"Snowbirds Don't Fly" "They Say It'll Kill Me... But They Won't Say When" | |
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Publisher | DC Comics |
Publication date | August/September – October/November 1971 |
Genre | |
Title(s) | Green Lantern vol. 2, #85–86 |
Main character(s) | Hal Jordan; Green Arrow; Speedy; Black Canary |
Creative team | |
Writer(s) | Dennis O'Neil |
Penciller(s) | Neal Adams |
Inker(s) | Neal Adams, Dick Giordano |
Editor(s) | Julius Schwartz |
"Snowbirds Don't Fly" is a two-part anti-drug comic book story arc which appeared in Green Lantern/Green Arrow issues 85 and 86, published by DC Comics in 1971. The story was written by Dennis O'Neil and Neal Adams, with the latter also providing the art with Dick Giordano. It tells the story of Green Lantern and Green Arrow, who fight drug dealers, witnessing that Green Arrow's ward Roy "Speedy" Harper is a drug addict and dealing with the fallout of his revelation. Considered a watershed moment in the depiction of mature themes in DC Comics, [1] the tone of this story is set in the tagline on the cover: "DC attacks youth's greatest problem... drugs!"
In the first part (Green Lantern/Green Arrow #85), Green Arrow (Oliver Queen) runs into muggers who shoot him with a crossbow. Strangely, the weapon is loaded with his own arrows. Tracking down the attackers, Green Arrow and his best friend, Green Lantern Hal Jordan, find out that the muggers are addicts who need money, and are surprised to find Queen's ward Speedy (Roy Harper) among them. They think he is working undercover to bust them, but Queen catches him red-handed when he tries to shoot heroin. It becomes evident that the stolen arrows are indeed Queen's, which he shares with Harper when they fight crime together. In the second part (Green Lantern/Green Arrow #86), an enraged Green Arrow lashes out at his ward. In shame, Harper withdraws cold turkey, and one of the other addicts dies of a drug overdose. Queen and Lantern tackle the kingpin of the drug ring, a pharmaceutics CEO who outwardly condemns drug abuse, and attend the funeral of the addict who passed.
During the 1960s, Green Lantern was on the verge of cancellation, which gave writer Denny O'Neil a great deal of creative freedom when he was assigned the series. O'Neil recounted that "my journalism background and laid-back social activism had led me to wonder if I couldn't combine those things with what I did for a living. ... So this was my chance to see if this idea I had would work. It was a situation where nobody had anything to lose. And I think that writing about things that really concerned me pulled out of me a higher level of craft. Also, it gave me real problems to solve in terms of craft which I hadn't faced before." [2] The first of these "socially motivated" Green Lantern/Green Arrow stories was written with Gil Kane slated to be the artist, but Kane dropped out and was replaced by Neal Adams. [2]
The O'Neil/Adams run met with a high level of media attention and critical acclaim including five Shazam Awards at the May 1971 ceremony, but by the time of "Snowbirds Don't Fly", Adams felt that they had run out of steam and were producing stories which lacked true relevance. [3] He responded by pushing for a story dealing with drug addiction, an issue both he and O'Neill had been wanting to tackle, and had encountered firsthand: Adams was chairman of his neighborhood drug rehabilitation center, and O'Neil lived in a neighborhood with a large number of addicts. O'Neil recounted, "I saw people nodding out from heroin every day on the street. I had friends with drug problems, people coming over at 3 a.m. with the shakes." [3] When Adams first drew the cover showing Speedy with heroin paraphernalia, editor Julius Schwartz rejected it, since it would not have been approved by the Comics Code Authority. [4] (The Comics Code prohibited the depiction of drug abuse, even in a totally condemning context.) O'Neil said that Schwartz "was very supportive" during his run on Green Lantern, and that he found the Comics Code to be his biggest restriction when confronting social issues. [2]
Then, Amazing Spider-Man #96–98 (May–July 1971) was published by rival comic publishing house Marvel Comics, which showed major supporting character Harry Osborn struggling with drug addiction. It was the first comic from a major publisher to be published without the Comics Code Authority's seal of approval since 1954, when the Comics Code Authority was founded. Adams said: "We could have done it first and been the ones to make a big move. Popping a pill and walking off a roof isn't the sort of thing that really happens [referring to a scene in Amazing Spider-Man #96], but heroin addiction is; to have it happen to one of our heroes was potentially devastating. Anyway, the publishers at DC, Marvel and the rest called a meeting, and in three weeks, the Comics Code was completely rewritten. And we did our story." [4]
