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| Soloflight | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1978 | |||
| Recorded | 1970-1974 | |||
| Genre | Folk, folk rock | |||
| Length | 59:30 | |||
| Label | Autogram | |||
| Wizz Jones chronology | ||||
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Soloflight is the 1978 double album by the pioneer British folk musician Wizz Jones. The album contains covers and traditional folk tunes recorded from 1970 to 1974. The standout tracks are "National Seven", "Pastures of Plenty", "Sally Free and Easy" and "Can't Keep from Crying".
John Renbourn was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman.
William Boazman, known as Sonny Black, is an acoustic guitarist based in the UK, who plays blues, rags and original compositions usually fingerstyle or slide. "Sonny Black" is a pseudonym adopted when he began the first Sonny Black's Blues Band. He previously became well known as Bill Boazman on the folk club circuit and at college gigs during the 1970s as a singer, songwriter and acoustic guitarist. He has been credited with accompanying J. J. Cale, but this is a fallacy arising from a typographic error involving an American musician with a similar name, Bob Brozman.
Raymond Ronald Jones, better-known as Wizz Jones, is an English acoustic guitarist, singer and songwriter. He was born in Thornton Heath, Surrey, England and has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the British folk revival, such as John Renbourn and Bert Jansch.
Right Now is the 1972 album by the pioneer British folk musician Wizz Jones. The album was produced by John Renbourn, who also played sitar and harmonica on the album.
Happiness Was Free is the 1976 album by the pioneer British Folk musician Wizz Jones. The standout tracks are "Propinquity", "Happiness Was Free", "Womankind" and "City of the Angels".
The Legendary Me is the 1970 album by the pioneer British folk musician Wizz Jones. The album contains eight cover tunes written by songwriter and Jones' friend Alan Tunbridge. Sunbeam Records has reissued this album on vinyl and on CD.
When I Leave Berlin is the 1973 album by the pioneer British folk musician Wizz Jones. Wizz was accompanied on some of the songs by his future group "Lazy Farmer", and Bert Jansch played guitar on "Freudian Slip". The album was remastered and released on CD by Sunbeam Records in 2007, also included as bonus tracks were the six songs from his 1973 EP Winter Song.
Magical Flight is the 1977 album by the pioneer British folk musician Wizz Jones. In addition to composing some of the songs, Alan Tunbridge produced the U.K. cover artwork.
Winter Song is the 1973 EP by the pioneer British folk musician Wizz Jones. The songs were recorded on a tape recorder at concert promoter Willy Schwenken's house in Nottuln, Germany circa 1972. The recordings also came as a bonus EP with the Double Album Soloflight, and in 2007 were included as bonus tracks on the remastered CD release of When I Leave Berlin.
Lazy Farmer is the 1975 album by British folk rock group Lazy Farmer. This short-lived group consisted of pioneer British folk musician Wizz Jones, his wife Sandy Jones, John Bidwell and Jake Walton. The album was dedicated to American banjo player John Burke, whose book "Fiddle Tunes for the Banjo" inspired the formation of Lazy Farmer. The album was recorded at Conny Plank's countryside studio in Cologne, Germany.
Wizz Jones is the 1969 album by the pioneer British folk musician Wizz Jones. This was Jones' debut solo album, despite having been a performer since 1959.
Late Nights and Long Days is a 1993-CD album by the noted British folk musician Wizz Jones and his son, Simeon Jones. The album was recorded at Airwave Studios, London in 1989 and Metcalfe Studios, London in 1992. The CD was reissued circa 2008 on Jones' private Wizzydisc label, with 2 "bonus" tracks, as More Late Nights and Long Days
Lucky the Man is the 2001 studio album by the British folk guitarist, singer and songwriter Wizz Jones. The album was re-released on CD in 2007, with additional tracks, on the Hux label; this issue comes with a 12-page booklet including extensive notes, personal comments from Wizz on each of the bonus tracks, plus rare photographs from Jones' personal archive.
Somebody Else, Not Me is a 1980 album by American folk and blues singer Dave Van Ronk.
The Grapes of Life is the 1987 studio album by the noted and influential British folk guitarist, singer and songwriter Wizz Jones.
Sixteen Tons of Bluegrass is an album by Pete Stanley and Wizz Jones produced by Chas McDevitt, and originally released in the UK1966 on Columbia Records. Wizz & Pete were probably the first British musicians to successfully interpret America's favourite traditional music for UK audiences. The album was also released on the Joker label in Italy as Way Out West, with a different cover design. Wizz Jones is quoted, describing the cover, "I've only seen this once, as I recall the alternative sleeve design is hilarious. A mini-skirted girl is perched on a gate being serenaded by a smart young man in blue jeans!"
Alan Tunbridge is an English artist, book dust-jacket illustrator and songwriter.
Folk, Blues and Beyond is the second studio album by British musician Davey Graham, originally released in 1965. It has been considered Graham's most groundbreaking and consistent work and a defining record of the 20th century. It has also been a primary influence on some of the most popular musicians in Britain ranging from Bert Jansch to Jimmy Page and Eric Clapton.
South Coast is an album by American folk musician Ramblin' Jack Elliott, released in 1995. It was his first new studio release in over 20 years.
Projections is the second album by American blues rock band The Blues Project. Produced by Tom Wilson and released by Verve/Folkways in November 1966, the album was their first studio release and examined a more rock-based sound. Jim Marshall was credited as the photographer of the album cover.