Simone Orlando is a Canadian ballet dancer and choreographer born in Vancouver, British Columbia. Orlando received her early dance training at the Carisbrooke School of Dance, the Vancouver Academy of Dance, and the Goh Ballet Academy. She completed her training at the National Ballet School in Toronto and subsequently joined the National Ballet of Canada in 1989 under the direction of Reid Anderson where she danced a wide range of repertoire from the ballets of John Cranko and Kenneth MacMillan to those of George Balanchine and Glenn Tetley. In 1995, Robert Desrosiers invited her to join Desrosiers Dance Theatre, where she originated roles in several new productions and toured to Brazil and Aruba. In 1996, Orlando joined Ballet British Columbia under the direction of John Alleyne where she danced for twelve years as principal artist, joining the reorganised Ballet BC as Artist in Residence for 2009–10. [1] She has performed in theatres and festivals around the world including The Kennedy Centre, The Joyce Theatre, The Bayerische Staatsoper, The Hong Kong Cultural Centre, Cervantino Festival, Canada Dance Festival, and Ballet Expo Seoul. While dancing with Ballet BC, Orlando was prominently featured in new creations by John Alleyne, garnering accolades for her performances as Blanche Dubois in A Streetcar Named Desire, Puck in The Faerie Queen, Fate in Carmina Burana, and the Elder in The Rite of Spring. She has also created roles with James Kudelka, Crystal Pite, Dominique Dumais, Mikko Nissenen, and Jean Grand-Maitre and has been featured in the works of William Forsythe, Paul Taylor, Nicolo Fonte, Jiri Kylian, Martha Graham, and Twyla Tharp, among others. Orlando also taught and set repertoire on the dancers of Ballet BC and the pre-professionals in the Ballet BC Mentor Program.[ citation needed ]
Orlando's career as a choreographer began in 1997. Her work has been presented at the Vancouver International Dance Festival, [2] Dancing on the Edge, the Chutzpah Festival, Romp!, and Dances for a Small Stage. She has received numerous commissions including from Ballet Kelowna, [3] Move: the company, [4] the Turning Point Ensemble, Dancers Dancing, and a short dance film, Chimère, for BRAVO! TV. Recent creations include, Studies of Cash, a work inspired by the songs of Johnny Cash for EDAM, Realm and Doppeling for Ballet British Columbia, and Assembly for Toronto Dance Theatre. [5] [6] She has also created, co-produced and performed in a short dance film, Duet, for CODE Motion Pictures for the Vancouver 2010 Cultural Olympiad. [7]
Orlando was the inaugural recipient of the Performing Arts Commission at the 2004 Vancouver Arts Awards [8] and won the prestigious 2006 Clifford E. Lee Choreography Award for which she created the work, Winter Journey, at the Banff Centre. [9] In 2009, she received a Fellowship Initiative Grant from the New York Choreographic Institute, an affiliate of New York City Ballet, to develop new choreography on the dancers of Ballet BC. [10]
The National Ballet of Canada is a Canadian ballet company that was founded in 1951 in Toronto, Ontario, with Celia Franca, the first artistic director. A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic director Hope Muir. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets, as well as the development of Canadian dancers and choreographers.
Brian Ronald Macdonald was a Canadian dancer, choreographer and director of opera, theatre and musical theatre.
Sabrina Matthews is a Canadian ballet choreographer. She has created pieces for some of the most prestigious ballet companies in the world, including multiple pieces for the renowned Stuttgart Ballet. This in-demand choreographer has premiered works on three continents in over a dozen cities from Beijing, to New York, to London. She was recognized as one of Canada's Amazing Women to Watch, alongside Oscar nominees. Recently, Sabrina Matthews has received commissions from Stuttgart Ballet, Royal Swedish Ballet, Boston Ballet, England's Royal Academy of Dance's Genee International Ballet Competition, and the National Ballet of Canada. Over the past few years, her works have been performed by major international ballet companies in Canada, the United States, Spain, Sweden, Germany, Italy and the Netherlands.
Crystal Pite is a Canadian choreographer and dancer. She began her professional dance career in 1988 at Ballet BC, and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe. After leaving Ballett Frankfurt she became the resident choreographer of Montreal company Les Ballets Jazz de Montreal from 2001 to 2004. She then returned to Vancouver where she focused on choreographing while continuing to dance in her own pieces until 2010. In 2002 she formed her own company called Kidd Pivot, which produced her original works Uncollected Work (2003), Double Story (2004), Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), Betroffenheit (2015), and Revisor (2019) to date. Throughout her career she has been commissioned by many international dance companies to create new pieces, including The Second Person (2007) for Netherlands Dans Theater and Emergence (2009) for the National Ballet of Canada, the latter of which was awarded four Dora Mavor Moore Awards.
