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Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice.
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all and instead compose the song in their mind and then play, sing or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.
Alvin Augustus Lucier Jr. was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.
Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.
The Deep Listening Band (DLB) was founded in 1988 by Pauline Oliveros, Stuart Dempster and Panaiotis. David Gamper replaced Panaiotis in 1990.
Acousmatic music is a form of electroacoustic music that is specifically composed for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the introduction of musique concrète in the late 1940s. Unlike musical works that are realised using sheet music exclusively, compositions that are purely acousmatic often exist solely as fixed media audio recordings.
Jonathan Anthony Rose is an Australian violinist, composer, and multimedia artist. Rose's work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by Tony Mitchell as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia".
Andrew Culver is a Canadian-American composer and software entrepreneur. Culver's works have included chamber and orchestral music, electronic and computer music, sound sculpture and music sculpture, film, lighting, text pieces, and installations. He performs concerts with sound sources of his own invention that are based on the tensegrity structural principle as elaborated by Buckminster Fuller, a lifelong influence.
Hugh Seymour Davies was a musicologist, composer, and inventor of experimental musical instruments.
Guitar Solos is the debut solo album of English guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released in the United Kingdom on LP record by Caroline Records in October 1974. The album comprises eight tracks of unaccompanied and improvised music played on prepared guitars by Frith without any overdubbing.
The Schulich School of Music is one of the constituent faculties of McGill University in Montreal, Quebec, Canada. It is located at 555, rue Sherbrooke Ouest. The faculty was named after benefactor Seymour Schulich.
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From Scratch are a New Zealand experimental music / performance group, best known for their large sculptural invented instruments and rhythmic innovation. They have performed since 1974 with an ever-changing lineup, though principally led by Philip Dadson.
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Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
Student Studies is a live album by Cecil Taylor recorded in November 1966 and released on the Japanese BYG label as an untitled 2-LP set in 1973. It features a performance by Taylor with Jimmy Lyons, Alan Silva and Andrew Cyrille. The album was first released on CD by the Affinity label as Student Studies, later rereleased on the Black Lion label as The Great Paris Concert, and then reissued a third time as Student Studies by Fuel 2000. None of the three CD issues use the original LP cover artwork.
Myke Roy is a Canadian composer and recording engineer. An associate of the Canadian Music Centre and a member of the Canadian Electroacoustic Community, his compositional output includes a substantial amount of electroacoustic music, instrumental music, multi-media works, and music for the theatre. In 1976 he was awarded the Sir Ernest MacMillan Award/Fellowship by the Composers, Authors and Publishers Association of Canada for his works Sveln, Dra-men Dzunkt and Tsé Tnant/Te Deum. In 1987 he won the Robert Fleming Prize.
Mario Bertoncini was an Italian composer, pianist, and music educator. In 1962 he was awarded the Nicola d'Atri Prize by the Accademia Nazionale di Santa Cecilia for his Sei Pezzi per orchestra and in 1965 he was awarded both the Gaudeamus International Composers Award and the Fondation européenne de la Culture prize for Quodlibet. He has performed as a concert pianist with symphony orchestras throughout Europe and North America and in Israel and Korea.
Joseph Francis Petric is a Canadian concert accordionist, historian, author, and pedagogue.
References
- ↑ "Music at McGill University | The Canadian Encyclopedia". www.thecanadianencyclopedia.ca. Retrieved 2022-11-02.
- ↑ Compositional crossroads : music, McGill, Montréal. Eleanor Victoria Stubley. Montreal: McGill-Queen's University Press. 2008. pp. 103–104. ISBN 978-0-7735-7504-2. OCLC 647844521.
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