Questioned why Roy Harper (Speedy) was chosen to illustrate drug abuse, O'Neil said that "We chose Roy [Harper] for maximum emotional impact. We thought an established good guy in the throes of addiction would be stronger than we... some character we'd have made up for the occasion. Also, we wanted to show that addiction was not limited to 'bad' or 'misguided' kids." [4]
O'Neil's original ending to the story had Speedy overcoming his drug habit on his own and reconciling with Green Arrow. Adams protested that this ending was too anticlimactic. When O'Neil said he disagreed, Adams scripted two new pages on his own and showed them to Schwartz. Schwartz approved of Adams's revision and had it published instead of O'Neil's ending. [3] In a 1975 article for The Amazing World of DC Comics , O'Neil stated that he still felt Adams's conclusion was not as good as the original ending: "I disapprove of the implied conclusion of that story. What’s implied is that a punch in the mouth solves everything." [3]
The "Snowbirds Don't Fly" arc won the 1971 Shazam Award for "Best Individual Story". [5] New York Mayor John Lindsay wrote a letter to DC in response to the matter, commending them, which was printed in issue #86. In 2004, Comic Book Resources author Jonah Weiland called the "Snowbirds Don't Fly" arc the start of an era of socially relevant Green Lantern/Green Arrow comics, a slant which eventually opened up the DC world to other minorities (such as homosexual characters) and climaxed in the character of Mia Dearden (Roy Harper's successor as Green Arrow's/Oliver Queen's sidekick "Speedy"), who is not only a victim of child prostitution but also later portrayed as HIV positive. Despite her sad fate, she is explicitly portrayed as a positive, pro-active hero by writer Judd Winick. [6]
Green Lantern is the name of several superheroes appearing in American comic books published by DC Comics. They fight evil with the aid of rings that grant them a variety of extraordinary powers, all of which come from imagination, fearlessness, and the electromagnetic spectrum of emotional willpower. The characters are typically depicted as members of the Green Lantern Corps, an intergalactic law enforcement agency.
Green Arrow is a superhero who appears in American comic books published by DC Comics. Created by Mort Weisinger and designed by George Papp, he first appeared in More Fun Comics #73 in November 1941. His real name is Oliver Jonas Queen, a wealthy businessman, owner of Queen Industries, and a well-known celebrity in Star City. He uses this position to hide the fact that he is the Green Arrow. Partly inspired by Robin Hood, Green Arrow is an archer who uses his skills to fight crime in his home cities of Star City and Seattle, as well as alongside his fellow superheroes as a member of the Justice League. The world's greatest archer, as well as a competent swordsman and martial artist, Green Arrow deploys a range of trick arrows with various special functions, such as glue, explosive-tipped, grappling hook, flash grenade, tear gas and even kryptonite arrows for use in a range of special situations.
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA enabled comic publishers to self-regulate the content of comic books in the United States. The code was voluntary, as there was no law requiring its use, although some advertisers and retailers looked to it for reassurance. Some publishers including Dell, Western, and Classics Illustrated never used it. Its code, commonly called "the Comics Code", lasted until the early 21st century. The CC formation followed a moral panic centered around a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book Seduction of the Innocent.
Speedy is the name of two DC Comics superheroes that have each served as teenaged sidekicks for the Green Arrow.
Neal Adams was an American comic book artist. He was the co-founder of the graphic design studio Continuity Associates, and was a creators-rights advocate who helped secure a pension and recognition for Superman creators Jerry Siegel and Joe Shuster. During his career, Adams co-created the characters Ra's al Ghul, Man-Bat, and John Stewart for DC Comics.
Julius "Julie" Schwartz was an American comic book editor, and a science fiction agent and prominent fan. He was born in The Bronx, New York. He is best known as a longtime editor at DC Comics, where at various times he was primary editor over the company's flagship superheroes, Superman and Batman.
