Zygmunt Janiszewski was a Polish mathematician.
Saul Bass was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos.
Milton Glaser was an American graphic designer. His designs include the I Love New York logo, a 1966 poster for Bob Dylan, and the logos for DC Comics, Stony Brook University, and Brooklyn Brewery.
Fundamenta Mathematicae is a peer-reviewed scientific journal of mathematics with a special focus on the foundations of mathematics, concentrating on set theory, mathematical logic, topology and its interactions with algebra, and dynamical systems.
The culture of Poland is the product of its geography and distinct historical evolution, which is closely connected to an intricate thousand-year history. Poland has a Roman Catholic majority, and religion plays an important role in the lives of many Polish people. Polish culture forms an important part of western civilization and the western world, with significant contributions to art, music, philosophy, mathematics, science, politics and literature. Its unique character developed as a result of its geography at the confluence of various European regions.
Władysław Teodor "W.T." Benda was a Polish painter, illustrator, and designer.
WojciechBonawentura Fangor, also known as Voy Fangor, was a Polish painter, graphic artist, sculptor. Described as "one of the most distinctive painters to emerge from postwar Poland," Fangor has been associated with Op art and Color field movements and recognized as a key figure in the history of Polish abstract art. As a graphic artist, Fangor is known as a co-creator of the influential Polish School of Posters. Between 1953 and 1961, he designed over one hundred posters working alongside Henryk Tomaszewski, Jan Lenica and others.
Jan Sawka was a Polish-born American artist and architect.
Henryk Tomaszewski was an award-winning poster artist and the "father" of the Polish Poster School.
Abram Games was a British graphic designer. The style of his work – refined but vigorous compared to the work of contemporaries – has earned him a place in the pantheon of the best of 20th-century graphic designers. In acknowledging his power as a propagandist, he claimed, "I wind the spring and the public, in looking at the poster, will have that spring released in its mind." Because of the length of his career – over six decades – his work is essentially a record of the era's social history. Some of Britain's most iconic images include those by Games. An example is the "Join the ATS" poster of 1941, nicknamed the "blonde bombshell" recruitment poster. His work is recognised for its "striking colour, bold graphic ideas, and beautifully integrated typography".
Jerzy Janiszewski is a Polish artist, best known for designing the Solidarity logo in 1980.
Józef Mroszczak was a Polish graphic designer and representative of the Polish School of Posters.
Tadeusz Lucjan Gronowski was a Polish graphic artist, architect who worked as an interior designer, painter, and a book illustrator.
A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers, propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible.
Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting and the use of metaphor with the succinctness of the poster. By utilizing characteristics such as painterly gesture, linear quality, and vibrant colors, as well as individual personality, humor, and fantasy, the Polish poster made the distinction between designer and artist less apparent. Posters of the Polish Poster School significantly influenced the international development of graphic design in poster art. Influenced by the vibrant colors of folk art, they combine printed slogans, often hand-lettered, with popular symbols, to create a concise metaphor. As a hybrid of words and images, these posters created a certain aesthetic tension. In addition to aesthetic aspects, these posters revealed the artist's emotional involvement with the subject. They did not solely exist as an objective presentation, rather they were also the artist's interpretation and commentary on the subject and on society.
Solidaryca is a typeface designed in 1980 by Jerzy Janiszewski, at that time a student at the Gdańsk Academy of Fine Arts. Originally it was used as a logo for the Solidarity, an anti-communist trade union in Poland. The characters were meant to represent workers marching together and supporting each other.
Maciej Urbaniec was a Polish artist, graphic designer, poster artist. He was one of the pioneers of the Polish Poster School.
The Poster Museum at Wilanów is the world's oldest poster museum. Founded in 1968, the museum is housed at the Wilanów Palace complex in Warsaw, Poland.
Rosław Szaybo was a Polish painter, photographer and cover designer.
Art in Poland refers to all forms of visual art in or associated with Poland.
