation). It is in the repertoire of ballet companies worldwide, where it has been staged by Jooss himself. Since his death in 1979, his daughter Anna Markard has been responsible for stagings of the work.

<span class="mw-page-title-main">Ann Hutchinson Guest</span> American dance notator (1918–2022)

Ann Hutchinson Guest was an American authority on dance notation and movement analysis, long based in the United Kingdom. She studied more than 80 dance notation systems and translated 20 to Labanotation. This gave her access to a number of dance works in their original version – such as Vaslav Nijinsky's L'Après-midi d'un Faune. Her extensive research, performing and teaching career led her to establish the Language of Dance approach to movement understanding.

<span class="mw-page-title-main">Folkwang University of the Arts</span>

The Folkwang University of the Arts is a university for music, theater, dance, design, and academic studies, located in four German cities of North Rhine-Westphalia. Since 1927, its traditional main location has been in the former Werden Abbey in Essen in the Ruhr area, with additional facilities in Duisburg, Bochum, and Dortmund, and, since 2010, at the Zeche Zollverein, a World Heritage Site also in Essen. The Folkwang University is home to the international dance company Folkwang Tanz Studio (FTS). Founded as Folkwangschule, its name was Folkwang Hochschule from 1963 until 2009.

<span class="mw-page-title-main">Susanne Linke</span> German dancer and choreographer

Susanne Linke is an internationally renowned German dancer and choreographer who is one of the major innovators of German Tanztheater, along with Pina Bausch and Reinhild Hoffmann.

<span class="mw-page-title-main">Modern dance</span> Genre of western concert or theatrical dance

Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.

Valerie Preston-Dunlop has an MA in movement studies and her PhD in choreography. She is a consultant and Honorary Fellow at London's Trinity Laban Conservatoire of Music and Dance. She conducted extensive research in the life and work of Rudolf Laban. She has written many books and directed DVDs that have contributed to the field of dance. She is a teacher, researcher, and dance scholar.

Frederick A. "Fritz" Cohen (1904–1967) was a German composer best known for writing the music for Kurt Jooss's ballets.

<span class="mw-page-title-main">Andrea Amort</span>

Andrea Amort is an Austrian dance critic, dance historian, playwright, festival and exhibition curator as well as a non-fiction writer.

Wolfgang Martin Schede was a German writer, dancer, actor, choreographer, artist and photographer. He was credited with being for men's expressionist dance what Mary Wigman was for women's dance. After the experiment of running an expressionist theatre in Cologne, he founded a dance school there in 1923, and worked at the Theater Dessau from 1925. After World War II, he turned to writing, art and photography.

<span class="mw-page-title-main">Frank-Manuel Peter</span> German dancer

Frank-Manuel Peter is a German dance researcher and historian.

Kurt Peters was a German dancer, dance educator, dance critic, dance historian and publisher. In 1948, he founded the Deutsches Tanzarchiv Köln.

Fritz Böhme was a German dance publicist and cultural journalist.

References

  1. "Sigurd Leeder (1902–1981)". Folkwang Universität der Künste.