Roy Harper is a superhero appearing in American comic books published by DC Comics. Roy is one of DC's most longstanding characters, originating in 1940s comics as Speedy, the teen sidekick of the superhero Green Arrow. Like his mentor Green Arrow, Roy is a world-class archer and athlete who uses his exceptional marksmanship to fight crime. Along with other prominent DC Comics superhero sidekicks, he goes on to become a core member of the superhero group the Teen Titans. As an adult, Roy casts off his Speedy identity to establish himself as the superhero Arsenal, and later takes on the name Red Arrow to symbolise his coming-of-age and having become an equal of Green Arrow as he joins the Justice League. In addition to continuing to serve on occasion as one of the Titans, Roy has had leading roles in the superhero groups the Seven Soldiers of Victory, the Outsiders, Checkmate, the Justice League, and the Outlaws.
Dennis Joseph O'Neil was an American comic book writer and editor, principally for Marvel Comics and DC Comics from the 1960s through the 1990s, and Group Editor for the Batman family of titles until his retirement.
Mike Grell is an American comic book writer and artist, known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance.
Harold "Hal" Jordan, one of the characters known as Green Lantern, is a superhero appearing in American comic books published by DC Comics. The character was created in 1959 by writer John Broome and artist Gil Kane, and first appeared in Showcase #22. Hal Jordan is a reinvention of the previous Green Lantern who appeared in 1940s comic books as the character Alan Scott.
Earth-One is a name given to two fictional universes that have appeared in American comic book stories published by DC Comics. The first Earth-One was given its name in Justice League of America #21, after The Flash #123 explained how Golden Age (Earth-Two) versions of characters such as the Flash could appear in stories with their Silver Age counterparts. This Earth-One continuity included the DC Silver Age heroes, including the Justice League of America.
The Bronze Age of Comic Books is an informal name for a period in the history of American superhero comic books usually said to run from 1970 to 1985. It follows the Silver Age of Comic Books and is followed by the Modern Age of Comic Books.
Mia Dearden is a DC Comics superheroine, the second character to take the mantle of Green Arrow's sidekick Speedy. Created by writer Kevin Smith and artist Phil Hester, she first appeared in Green Arrow #2. She is one of the few HIV-positive characters in comic books. In The New 52, a mysterious man is currently searching for Mia.
The Academy of Comic Book Arts (ACBA) was an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Composed of comic-book professionals and initially formed as an honorary society focused on discussing the comic-book craft and hosting an annual awards banquet, the ACBA evolved into an advocacy organization focused on creators' rights.
This is a list of comics-related events in 1971.
"The Sandman Saga" is a Superman story arc published in 1971 in Superman #233 - 235, #237 - 238 and #240 - 242. This is the first Superman storyline under editor Julius Schwartz and the first Bronze Age-era Superman story.
"Green Goblin Reborn!" is a 1971 Marvel Comics story arc which features Spider-Man fighting against his arch enemy Norman Osborn, the Green Goblin. This arc was published in The Amazing Spider-Man #96–98 and was plotted and written by Stan Lee, with art by penciler Gil Kane and inker John Romita Sr. It is recognized as the first mainstream comic publication which portrayed and condemned drug abuse since the formation of the Comics Code Authority, and in time led to the revision of the Code's rigidity.
Green Arrow and Black Canary was a comic book ongoing series published by DC Comics starring superheroes Green Arrow and Black Canary.
Green Lantern is an ongoing American comic-book series featuring the DC Comics heroes of the same name. The character's first incarnation, Alan Scott, appeared in All-American Comics #16, and was later spun off into the first volume of Green Lantern in 1941. After 38 issues, that series was cancelled in 1949. When the Silver Age Green Lantern, Hal Jordan, was introduced, the character starred in a new volume of Green Lantern starting in 1960.
The Goethe Award, later known as the Comic Fan Art Award, was an American series of comic book fan awards, first presented in 1971 for comics published in 1970. The award originated with the fanzine Newfangles and then shared close ties with The Buyer's Guide to Comics Fandom.
It was taboo to depict drugs in comics, even in ways that openly condemned their use. However, writer Denny O'Neil and artist Neal Adams collaborated on an unforgettable two-part arc that brought the issue directly into Green Arrow's home, and demonstrated the power comics had to affect change and perception.
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