Silur | ||||
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Studio album by Tarwater | ||||
Released | 1998 | |||
Genre | Indietronica | |||
Tarwater chronology | ||||
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Silur is the second full-length release by Tarwater, an electronic music group from Berlin, Germany. The album debuted on September 28, 1998. The album combines spartan spoken-word narration with ambient, electronic music. [1] The music mainly consists of looped samples layered with live instruments. The instruments used were not those commonly used in pop-rock music. For example, the flute is commonly used throughout the album.
Tarwater is a German music duo comprising Bernd Jestram and Ronald Lippok. Tarwater have recorded several albums of mostly instrumental music usually tagged as post-rock.
Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means, and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer, and computer can produce electronic sounds.
Berlin is the capital and largest city of Germany by both area and population. Its 3,723,914 (2018) inhabitants make it the second most populous city proper of the European Union after London. The city is one of Germany's 16 federal states. It is surrounded by the state of Brandenburg, and contiguous with its capital, Potsdam. The two cities are at the center of the Berlin/Brandenburg Metropolitan Region, which is, with 6,004,857 (2015) inhabitants and an area of 30,370 square km, Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions.
The album received some criticism for failing to maintain the same tone consistently throughout the album. The first five songs feature a slow, deliberate, almost ethereal tone. The mood is interrupted by the sixth song, "No More Extra Time," an up-tempo synth-pop song. [2] The album's seventh song reverts to the mood of the first five, however subsequent songs are progressively more pop-like than ambient.
Trip hop is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as "a fusion of hip hop and electronica until neither genre is recognizable", and may incorporate a variety of styles, including funk, dub, soul, psychedelia, R&B, and house, as well as other forms of electronic music. Trip hop can be highly experimental.
Ambient music is a genre of music that emphasises tone and atmosphere over traditional musical structure or rhythm. A form of slow instrumental music, it uses repetitive, but gentle, soothing sound patterns that can be described as sonic wallpaper to complement or alter one’s space and to generate a sense of calmness. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality.
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Paul Beaver was a jazz musician and a pioneer in popular electronic music, using the Moog synthesizer.
Drone music, drone-based music, or simply drone, is a subgenre of minimal music that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".
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No-Man are an English art pop duo, formed in 1987 as No Man Is an Island by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced six studio albums and a number of singles/outtakes collections. The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper, and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".
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