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Simon Tan | |
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Birth name | Simon Leonardo P. Tan |
Also known as | Simon |
Born | August 13, 1970 |
Origin | Manila, Philippines |
Genres | jazz, blues music, R&B, rock |
Occupation(s) | bassist |
Instruments | electric bass guitar – 4-string & 6-string upright bass |
Years active | 1992–present |
Labels | sessions: N/A Records, Candid Records, Star Records, and independent imprints |
Associated acts | Bob Aves Lampano Alley Hourglass Noel Cabangon Johnny Alegre Affinity Peryodiko Skarlet UP Jazz Ensemble, W.D.O.U.J.I.(Witch Doctors of Underground Jazz Improvisation) Peryodiko Cynthia Alexander |
Simon Leonardo P. Tan (born August 13, 1970) is a Filipino bassist. He began learning classical guitar aged 13 at the Yamaha School of Music before later moving on to electric guitar and the electric bass. He studied the contrabass at the University of the Philippines College of Music from 1988 until 1992, then began a professional musical career, performing in bands of various different genres, including the Manila-based blues band, Lampano Alley, led by the Filipino blues singer and recording artist, Binky Lampano. This was followed by his tenure as bassist and composer with the jazz group, WDOUJI.
Tan's influences as a bass instrumentalist include Roscoe Beck, Ray Brown, Paul Chambers, Charlie Haden, James Jamerson, Marcus Miller, Jaco Pastorius, and John Pattitucci.[ citation needed ]
A power trio is a rock and roll band format having a lineup of electric guitar, bass guitar and drum kit, leaving out the second rhythm guitar or keyboard instrument that are used in other rock music bands that are quartets and quintets. Larger rock bands use one or more additional rhythm section to fill out the sound with chords and harmony parts.
Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
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