| Songs from Ireland | |
|---|---|
 | |
| Studio album by | |
| Released | 1962 |
| Genre | Folk music |
| Label | Tradition TLP 1045 |
Songs from Ireland is a 1962 album by sister and brother Peg and Bobby Clancy. It was Bob's second solo album, alongside his recordings with The Clancy Brothers and Peg's only album. The album was well received, [1] and was reissued in 1972 on Ember 2054, [2] and digitally remastered for CD in 2011.
In the music of Ireland, Irish rebel songs refer to folk songs which are primarily about the various rebellions against English Crown rule. Songs about prior rebellions are a popular topic of choice among musicians which supported Irish nationalism and republicanism. In the 20th and 21st centuries, Irish rebel songs focus on physical force Irish republicanism in the context of the Troubles in Northern Ireland.
The Clancy Brothers were an influential Irish folk music group that developed initially as a part of the American folk music revival. Most popular during the 1960s, they were famed for their Aran jumper sweaters and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, contributing to an Irish folk boom with groups like the Dubliners and the Wolfe Tones.
Patrick Michael Clancy, usually called Paddy Clancy or Pat Clancy, was an Irish folk singer best known as a member of the Clancy Brothers and Tommy Makem. In addition to singing and storytelling, Clancy played the harmonica with the group, which is widely credited with popularizing Irish traditional music in the United States and revitalizing it in Ireland. He also started and ran the folk music label Tradition Records, which recorded many of the key figures of the American folk music revival.
Thomas Joseph Clancy was a member of the Irish folk group the Clancy Brothers. He had the most powerful voice of the brothers and had previously been an actor in numerous stage productions, appearing with Orson Welles in King Lear. He also performed often on television and occasionally in the movies.
Liam Clancy was an Irish folk singer and actor from Carrick-on-Suir, County Tipperary. He was the youngest member of the influential folk group the Clancy Brothers, who are regarded as Ireland's first pop stars. They achieved global sales of millions and appeared in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall.
"Johnny I Hardly Knew Ye", also known as "Johnny We Hardly Knew Ye" or "Johnny I Hardly Knew Ya", is a popular traditional song, sung to the same tune as "When Johnny Comes Marching Home". First published in London in 1867 and written by Joseph B. Geoghegan, a prolific English songwriter and successful music hall figure, it remained popular in Britain and Ireland and the United States into the early years of the 20th century. The song was recorded by The Clancy Brothers & Tommy Makem on their eponymous album in 1961, leading to a renewal of its popularity.
The Bonnie Lass o' Fyvie is a Scottish folk song about a thwarted romance between a soldier and a girl. Like many folk songs, the authorship is unattributed, there is no strict version of the lyrics, and it is often referred to by its opening line "There once was a troop o' Irish dragoons". The song is also known by a variety of other names, the most common of them being "Peggy-O", "Fennario", and "The Maid of Fife".
The Girls Won't Leave the Boys Alone is an album by Cherish the Ladies released in 2001 on the Windham Hill label. The title reverses the lyrics "the boys won't leave the girls alone" from the Irish song "Belle of Belfast City/I'll Tell Me Ma", popularized in the album Irish Heartbeat by Van Morrison and The Chieftains. The Boys Won't Leave the Girls Alone is also the title of a 1962 album by The Clancy Brothers and Tommy Makem.
The Rising of the Moon: Irish Songs of Rebellion is a collection of traditional Irish folk songs performed by The Clancy Brothers and Tommy Makem. It was the group's first album and was initially recorded in 1956. For the original recording, the only instrument used was Paddy Clancy's harmonica, since Tommy Makem had damaged his hand and Liam Clancy was still learning how to play the guitar. The group had yet to develop its distinctive musical sound, so there was little ensemble singing.
Tradition Records was an American record label from 1955 to 1966 that specialized in folk music. The label was founded and financed by Guggenheim heiress Diane Hamilton in 1956. Its president and director was Patrick "Paddy" Clancy, who was soon to join his brothers Liam and Tom Clancy and Tommy Makem, as part of the new Irish folk group, The Clancy Brothers and Tommy Makem. Liam Clancy designed the company's maple leaf logo. Columbia University Professor of Folklore Kenneth Goldstein was also involved in the early creation of the company, which operated out of Greenwich Village, New York, United States.
Diane Hamilton was the pseudonym of Diane Guggenheim, an American mining heiress, folksong patron and founder of Tradition Records.
The Lark in the Morning is an album by Liam Clancy, Tommy Makem, family and friends.
Robert Joseph 'Bobby' Clancy Jr was an Irish singer and musician best known as a member of The Clancy Brothers, one of the most successful and influential Irish folk groups. He accompanied his songs on five-string banjo, guitar, bodhrán, and harmonica.
The Boys Won't Leave the Girls Alone is a collection of mostly traditional Irish folk songs performed by The Clancy Brothers and Tommy Makem. It also includes several songs from other countries, such as the Scottish folk song, "Marie's Wedding". It was their third album for Columbia Records and was released in 1962. It was also their first studio album for the label. Its title is taken from the song, "I'll Tell My Ma". The original LP featured liner notes by Tom Clancy.
Robbie O'Connell is an Irish singer songwriter who performs solo, as well as with The Green Fields of America. He also appears with Dónal Clancy (cousin), Dan Milner, and fiddler Rose Clancy. O'Connell has also toured and recorded with The Clancy Brothers, being their nephew. For over 20 years, he has conducted small cultural tours to Ireland with Celtica Music & Tours and, for more than ten years, WGBH Learning Tours. Married with four grown children, he now spends his time between Bristol, Rhode Island and Waterford.
In Person at Carnegie Hall was the seminal Irish folk group The Clancy Brothers and Tommy Makem's most successful album. It was recorded in Carnegie Hall on 17 March 1963 at their annual St. Patrick's Day concert. In the documentary, The Story of the Clancy Brothers and Tommy Makem, Paddy Clancy said that this was the best album the group recorded. The album spent months on the American Top LPs chart and broke the top fifty albums in December 1963, an unprecedented occurrence for an Irish folk music recording at that time. It has never been out of print since its initial release.
Louisa "Lou" Jo Killen was an English folk singer from Gateshead, Tyneside, who also played the English concertina.
The Clancy Brothers & Tommy Makem is a collection of traditional Irish songs performed by The Clancy Brothers with frequent collaborator Tommy Makem. It was their third album and their final one for Tradition Records, the small label that the eldest Clancy brother Paddy Clancy ran. After this, the group recorded exclusively for Columbia Records until 1970. This was the first album for which they used the group name, The Clancy Brothers and Tommy Makem. Their prior recordings had simply listed their individual names on the cover.
A Spontaneous Performance Recording!: The Clancy Brothers and Tommy Makem, sometimes simply called A Spontaneous Performance, is a 1961 collection of traditional Irish folk songs performed by The Clancy Brothers with frequent collaborator Tommy Makem. It was their first album for Columbia Records. The group would continue to record for Columbia for the remainder of the 1960s. The album was nominated for a Grammy Award in 1962 for Best Folk Recording.
Older But No Wiser is a 1995 album by the Irish folk group, The Clancy Brothers and Robbie O'Connell. This was the Clancy Brothers' final album, released almost four decades after the group's first album, The Rising of the Moon. It was also their third album for Vanguard Records. The songs on Older But No Wiser are notable for their thicker musical accompaniment than was typical of Clancy recordings, as well their first use of female back-up singers.