| Socialism, Sexism, & Sexuality | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1994 | |||
| Recorded | 1994 | |||
| Genre | ||||
| Length | 67:55 | |||
| Label | Parasol | |||
| Producer | Jyoti Mishra | |||
| White Town chronology | ||||
| ||||
| White Town studio album chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
Socialism, Sexism & Sexuality is the debut studio album by British indie pop musical project White Town, released in 1994 through Parasol Records. All of the tracks were written and recorded on an 8-track recorder.
All tracks are written by Jyoti Mishra.
| No. | Title | Length |
|---|---|---|
| 1. | "Heather's Party" | 2:25 |
| 2. | "All Summer in a Day" | 3:01 |
| 3. | "An Idiot Sings" | 3:01 |
| 4. | "Why I Hate Christmas" | 3:00 |
| 5. | "Turn Away" | 5:29 |
| 6. | "My Baby Will Love Me" | 4:05 |
| 7. | "Insincere" | 3:24 |
| 8. | "That's Just So" | 6:05 |
| 9. | "Fairweather Friend" | 3:10 |
| 10. | "Waiting" | 3:30 |
| 11. | "Ian" | 2:00 |
| 12. | "The Girl That I See" | 4:11 |
| 13. | "If I Had a Gun" | 2:30 |
| 14. | "Back on the Shelf" | 3:30 |
| 15. | "Lie, Lie, Lie" | 2:35 |
| 16. | "Bewitched" | 2:43 |
| 17. | "Fucked Again" | 2:30 |
| 18. | "Save the Earth (But Don't Save Me)" | 3:12 |
| 19. | "Deep Within" | 3:40 |
| 20. | "Then I'll Be Sane" | 4:45 |
Prejudice can be an affective feeling towards a person based on their perceived group membership. The word is often used to refer to a preconceived evaluation or classification of another person based on that person's perceived political affiliation, sex, gender, beliefs, values, social class, age, disability, religion, sexuality, race, ethnicity, language, nationality, complexion, beauty, height, occupation, wealth, education, criminality, sport-team affiliation, music tastes or other personal characteristics.
No More Heroes is the second studio album by English new wave band the Stranglers. It was released on 23 September 1977, through record label United Artists, five months after their debut album, Rattus Norvegicus.
Radical Women (RW) is a socialist feminist grassroots activist organization. It has branches in Seattle, Washington, and Melbourne, Australia.
Sheila Rowbotham is a British socialist feminist theorist and historian.
The connection between left-leaning ideologies and LGBT rights struggles has a long and mixed history. Prominent socialists who were involved in early struggles for LGBT rights include Edward Carpenter, Oscar Wilde, Harry Hay, Bayard Rustin, Emma Goldman and Daniel Guérin, among others.
Bewitched is an American television sitcom.
Black feminism is a philosophy that centers on the idea that "Black women are inherently valuable, that [Black women's] liberation is a necessity not as an adjunct to somebody else's but because our need as human persons for autonomy."
Political lesbianism is a phenomenon within feminism, primarily second-wave feminism and radical feminism; it includes, but is not limited to, lesbian separatism. Political lesbianism asserts that sexual orientation is a political and feminist choice, and advocates lesbianism as a positive alternative to heterosexuality for women as part of the struggle against sexism.
Abigail Aldrich Rockefeller is an American ecologist, feminist, and member of the Rockefeller family. She is the eldest daughter of David Rockefeller and Margaret McGrath.
"The Sexuality of Bereavement" is a song by death/doom metal band My Dying Bride. The single was only available to the Peaceville Collectors Club Series members. The Collectors Club was eventually disbanded because it had too few members. After this point, the band discontinued production of EPs, up until 2006.
The following outline is provided as an overview of and topical guide to sexual ethics:
Waiting, Waitin, Waitin', or The Waiting may refer to:
The Dialectic of Sex: The Case for Feminist Revolution (1970) is a book by the radical feminist Shulamith Firestone. Written over a few months when Firestone was 25, it has been described as a classic of feminist thought.
Sexual orientation discrimination is discrimination based on sexual orientation and/or sexual behaviour.
Pagan Day is a 1984 album by English experimental band Psychic TV. The cover photograph is of Caresse P-Orridge taken by Andrew Rawling.
Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regarding status, privilege, and power – and generally portrays the consequences to women, men, families, communities, and societies as undesirable.
Ian is a common given name, the Scottish Gaelic version of the name John.
-ism is a suffix in many English words, originally derived from the Ancient Greek suffix -ισμός (-ismós), and reaching English through the Latin -ismus, and the French -isme. It means "taking side with" or "imitation of", and is often used to describe philosophies, theories, religions, social movements, artistic movements and behaviors. The suffix "-ism" is neutral and therefore bears no connotations associated with any of the many ideologies it identifies; such determinations can only be informed by public opinion regarding specific ideologies.
Lesbians Against Pit Closures (LAPC) were an alliance of lesbian women who came together to support the National Union of Mineworkers and various mining communities during the UK miners strike of 1984–1985. They were formed after a schism in the Lesbians and Gays Support the Miners (LGSM) movement, in November 1984. Members of the organisation were involved in picket line protests against the delivery of coal to the factories by strikebreakers.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.
