Formation | 1916 |
---|---|
Dissolved | 1976 |
Type | Crafts association |
Legal status | Non-profit organization |
Region | Canada |
Official language | English, French |
The Society of Canadian Painter-Etchers and Engravers (CPE) was a non-profit organization of Canadian etchers and engravers.
The Society of Canadian Painter-Etchers and Engravers (CPE) was founded in 1916 as a successor to the short-lived Association of Canadian Etchers, founded in 1885. [1] William W. Alexander was a founding member along with other former members of the Toronto Art Students' League such as W.J. Thomson, John Wesley Cotton, T.G. Greene, and Charles Macdonald Manly. [2] Alexander participated in the Society's exhibitions with bookplates based on his sketches and watercolors from northern canoe trips. [3] The CPE was relatively conservative. It favored intaglio and insisted that the artist should be involved in each stage of production including drawing, engraving or etching, and printing the block or plate. [4]
The Society began holding annual exhibitions in 1919 at the Art Gallery of Toronto. Usually these were part of larger exhibitions. The Society held exhibitions in other locations in Toronto from 1933 to 1959. The Society was formally incorporated on 1935. From 1943 to 1959 it exhibited at the Royal Ontario Museum. [5] The Canadian Society of Graphic Art (CSGA) was exhibiting serigraphs by the mid-1930. However, the CPE would not accept silkscreen prints until 1946. Even then, it was careful to exclude commercial methods of silkscreen printing. [6] Between 1960 and 1974 the Society's annual exhibitions were each held in a different city in Ontario. [5]
Jo Manning, who made prints between 1960 and 1980, was an executive member of the Canadian Society of Graphic Art and a member of the Canadian Society of Painter-etchers and Engravers. [7] In June–August 1971 the Society held a joint exhibition at the Montreal Museum of Fine Arts with the Canadian Society of Graphic Art. [8] The Society merged with the Canadian Society of Graphic Art in 1976 to form the Print and Drawing Council of Canada. [1] Jo Manning was a founding member of the new Council. [7]
John Christopher Pratt was one of Canada's most prominent painters and printmakers. In addition to a body of highly acclaimed paintings, prints, drawings and writing, he designed the flag of Newfoundland and Labrador.
Alfred Joseph Casson was a member of the Canadian group of artists known as the Group of Seven. He joined the group in 1926 at the invitation of Franklin Carmichael, replacing Frank Johnston. Casson is best known for his depictions in his signature limited palette of southern Ontario, and for being the youngest member of the Group of Seven.
Anna P. Baker was a Canadian visual artist.
Margaret Dorothy Shelton (1915–1984) was a Canadian artist who lived nearly all of her life in Alberta. She worked in a number of mediums but is best known for her block printing.
Frederick Stanley Haines, more commonly known as Fred S. Haines, was a Canadian painter. An accomplished and versatile artist, he is well known for his watercolours, oil paintings, gouaches, engravings and prints. He was a colleague and friend of the Group of Seven.
Dorothy Stevens was a Canadian etcher, portrait painter, printmaker, illustrator and teacher, perhaps the most accomplished Canadian etcher of her day. She is known for the prints she made of factory workers during World War I. She exhibited in Canada, the United States, England and France.
Albert Edward Cloutier (1902–1965) was a Canadian painter and graphic designer who painted in a form of intensified realism with abstract plastic forms.
Joanne Elizabeth Manning was a Canadian etcher, painter and author.
The Canadian Society of Graphic Art (CSGA), originally called the Graphic Arts Club, was a non-profit organization of Canadian graphic artists. It was founded in 1904, and formally chartered in 1933. At one time it was one of the larger organizations of Canadian artists.
The Federation of Canadian Artists (FCA) is an association of artists in Canada founded in Toronto in 1941. The FCA soon had chapters across the country, and was one of the main forces behind formation of the Canada Council in 1957. After this, the national organization withered, and only the British Columbia chapter remained active. A drive for expansion began in 1977, causing a renewal of activity that started in western Canada and then spread. Expansion stalled out in the late 1990s when funding cuts hit the Federation as hard as it hit other arts organization. Renewed vigor by volunteers and staff in recent years has brought new life to the Federation and expansion is again underway. The organization has about 2,700 paying members and 5,000 artist contacts throughout Canada as of the end of 2017, a permanent gallery in Vancouver, and organizes approximately 44 exhibitions every year.
Gwenda Morgan was a British wood engraver. She lived in the town of Petworth in West Sussex.
Ellen Vaughan Kirk Grayson was a Canadian artist and educator. She was born in Moose Jaw, Saskatchewan but her time spent hiking in the Canadian Rockies and the Okanagan Valley has shaped her artistic style.
Bernice Fenwick Martin was a Canadian painter and printmaker known for her landscapes.
Elizabeth Deborah Altwerger was a Canadian artist and art educator.
Rita Briansky is a Polish-born Canadian painter and printmaker. Briansky is associated with the Jewish Painters of Montreal.
Roslyn Swartzman was a Canadian printmaker, painter, and sculptor.
Walter R. Duff is a Canadian graphic artist and painter who worked in oil and watercolour. His subjects include portraits, buildings, still life and landscapes.
The Toronto Art Students' League (TASL) or the Toronto Art League as it was called from 1899 on was an association of artists that existed from 1886 to 1904 and advocated drawing from the antique, and drawing and painting from life as a key to making art. It was a way of circulating recent art developments such as the Arts & Crafts movement and Art Nouveau as well as serving as a training ground and as a way of providing encouragement and fellowship for younger artists. It met about once a week to produce drawings from life and its operative mottos were the disciplinary "Nulla Dies Sine Linea" and "Non Clamor Sed Amor".
John Wesley Cotton was a printmaker and painter in the early years of the 20th century. He was known for his aquatints, etchings, and drypoints, and for introducing the colour aquatint process to Canada.
William Walker Alexander, who signed his work W. W. Alexander, was a printmaker and bookplate maker.