Peter Quanz is a Canadian choreographer based in Winnipeg, Manitoba.
Aszure Barton is a Canadian-born choreographer.
Norbert Vesak, one of Canada's leading choreographers in the 1970s, was a ballet dancer, choreographer, theatrical director, master teacher, dance columnist, lecturer, and opera ballet director, known for his unique, flamboyant style and his multimedia approach to classical and contemporary choreography. He is credited with helping to bring modern dance to Western Canada.
Gweneth Lloyd, OC was a co-founder of the Royal Winnipeg Ballet, a ballet teacher and choreographer.
Robert Guy Desrosiers is a Canadian dancer, choreographer, and actor. After a brief dance career, he founded the Desrosiers Dance Theatre and choreographed surreal and theatrical dances. After the company’s disbandment, he pursued a variety of artistic professions before returning as a freelance choreographer.
David Earle is a Canadian choreographer, dancer and artistic director. In 1968 Earle was co-founder and co-artistic director of Toronto Dance Theatre alongside Patricia Beatty and Peter Randazzo, where Earle choreographed new modern dance pieces. In 1996 Earle started his own company called Dancetheatre David Earle where he continues to choreograph new works, to teach, and to create with the next generation of modern dancers. David Earle has received many accolades; a member of the Order of Canada, a recipient of the Jean A. Chalmers Award for Distinction in Choreography, also an honorary doctorate degree from Queen’s University in Kingston, Ontario.
Ballet BC is a contemporary ballet company located in Vancouver, British Columbia.
Miriam Elaine Adams is a dancer, choreographer, and dance archivist from Toronto. After performing with the National Ballet of Canada, she co-founded 15 Dance Laboratorium with her husband Lawrence Adams. It was the first theatre to present experimental dance in Toronto. In 1983, Miriam and Lawrence launched Encore! Encore! to document the works of six Canadian choreographers from the 1940s and 1950s, and in 1986 they launched a centre for archiving dance and publishing books called Arts Inter-Media Canada/Dance Collection Danse (DCD).
Raymond Smith is a Canadian ballet dancer and teacher, who was a principal dancer of the National Ballet of Canada from 1980 to 1995.
Evann Siebens is a Canadian media artist with a background in dancing based in Vancouver, British Columbia, Canada. Her current practice cross-references dance performance and media. Siebens' film works have been shown both nationally and internationally and have won awards. She recently exhibited a geodesic dome and 360 projection at the Belkin Gallery in Vancouver and also screened a commissioned work on the exterior of the Vancouver Art Gallery. Her moving billboard Orange Magpies Triptych was part of Capture’s Photography Festival. She has also performed live with her media at New Media Gallery and the Western Front, Vancouver.
Annette av Paul is a Swedish-Canadian ballet dancer who had a 30-year dance career performing, teaching, and directing companies across Canada. Av Paul was born in Rönninge, Sweden, about 30 kilometres outside Stockholm on February 11, 1944. Her mother was a dance and piano teacher and her father an artist and writer. She studied at the Royal Swedish Ballet School and in 1962, at the age of 17, was apprenticed to the company, becoming principal dancer in 1966.
Ame Henderson is a Canadian choreographer and performance-maker raised on Vancouver Island. Henderson received a BFA from Concordia University (Montreal) and MFA from the Amsterdam School of the Arts.
Justine A. Chambers is a dancer, choreographer and artist currently living and working in Vancouver, British Columbia. Interested in social choreographies of the everyday, she engages dance in site-specific, experimental and collaborative creation.
Wen Wei Wang is a Chinese-Canadian businessman, choreographer, dancer, and teacher. Born in Xi'an, China, he moved to Vancouver permanently in 1991. He established the dance company Wen Wei Dance in 2003 and has since created 8 full-length works for the company. He is currently the artistic director of both Wen Wei Dance and Ballet Edmonton as of 2018.
Lea Elizabeth Ved is an American contemporary dancer and choreographer. She was a second soloist contemporary dancer at the Royal Swedish Ballet, dancing with the company from 2016 until 2018. Ved currently dances with Nederlands Dans Theater.
John Alleyne was a Canadian ballet choreographer and dancer, now retired.
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