| Sonata for Solo Viola No. 2 | |
|---|---|
| by Paul Hindemith | |
| Opus | Op. 25, No. 1 |
| Year | 1922 |
| Genre | Modern music |
| Dedication | Ladislav Černý |
| Published | 1923 |
| Publisher | Schott Music |
| Duration | 15 minutes |
| Movements | 5 |
| Scoring | Solo viola |
| Premiere | |
| Date | March 18, 1922 |
| Location | Cologne |
| Performers | Paul Hindemith |
The Sonata for Solo Viola No. 2, Op. 25/1, is the second of German composer Paul Hindemith's four sonatas for unaccompanied viola. Completed in 1922, it is part of an opus that also includes three other sonatas for different instruments.
Hindemith, a well known viola player in the late 1910s, leapt to prominence as Germany's leading young composer in 1919, after having passed an expressionist phase and turning to a neo-Baroque, neoclassical style, which was then called "New Objectivity" (Neue Sachlichkeit). [1] The composer presented and first performed the second viola sonata in Cologne on March 18, 1922, having completed it that same month. Dedicated to Ladislav Černý, violist of the Zika Quartet, the sonata was published by Schott Music in 1923. [2]
The sonata is scored for solo viola and has a total duration of around 15 minutes. It is divided into five movements of unequal length, which follow a three-part sonata form: [3]
Hindemith opens this sonata with an aggressive chordal sequence against a more melodic thematic material, which leads attacca to the next movement, "very fresh and taut". Then, the third and fifth movements share thematic material and are, in essence, elegiac and emotionally charged. The fourth movement uses a repeated pedal-like low C with rapid single interjections in the form of chords, following a scherzo-like structure. The tempo in this movement is unusually fast (
= 600–640). All movements have tempo indications but none of them have key or time signatures. [2]