 | This article relies largely or entirely on a single source .(October 2018) |
| Thaat | Kafi [ citation needed ] |
|---|---|
| Type | Audava–Sampurna |
| Arohana | S R M̄ P D Ṡ |
| Avarohana | Ṡ Ṉ D P M G̱ R S |
| Vadi | S |
| Samavadi | P |
| Synonym |
|
| Similar |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Sindhura is a raga in Hindustani classical music.
Arohana: S R M̄ P D Ṡ [lower-alpha 1] [1]
Avarohana: Ṡ Ṉ D P M G̱ R S [lower-alpha 2] [1]
Ragavardhini has two separate meanings in Indian classical music:
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music, and is structurally similar to Multani.
Athana is a raga in Carnatic music. It is a Janya raga, whose Melakarta raga is Dheerasankarabharanam, 29th raga, commonly known as Shankarabharanam in the Melakarta system.
Vanaspati is a rāgam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Bageshri is a Hindustani classical raga. It is a popular raga of the late night, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century.
Abhogi is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an audava raga. It is a derived scale, as it does not have all the seven swaras. Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.
Bahar is a Hindustani classical raga.
Bhatiyar is a Hindustani classical raga assigned to the Marva thaat.
Bhimpalasi is a Hindustani classical raga.
Kanakangi is a rāgam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Senavati is a rāgam in Carnatic music. It is the 7th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Senāgrani in Muthuswami Dikshitar school of Carnatic music.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one each in Hindustani music and Carnatic music. The Hindustani rāga is a pentatonic scale, while the Carnatic scale is a sampoorna scale.
Sindhu Bhairavi is a raga in Hindustani and Carnatic classical music, belonging to the Asavari thaat. In Carnatic music it is a Janya raga of the 8th melakartha raga Hanumatodi
Nattakurinji is a raga in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. It is used both in Hindustani and Carnatic music.
Vasantha is a raga in Carnatic music. It is a janya raga of Suryakantam, the 17th Melakarta raga. According to P|Subba Rao, majority opinion is that the raga is derived from Mayamalavagowla, the 15th Melakarta raga.
Yamunakalyani is the janya raga of Kalyani, the 65th Melakarta ragam. It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.
Darbar is a raga in Carnatic music and has been adapted from Hindustani music. The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.
Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud. Unlike most other members of the Sarang family of ragas, Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi.
Komal Rishabh Asavari is a raga in Hindustani classical music. As its name suggests, it differs from the Asavari raga by using a komal ("flat") re while Asavari uses a shuddha (natural) re. It is believed that Komal Rishabh Asavari was the original form of Asavari.
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