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Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.
Chivalry, or the chivalric code, is an informal and varying code of conduct developed between 1170 and 1220. It was associated with the medieval Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's Historia Regum Britanniae, written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century.
Gawain, also known as Gawaine or Gauwaine, among other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem Sir Gawain and the Green Knight. Other tales featuring Gawain as the central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Sir Orfeo is an anonymous Middle English Breton lai dating from the late 13th or early 14th century. It retells the story of Orpheus as a king who rescues his wife from the fairy king. The folk song Orfeo is based on this poem.
A knight-errant is a figure of medieval chivalric romance literature. The adjective errant indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels or in some other pursuit of courtly love.
Bevis of Hampton or Sir Bevois, was a legendary English hero and the subject of Anglo-Norman, Dutch, French, English, Venetian, and other medieval metrical chivalric romances that bear his name. The tale also exists in medieval prose, with translations to Romanian, Russian, Dutch, Irish, Welsh, Old Norse and Yiddish.
Parzival is a medieval romance by the knight-poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival and his long quest for the Holy Grail following his initial failure to achieve it.
As a literary genre of high culture, heroic romance or chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."
Sir Launfal is a 1045-line Middle English romance or Breton lay written by Thomas Chestre dating from the late 14th century. It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.
Sir Isumbras is a medieval metrical romance written in Middle English and found in no fewer than nine manuscripts dating to the fifteenth century. This popular romance must have been circulating in England before 1320, because William of Nassyngton, in his work Speculum Vitae, which dates from this time, mentions feats of arms and other 'vanities', such as those found in stories of Sir Guy of Warwick, Bevis of Hampton, Octavian and Sir Isumbras. Unlike the other three stories, the Middle English Sir Isumbras is not a translation of an Old French original.
Lanval is one of The Lais of Marie de France. Written in Anglo-Norman, it tells the story of Lanval, a knight at King Arthur's court, who is overlooked by the king, wooed by a fairy lady, given all manner of gifts by her, and subsequently refuses the advances of Queen Guinevere. The plot is complicated by Lanval's promise not to reveal the identity of his mistress, which he breaks when Guinevere accuses him of having "no desire for women". Before Arthur, Guinevere accuses Lanval of shaming her, and Arthur, in an extended judicial scene, demands that he reveal his mistress. Despite the broken promise, the fairy lover eventually appears to justify Lanval, and to take him with her to Avalon. The tale was popular, and was adapted into English as Sir Landevale, Sir Launfal, and Sir Lambewell.
King Horn is a Middle English chivalric romance dating back to the middle of the thirteenth century. It survives in three manuscripts: London, British Library, MS. Harley 2253; Oxford, Bodleian Library, MS. Laud. Misc 108; and Cambridge, Cambridge University Library, MS. Gg. iv. 27. 2. It is thought to be based on the Anglo-Norman Romance of Horn (1170). The story was retold in later romances and ballads, and is considered part of the Matter of England. The poem is currently believed to be the oldest extant romance in Middle English.
"King Arthur and King Cornwall" is an English ballad surviving in fragmentary form in the 17th-century Percy Folio manuscript. An Arthurian story, it was collected by Francis James Child as Child Ballad 30. Unlike other Child Ballads, but like the Arthurian "The Boy and the Mantle" and "The Marriage of Sir Gawain", it is not a folk ballad but a professional minstrel's song. It is notable for containing the Green Knight, a character known from the medieval poems The Greene Knight and the more famous Sir Gawain and the Green Knight; he appears as "Bredbeddle", the character's name in The Greene Knight.
The Squire of Low Degree, also known as The Squyr of Lowe Degre, The Sqyr of Lowe Degre or The Sqyr of Lowe Degree, is an anonymous late Middle English or early Modern English verse romance. There is little doubt that it was intended to be enjoyed by the masses rather than the wealthy or aristocratic sections of society, and, perhaps in consequence of this, it was one of the better-known of the English romances during the Elizabethan and Jacobean eras, and again in the 19th century. There are three texts of the poem: it was printed by Wynkyn de Worde c. 1520 under the title Undo Youre Dore, though only fragments totalling 180 lines survive of this book; around 1555 or 1560 another edition in 1132 lines was produced by William Copland; and a much shorter version, thought to have been orally transmitted, was copied into Bishop Percy's Folio Manuscript around the middle of the 17th century. The precise date of the poem is unknown, estimates varying from 1440 to 1520, but Henry Bradley's date of c. 1475 has been quite widely adopted. Standing as it does at the very end of the English Middle Ages it has been called "a swan song of the romance".
