 | A major contributor to this article appears to have a close connection with its subject.(July 2023) |
Simone Menezes | |
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| Born | 22 January 1977 Brasília, Brazil |
| Citizenship | Brazil and Italy |
| Occupation | Conductor |
| Website | www |
Simone Menezes (born 22 January 1977) is an Italo-Brazilian conductor based in France. [1]
Menezes was born in Brasília. She studied piano, flute and conducting at the State University of Campinas (Unicamp). This university ranks first in the list of best universities in Latin America according to the British magazine Times Higher Education . [2]
At the age of 20, she created her first orchestra, [3] the young symphonic orchestra of Campinas – Unicamp. She obtained sponsorship from the Petrobras to develop the young orchestra, perform tours and record, [4] subsequently going to Europe to study.
In 2007–2008, she obtained a scholarship to study at the École normale de musique de Paris [5] where she was awarded her diploma after only one year of study. In parallel, she studied with Colin Metters in London and developed contemporary music repertoire while residing with the Remix Ensemble (Portugal) and Ensemble Multilatérale (Paris).
She also participated in masterclasses with Paavo Järvi, Neeme Järvi, Gennady Rozhdestvensky and Cláudio Cruz .
On her return to Brazil, from 2008 until 2012 she assumed the direction of the Unicamp Symphony Orchestra and became, after Ligia Amadio, only the second woman to be a conductor of a professional orchestra in Brazil. While at the orchestra of UNICAMP, her project "Panorama da Musica Brasileira" received the prize awarded by the São Paulo State Association of Critics. [6] She developed several multidisciplinary projects including dance, music, technology and premiered more than 20 works. [7] [8] [9]
In 2013, she founded and directed the "Camerata Latino Americana", [10] [11] [12] [13] an ensemble specialized in the interpretation of Latin American repertoire and attracted the attention of the ISPA International Society for the Performing Arts of New York and the Association of British Orchestras in London.
In 2014, she founded with the pianist Sonia Rubinsky the "Villa Lobos Project", a project dedicated to promoting the work of the composer Villa-Lobos and classical Brazilian music internationally; [14] [15] the development of a reflection on Brazilian identity in partnership with other artists, researchers and the general public; the realization of artistic and cultural projects such as concerts, masterclasses and publications.
Since 2014, she has been mentored by Paavo Järvi and works as his assistant on several projects. [16]
In 2019, she was awarded second prize in the European competition MAWOMA (Master Woman Orchestra) for female orchestra conductors at the Musikverein in Vienna. [17] [18] [19] [20] In the same year, she made her Japanese debut with the Osaka Symphony Orchestra and Chofu International Music Festival. [21]
Considered to be an avant-gardist and an engaged personality, today there are around 4% women orchestra conductors in the world, Menezes was the second woman to be at the head of a professional orchestra in Brazil at a time when there were even less. She has always been engaged in numerous multidisciplinary projects and her style is considered as innovative. She has worked with composers such as: Thomas Ades, [22] Esteban Benzecry, [23] Lera Auerbach, [24] Philippe Hersant. [25]
In 2019, she launched a new project called "K", an orchestral ensemble formed by musicians from several countries to explore unusual repertoires and multidisciplinary projects. The ensemble is based in Lille, Belgium and Paris.The Ensemble K released in 2020 his first album Accents by the label Aparté acclaimed by the press and said by the newspaper le monde "Founded in 2019 by the Italian-Brazilian conductor Simone Menezes, Ensemble K calls itself: Klassique, Kosmopolite, Kontemporain, Kréatif, Connected”. And that's true ! " And in 2022, she created with her orchestra K lhe a multiforme musical project "Metanoia", the project launched by the German label Accentus, includes a CD, a touring and the documentary Metanoia that brings a fresh discussion about classical music, art and photography. The documentary is signed by the Grammy winner Paul Smaczny and features Italian thinker Alberto Cavali, German painter Michael Triegel and conductor Antonio Pappano. [26] [27] [28]
In 2021 Philharmonie de Paris commissioned a symphonic project around Amazon Rainforest that Simone developed in partnership with the photographer Sebastiao Salgado, a concert combining the music of Villa-Lobos and Philip Glass with the images of the photographer. The project, acclaimed by "The Guardian", made its debut at the Philharmonie de Paris and went on tour in several cities around the world, passing by the Barbican in London, the Pacco da Musica in Rome among others. [29] [30]
In the Universal Exposition of Dubai in 2022, she also leads the concert "The beauty will save the world" with Cartier Women's Initiative as part of the Women's Pavilion at the Universal exhibition in Dubai, bringing a first female conductor, ensemble and a female choir to this country. [31] [32]
Menezes is married since the age of 20 to the engineer Humberto Menezes and is the mother of Julia Menezes. [33]
Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory.
The São Paulo State Symphony Orchestra is a Brazilian orchestra based in São Paulo. The principal concert venue of OSESP is the Sala São Paulo.
The Bachianas Brasileiras are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent a fusion of Brazilian folk and popular music on the one hand and the style of Johann Sebastian Bach on the other, as an attempt to freely adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music. Most of the movements in each suite have two titles: one "Bachian", the other Brazilian.
Cacilda Campos Borges Barbosa was a Brazilian pianist, conductor and composer. She was one of the pioneers of electronic music in Brazil.
Paulo Costa Lima is a senior Brazilian composer and music theorist, which has won more than 20 national and international Prizes and Comissions along his career. A member of the Brazilian Academy of Music, Lima's main interest is the interaction between composition and culture, including its political aspects, namely composition as a way of resisting colonization and against the "waste of experience," the traditional circuit in which ideas (theory) are produced elsewhere and absorbed by the peripherical South of the Globe, as if the experience of populations in the periphery would be incapable of producing theory grounded musical practices. Lima's publications are on topics such as the theory and pedagogy of musical composition, analysis and history of Brazilian contemporary music analysis of Brazilian popular songs, the possible dialogue between music and psychoanalysis, and cultural semantics. Lima's compositional interests include the rhythmic tradition of the Candomblé. From 2020 on, Lima has been posting short video analysis of brazilian popular songs generating great interest in the social media, leading to a public of more than 200.000 people
Chôros is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929.
Roberto Ricardo Duarte is a Brazilian conductor, pianist, and musicologist, known particularly for his international promotion of Brazilian music.
Sílvio Ferraz is a Brazilian contemporary composer.
Andersen Viana is an international composer.
Chôros No. 3, "Pica-pau" (Woodpecker) is a work for male choir or instrumental septet, or both together, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras. and in duration up to over an hour. Chôros No. 3 is one of the shorter members of the series, a performance lasting about three-and-a-half minutes.
Chôros No. 7, subtitled "Settimino" (Septet), is an instrumental septet written in 1924 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 7 is of modest length, a performance lasting about eight-and-a-half minutes.
Chôros No. 5 is a solo piano composition written in 1925 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 5 is one of the shorter members of the series, with a performance lasting about four-and-a-half minutes.
Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.
Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.
Symphony No. 5, A Paz (Peace) is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1920. The score has been lost.
Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A performance lasts about 25 minutes
Roberto Minczuk is a Brazilian conductor, maestro of the São Paulo Municipal Symphony Orchestra, music director of the New Mexico Philarmonic laureate of the Calgary Philharmonic Orchestra, artistic director of the Campos do Jordão Winter Festival, and conductor emeritus of the Brazilian Symphony Orchestra.
Marcelo Bratke is a Brazilian pianist.
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