Sir Alan Ayckbourn is a prolific British playwright and director. He has written and produced as of 2021, more than eighty full-length plays in Scarborough and London and was, between 1972 and 2009, the artistic director of the Stephen Joseph Theatre in Scarborough, where all but four of his plays have received their first performance. More than 40 have subsequently been produced in the West End, at the Royal National Theatre or by the Royal Shakespeare Company since his first hit Relatively Speaking opened at the Duke of York's Theatre in 1967.
Woman in Mind is the 32nd play by English playwright Alan Ayckbourn. It was premiered at the Stephen Joseph Theatre In The Round, Scarborough, in 1985. Despite pedestrian reviews by many critics, strong audience reaction resulted in a transfer to London's West End. The play received its London opening at the Vaudeville Theatre in 1986 where it received predominantly excellent reviews.
House and Garden are a diptych of plays written by the English playwright Alan Ayckbourn, first performed in 1999. They are designed to be staged simultaneously, with the same cast in adjacent auditoria, and were published together as House & Garden. House takes place in the drawing room, and Garden in the grounds, of a large country house. Each play is self-contained, and they may be attended in either order. As is typical of his work, Ayckbourn portrays the mostly bittersweet relationships between more or less unhappy, upper-middle-class people. The title is a tongue-in-cheek reference to the magazine House & Garden, in which country houses and gardens are often portrayed as idyllic, peaceful places.
Body Language is a 1990 play by British playwright Alan Ayckbourn. It is about two women, one thin and one fat, who have their bodies swapped as a result of a botched operation.
RolePlay is a 2001 play by British playwright Alan Ayckbourn, the third in a trilogy of plays called Damsels in Distress. It is about an engaged couple, Julie-Ann Jobson and Justin Lazenby whose engagement party is interrupted by unexpected intrusions.
Taking Steps is a 1979 farce by British playwright Alan Ayckbourn. It is set on three floors of an old and reputedly haunted house, with the stage arranged so that the stairs are flat and all three floors are on a single level.
GamePlan is a 2001 play by British playwright Alan Ayckbourn, the first in a trilogy of plays called Damsels in Distress The darkest of the three plays, it is about a teenage girl who tries to support herself and her mother through prostitution.
FlatSpin is a 2001 play by British playwright Alan Ayckbourn, the second in a trilogy of plays called Damsels in Distress It is about an actress called Rosie Seymour who accepts a date with a mysterious Sam Berryman, who seems to have mistaken her for a Joanna Rupelford.
Damsels in Distress is a trilogy of plays written in 2001 by British playwright Alan Ayckbourn. The three plays, GamePlan, FlatSpin and RolePlay, were originally performed as a set by the Stephen Joseph Theatre Company (SJT). The plays were written to be performed by the same seven actors using the same set. Although the plays loosely shared some common themes, the three stories were independent of each other and unconnected.
Drowning on Dry Land is a 2004 play by British playwright Alan Ayckbourn, his 66th to be produced. Exploring the culture of B-list celebrities, it is a comedy about the rise and fall of Charlie Conrad, a man apparently famous for being a failure.
Sugar Daddies is a 2003 play by British playwright Alan Ayckbourn. It is about a student who forms a friendship with a rich man over three times her age, who has a sinister past, and maybe a sinister present too.
Haunting Julia is a 1994 play by British playwright Alan Ayckbourn. It is about Julia Lukin, a nineteen-year-old brilliant musician who committed suicide twelve years earlier, who haunts the three men closest to her, through both the supernatural and in their memories. In 2008, it was presented as the first play of Things That Go Bump.
Snake in the Grass is a 2002 play by British playwright Alan Ayckbourn. The play is about a middle-aged older sister who returns to the family home where her younger sister still lives, shortly after their abusive father's death. It was written as a female companion piece to the 1994 ghost play Haunting Julia, and in 2008 these two plays, together with new play Life and Beth were folded into a trilogy named Things That Go Bump.
Life and Beth is a 2008 play by British playwright Alan Ayckbourn. It was written as a third part of a trilogy named Things That Go Bump, uniting the cast of the first two plays: Haunting Julia (1994) and Snake in the Grass (2002). It is about a recently bereaved widow, Beth, troubled by her family's misguided support and a late husband who won't leave her alone.
Things That Go Bump is a season of plays performed in 2008 by British playwright Alan Ayckbourn.
Making Tracks was a 1981 musical play with words by Alan Ayckbourn and music by Paul Todd. It is set in a recording studio and is about Stan, a recording studio owner in debt to businessman Wolfe, who stakes everything on singer/songwriter Sandy, whilst using the voice of Lace, who is Stan's ex-wife and Wolfe's new partner.
Invisible Friends is a 1989 children's play by the British playwright Alan Ayckbourn. It was written as a starring vehicle for actress Emma Chambers who portrayed the central character of teenager Lucy Baines in the original production at the Stephen Joseph Theatre in Scarborough, North Yorkshire, England for its run in late 1989 and early 1990. Often seen as a companion play to Woman in Mind, Lucy escapes her unhappiness with her own family by reviving her imaginary childhood friend, Zara. Lucy's family, however, do not approve of this imaginative thinking. Zara helps Lucy to make her family invisible, and Lucy feels much happier and is delighted. However, Zara outstays her welcome and soon manipulates Lucy into catering and cleaning for her and her brother Chuck and father Felix before kicking Lucy out. In the end Lucy manages to defeat Zara, Chuck, and Felix and make her family visible again, and they begin to pay more attention to her.
Suburban Strains is a 1980 musical by British playwright Alan Ayckbourn with music by Paul Todd. This was the first attempt Ayckbourn made at a musical since the ill-fated Jeeves! in 1975. It is about a teacher, Caroline, whose marriage to actor Kevin breaks down, only to find her new partner, doctor Matthew, even worse due to his control freakery, before making up with Kevin again.
This Is Where We Came In is a 1990 children's play by British playwright Alan Ayckbourn. It is about three storytellers, Great Aunt Repetitus, Uncle Erraticus, Uncle Oblivious, who trap six players in twisted re-interpretations of fairy tales. It was originally presented as a two-parter shown on Saturday mornings, where the plays could be seen out of order, but the two parts were put together and made into a single event in Christmas 1991.
Life of Riley is a 2010 play by Alan Ayckbourn. It was first performed at the Stephen Joseph Theatre, Scarborough.