Octavian is a 14th-century Middle English verse translation and abridgement of a mid-13th century Old French romance of the same name. This Middle English version exists in three manuscript copies and in two separate compositions, one of which may have been written by the 14th-century poet Thomas Chestre who also composed Libeaus Desconus and Sir Launfal. The other two copies are not by Chestre and preserve a version of the poem in regular twelve-line tail rhyme stanzas, a verse structure that was popular in the 14th century in England. Both poetic compositions condense the Old French romance to about 1800 lines, a third of its original length, and relate “incidents and motifs common in legend, romance and chanson de geste.” The story describes a trauma that unfolds in the household of Octavian, later the Roman Emperor Augustus, whose own mother deceives him into sending his wife and his two newborn sons into exile and likely death. After many adventures, the family are at last reunited and the guilty mother is appropriately punished.
Sir Eglamour of Artois is a Middle English verse romance that was written sometime around 1350. It is a narrative poem of about 1300 lines, a tail-rhyme romance that was quite popular in its day, judging from the number of copies that have survived – four manuscripts from the 15th century or earlier and a manuscript and five printed editions from the 16th century. The poem tells a story that is constructed from a large number of elements found in other medieval romances. Modern scholarly opinion has been critical of it because of this, describing it as unimaginative and of poor quality. Medieval romance as a genre, however, concerns the reworking of "the archetypal images of romance" and if this poem is viewed from a 15th-century perspective as well as from a modern standpoint – and it was obviously once very popular, even being adapted into a play in 1444 – one might find a "romance [that] is carefully structured, the action highly unified, the narration lively."
Sir Perceval of Galles is a Middle English Arthurian verse romance whose protagonist, Sir Perceval (Percival), first appeared in medieval literature in Chrétien de Troyes' final poem, the 12th-century Old French Conte del Graal, well over one hundred years before the composition of this work. Sir Perceval of Galles was probably written in the northeast Midlands of England in the early 14th century, and tells a markedly different story to either Chretien's tale or to Robert de Boron's early 13th-century Perceval. Told with a comic liveliness, it omits any mention of a graal or a Grail.
The Knightly Tale of Gologras and Gawain is a Middle Scots Arthurian romance written in alliterative verse of 1362 lines, known solely from a printed edition of 1508 in the possession of the National Library of Scotland. No manuscript copy of this lively and exciting tale has survived.
Beves of Hamtoun, also known as Beves of Hampton, Bevis of Hampton or Sir Beues of Hamtoun, is an anonymous Middle English romance of 4620 lines, dating from around the year 1300, which relates the adventures of the English hero Beves in his own country and in the Near East. It is often classified as a Matter of England romance. It is a paraphrase or loose translation of the Anglo-Norman romance Boeuve de Haumton, and belongs to a large family of romances in many languages, including Welsh, Russian and even Yiddish versions, all dealing with the same hero.
Of Arthour and of Merlin, or Arthur and Merlin, is an anonymous Middle English verse romance giving an account of the reigns of Vortigern and Uther Pendragon and the early years of King Arthur's reign, in which the magician Merlin plays a large part. It can claim to be the earliest English Arthurian romance. It exists in two recensions: the first, of nearly 10,000 lines, dates from the second half of the 13th century, and the much-abridged second recension, of about 2000 lines, from the 15th century. The first recension breaks off somewhat inconclusively, and many scholars believe this romance was never completed. Arthur and Merlin's main source is the Estoire de Merlin, a French prose romance.
References
In addition to the TEAMS printed and online editions, there are a number of standard scholarly anthologies of Middle English romances, a few of which are listed below.
- The Breton Lays in Middle English. Ed. Thomas C. Rumble. Detroit: Wayne State University Press, 1965.
- Middle English Metrical Romances. Ed. Walter Hoyt French and Charles Brockway Hale. 1930. New York: Russell & Russell Inc., 1964.
- Middle English Romances. Ed. Stephen H. A. Shepherd. New York: W. W. Norton & Company, 1995.
- Middle English Verse Romances. Ed. Donald B. Sands. New York: Holt, Rinehart and Winston, 1966.
- The Poems of the Pearl Manuscript. Ed. Malcolm Andrew and Ronald Waldron. Berkeley: U of California P, 1978.
- Six Middle English Romances. Ed. and introd. Maldwyn Mills. London: J. M. Dent & Sons Ltd, 1973.