A Simbi is a Central African water and nature spirit in traditional Kongo religion, as well as in African diaspora spiritual traditions, such Hoodoo in the southern United States and Palo in Cuba. Simbi have been historically identified as water people, or mermaids, pottery, snakes, gourds, and fire. Due to the forced removal of Bantu peoples from Africa to the Americas, the veneration of simbi exists today in countries, such as the United States, Brazil, Cuba, and Haiti.
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
The culture of Haiti is a creolized blend of African, European and Taino elements due to the French colonization of Amerindian land, in conjunction with the large diverse enslaved African population whom had later freed themselves by a successful revolt. These attributions have largely influenced the art, cuisine, literature, music, religion as well as the languages of Haiti.
Boukman Eksperyans is a mizik rasin band from the city of Port-au-Prince, Haiti, Grammy nominated for their debut album Vodou Adjae. The band derives its name from Dutty Boukman, a vodou priest who led a religious ceremony in 1791 that is widely considered the start of the Haitian Revolution. The other half of the band's name, "Eksperyans", is the Haitian Creole word for "experience", and was inspired by the band's appreciation of the music of Jimi Hendrix. The band was at the height of its popularity in 1991 when the presidency of Jean Bertrand Aristide was overthrown in a military coup d'etat. Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations.
Vodou Adjae is the first album of the Haitian music group Boukman Eksperyans. It is distributed in the United States and Canada by Mango, a division of Island Records. All of the songs are in Haitian Creole.
RAM is a mizik rasin band based in the city of Port-au-Prince, Haiti. The band derives its name from the initials of its founder, songwriter, and lead male vocalist, Richard A. Morse. The band's music has been described by Morse as "Vodou rock 'n' roots", and has been one of the prominent bands in the mizik rasin musical movement in Haiti. RAM began performing together in 1990, and recorded their first album in 1996. The band's music incorporates traditional Vodou lyrics and instruments, such as rara horns and petro drums, into modern rock and roll. The band's songs include lyrics in Haitian Creole, French, and English.
"Fèy" is a traditional Vodou folk song in Haiti. In Haitian Creole, "fèy" means "leaf", and the lyrics of the song describe a leaf falling from a tree. Like many traditional songs in Vodou folklore, the lyrics of "Fèy" can hold many meanings, both religious and political. At least two mizik rasin bands in the 1990s sang adaptations of the traditional song. A version first performed by RAM in 1992 was banned throughout Haiti during the remaining years of the Raoul Cédras military junta.
Rasin, also known as Haitian roots music, is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles. The late 20th century style of this music links to the roots of Vodou tradition, where it came to be known as mizik rasin later in Haitian Creole. Modern-day, the movement is often referred to simply as "rasin" or "racine".
Boukan Ginen is a mizik rasin band from the city of Port-au-Prince, Haiti. Boukan is the Haitian Creole word for "bonfire" or "fire pit". Ginen is a specific Haitian name for the ancestral home of enslaved Africans.
Ayibobo is a band from New York City, United States that is Jean-Paul Bourelly's side project. Ayibobo is one spelling of a Haitian Creole word that means "amen". MusicHound described the band as combining "Haitian singers and drummers with jazz horns, Bourelly's style, and EU drummer Ju Ju House."
In traditional Bakongo spirituality, a simbi is a water spirit that can travel between the physical world and the spiritual world, but may also refer to:
Stevenson Magloire was a painter born in Pétion-Ville, Haiti. He is the son of artist Louisiane Saint Fleurant, a founder of the School of Soleil art movement. Magloire's paintings are bold and expressionistic, frequently incorporating people, birds, and Vodou and Christian symbolism.
Richard Auguste Morse is a Puerto-Rican-born Haitian-American musician and hotel manager currently residing in Port-au-Prince, Haiti. Morse manages the Hotel Oloffson, and is the founder of a mizik rasin band, RAM, named after his initials. Morse is married to the band's lead female vocalist, Lunise Morse, and has two children. Morse and his band are famous in Haiti for their political songs and performances critical of the Raoul Cédras military junta from 1991 to 1994. In the early 2000s, Morse has also criticized Jean-Bertrand Aristide and Fanmi Lavalas through his music. Morse is a United States citizen. His cousin Michel Martelly is a musician, right-wing Haitian politician and former President of Haiti. Richard Morse repeatedly expressed support for Martelly in the 2010 presidential elections in Haiti. By the end of 2012, he had distanced himself from the Martelly government.
Haitians are the citizens of Haiti and the descendants in the diaspora through direct parentage. An ethnonational group, Haitians generally comprise the modern descendants of self-liberated Africans in the Caribbean territory historically referred to as Saint-Domingue. This includes the mulatto minority who denote corresponding European ancestry, notably from French settlers. By virtue of historical distinction, the vast majority of Haitians share and identify with this common African lineage, though a small number are descendants of contemporary immigrants from the Levant who sought refuge in the island nation during World War I and World War II.
Haitian Carnival is a celebration held over several weeks each year leading up to Mardi Gras. Haitian Defile Kanaval is the Haitian Creole name of the main annual Mardi Gras carnival held in Port-au-Prince, Haiti.
Frisner Augustin was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years.
Twoubadou music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer-composer who accompanies himself on songs that tell about the bitterness and humor of love, often using risqué or suggestive lyrics.
Haitian rock, or rock kreyòl, started as rock n roll in Haiti in the early 1960s. It was played by rock bands called yeye bands. The name yeye derives from the Beatles lyrical verse, "yeah, yeah, yeah", which took off in the United States and was listened to by upper class Haitian families who had access to the radio. Young Haitians formed small electric guitar-based bands. These yeye rock bands were short-lived, as the addition of compas to their repertoires resulted in a sound was called mini-jazz, or mini-djaz in Haitian Creole.
Mimerose P. "Manzè" Beaubrun is a Haitian musician and writer.
