Songs of Jamaica is the first book published by the African-Jamaican writer Claude McKay, which appeared in January 1912. [1] The Institute of Jamaica awarded McKay the Silver Musgrave Medal for this book and a second volume, Constab Blues, also published in 1912. He used the associated stipend to fund a trip to the United States of America. [2] [3]
The book was dedicated to Sir Sydney Olivier, who was at that time Governor of Jamaica, expressing admiration for Olivier's "sympathy for the black race". The collection was the first book-length publication of poetry in Patois by an African-Caribbean writer, and contained footnotes and an introduction by Walter Jekyll to aid readers unfamiliar with the dialect. [4] In 1906 Jekyll had published Jamaican Song and Story: Annancy Stories, Digging Sings, Ring Tunes, and Dancing Tunes which celebrated the presence of African cultural elements in Jamaican vernacular culture. [5]
Festus Claudius "Claude" McKay OJ was a Jamaican-American writer and poet, and a central figure in the Harlem Renaissance.
Olive Marjorie Senior is a Jamaican poet, novelist, short story and non-fiction writer based in Toronto, Ontario, Canada. She was awarded the Musgrave Gold Medal in 2005 by the Institute of Jamaica for her contributions to literature.
Kwame Senu Neville Dawes is a Ghanaian poet, actor, editor, critic, musician, and former Louis Frye Scudder Professor of Liberal Arts at the University of South Carolina. He is now Professor of English at the University of Nebraska-Lincoln and editor-in-chief at Prairie Schooner magazine. New York-based Poets & Writers named Dawes as a recipient of the 2011 Barnes & Noble Writers for Writers Award, which recognises writers who have given generously to other writers or to the broader literary community.
Lorna Goodison CD is a Jamaican poet, a leading West Indian writer of the generation born after World War II, currently dividing her time between Jamaica and Ann Arbor, Michigan, where she is Professor Emerita, English Language and Literature/Afroamerican and African Studies at the University of Michigan. She was appointed Poet Laureate of Jamaica in 2017, succeeding Mervyn Morris. In 2019 she was awarded the Queen's Gold Medal for Poetry.
Caribbean literature is the literature of the various territories of the Caribbean region. Literature in English from the former British West Indies may be referred to as Anglo-Caribbean or, in historical contexts, as West Indian literature. Most of these territories have become independent nations since the 1960s, though some retain colonial ties to the United Kingdom. They share, apart from the English language, a number of political, cultural, and social ties which make it useful to consider their literary output in a single category. The more wide-ranging term "Caribbean literature" generally refers to the literature of all Caribbean territories regardless of language—whether written in English, Spanish, French, Hindustani, or Dutch, or one of numerous creoles.
Duppy is a word of African origin commonly used in various Caribbean islands, including Barbados and Jamaica, meaning ghost or spirit. The word is sometimes spelled duffy.
"Linstead Market" is a Jamaican folk song of the mento type that tells of a mother who goes to the market with her ackee fruit but does not sell any, with the result that her children will go hungry.
Lucy Etheldred Broadwood was an English folksong collector and researcher, and great-granddaughter of John Broadwood, founder of the piano manufacturers Broadwood and Sons. As one of the founder members of the Folk-Song Society and Editor of the Folk Song Journal, she was one of the main influences of the English folk revival of that period. She was an accomplished singer, composer, piano accompanist, and amateur poet. She was much sought after as a song and choral singing adjudicator at music festivals throughout England, and was also one of the founders of the Leith Hill Music Festival in Surrey.
Jamaican literature is internationally renowned, with the island of Jamaica being the home or birthplace of many important authors. One of the most distinctive aspects of Jamaican literature is its use of the local dialect — a variation of English, the country's official language. Known to Jamaicans as "patois", and now sometimes described as "nation language", this creole has become an important element in Jamaican fiction, poetry and theater.
Louise Simone Bennett-Coverley or Miss Lou, OM, OJ, MBE, was a Jamaican poet, folklorist, writer, and educator. Writing and performing her poems in Jamaican Patois or Creole, Bennett worked to preserve the practice of presenting poetry, folk songs and stories in patois, establishing the validity of local languages for literary expression.
Nationality words link to articles with information on the nation's poetry or literature.
Alecia McKenzie is a Jamaican writer and journalist.
Thomas MacDermot was a Jamaican poet, novelist, and editor, editing the Jamaica Times for more than 20 years. He was "probably the first Jamaican writer to assert the claim of the West Indies to a distinctive place within English-speaking culture". He also published under the pseudonym Tom Redcam. He was Jamaica's first Poet Laureate.
A notable year in the history of Jamaican music was 1907, when Walter Jekyll's Jamaican Song and Story was first published. The Contents of this book include four parts entitled "Anancy Stories", "Digging Sings", "Ring Tunes", and "Dancing Tunes". Each part has an introduction, songs, stories, and melodies.
Walter Jekyll, was an English clergyman who renounced his religion and became a planter in Jamaica, where he collected and published songs and stories from the local African-Caribbean community.
Alice Werner was a writer, poet and teacher of the Bantu language.
Leone Ross is a British novelist, short story writer, editor, journalist and academic, who is of Jamaican and Scottish ancestry.
"If We Must Die" is a poem by Jamaican-American writer Claude McKay published in the July 1919 issue of The Liberator. McKay wrote the poem in response to mob attacks by white Americans upon African-American communities during the Red Summer. The poem does not specifically reference any group of people, and has been used to represent many groups who are persecuted. It is considered one of McKay's most famous poems and was described by the poet Gwendolyn Brooks as one of the most famous poems of all time.
Jacqueline Bishop is a writer, visual artist and photographer, from Jamaica who now lives in New York City, where she is a professor at the School of Liberal Studies at New York University (NYU). She is the founder of Calabash, an online journal of Caribbean art and letters, housed at NYU, and also writes for the Huffington Post and the Jamaica Observer Arts Magazine. In 2016 her book The Gymnast and Other Positions won the nonfiction category of the OCM Bocas Prize for Caribbean Literature. She is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.
"To The White Fiends" is a Petrarchan sonnet by Claude McKay. The Poetry Foundation describes it as one of McKay's most famous works from the late 1910s. In 2018 the scholar Timo Muller described it as "a pivitol text in the history of the black protest sonnet" and notes that it was McKay's first to reach a "wider audience". Léon Damas quoted part of the poem in his 1937 book of poetry Pigments. McKay, an immigrant to the United States, had written the poem the first year he spent in the nation in 1912. He sent an early draft of the poem to William Stanley Braithwaite, a Bostonian poetry editor in January 1916. The Crisis rejected the poem and it was not until 1918 that the poem was published by Pearson's Magazine. In 1919 it was republished by Liberator.