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Sociae Mimae was a guild for female stage artists, mimae (essentially singers, dancers and actresses), in Ancient Rome. [1] It is the only Ancient Roman guild exclusively for women of which there is currently any information. The guild financed its own burial ground and was apparently not in any lack of funds but rather well off.
Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics also includes Greco-Roman philosophy, history, archaeology, anthropology, art, mythology and society as secondary subjects.
Hipponax, of Ephesus and later Clazomenae, was an Ancient Greek iambic poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit, especially for his attacks on some contemporary sculptors, Bupalus and Athenis. Hipponax was reputed to be physically deformed, which might have been inspired by the nature of his poetry.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Oliver Taplin, FBA is a retired British academic and classicist. He was a fellow of Magdalen College and Professor of Classical Languages and Literature at the University of Oxford. He holds a DPhil from Oxford University.
A mimeartist, or simply mime, is a person who uses mime, the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound.
The Charition mime is a Greek theatre play, in fact more properly to be called a farce or burlesque rather than a mime, which is found in Papyrus Oxyrhynchus 413. The manuscript, which is possibly incomplete, is untitled, and the play's name comes from the name of its protagonist. It is approximately dated to the 2nd century CE, and the play was probably performed in Egypt, where the manuscript was found.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
Patricia Elizabeth Easterling, FBA is an English classical scholar, recognised as a particular expert on the work of Sophocles. She was Regius Professor of Greek at the University of Cambridge from 1994 to 2001. She was the 36th person and the first — and, so far, only — woman to hold the post.
A collegium or college was any association in ancient Rome that acted as a legal entity. Such associations could be civil or religious. The word collegium literally means "society", from collega ("colleague"). They functioned as social clubs or religious collectives whose members worked towards their shared interests. These shared interests encompassed a wide range of the various aspects of urban life; including political interests, cult practices, professions, trade, and civic services. The social connections fostered by collegia contributed to their influence on politics and the economy; acting as lobbying groups and representative groups for traders and merchants.
Edith Hall, is a British scholar of classics, specialising in ancient Greek literature and cultural history, and professor in the Department of Classics and Ancient History at Durham University. She is a Fellow of the British Academy. From 2006 until 2011 she held a chair at Royal Holloway, University of London, where she founded and directed the Centre for the Reception of Greece and Rome until November 2011. She resigned over a dispute regarding funding for classics after leading a public campaign, which was successful, to prevent cuts to or the closure of the Royal Holloway Classics department. Until 2022, she was a professor at the Department of Classics at King's College London. She also co-founded and is Consultant Director of the Archive of Performances of Greek and Roman Drama at Oxford University, Chair of the Gilbert Murray Trust, and Judge on the Stephen Spender Prize for poetry translation. Her prizewinning doctoral thesis was awarded at Oxford. In 2012 she was awarded a Humboldt Research Prize to study ancient Greek theatre in the Black Sea, and in 2014 she was elected to the Academy of Europe. She lives in Cambridgeshire.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.
An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers". The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.
Archias of Thurii in Magna Graecia was an actor turned military agent of the Macedonian general Antipater in the 4th century BCE in ancient Greece. He was nicknamed "the hunter of the exiles" (φυγαδοθήρας).
Janet Elizabeth Case (1863–1937) was a British classical scholar, tutor of ancient Greek, and women's rights advocate.
Volumnia Cytheris was an ancient Roman actress and mimae dancer. She is foremost known as the mistress of several famous Romans.
Licinia Eucharis was an Ancient Roman stage actress. She was a star of the Theatre of ancient Rome, and belonged to the few known ancient actresses to achieve fame and respect in her profession during the Roman Republic.
Dionysia, was an ancient Roman dancer-actress.
Fabia Arete was a dancer, actress and singer in Ancient Rome.
Bassilla, was a mime actress in Ancient Rome.
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