Related Research Articles
Callen Radcliffe Tjader, Jr. was an American Latin jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform the music of Cuba, the Caribbean, and Latin America for the rest of his life.
Humberto "Tito" Nieves is a Puerto Rican musician who became one of the leading salsa singers of the 1980s and the early 1990s.
Ray Barretto was an American conga drummer and bandleader of Puerto Rican ancestry. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Eddie Palmieri is a Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
The Fania All-Stars is a musical group formed in 1968 as a showcase for the musicians on Fania Records, the leading salsa music record label of the time.
Típica 73 was a charanga and salsa band in the 1970s and early 1980s that was formed by musicians from Ray Barretto's band. "Típica" refers to the typical configuration of a Cuban chararanga while "73" refers to the year that group was founded. Tipica 73 was the first American salsa band to record in Cuba and included Adalberto Santiago, Alfredo de la Fé, and José Alberto.
Johnny Pacheco is a Dominican musician, arranger, composer, producer, and bandleader of Salsa music. He is one of the most influential figures in Latin music, best known for being the creator of the Fania All-Stars and Fania Records, and for coining the term "Salsa" to denote the genre.
Poncho Sánchez is a Mexican American conguero, Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.
Ángel Santos Vega Colon, aka Santitos Colón, was a Puerto Rican bolero and mambo singer, born in Sabana Grande, Puerto Rico and raised in Mayagüez. He was also known by the moniker: "The Man with The Golden Voice".
Alfredo De La Fé is a Cuban-born and New York-based violinist who lived in Colombia for more than 16 years and is responsible for transforming the violin into an important sound of Salsa and Latin music. The first solo violinist to perform with a Salsa orchestra, De La Fé has toured the world more than thirty times, appearing in concert and participating in more than one hundred albums by such top-ranked Latin artists as Eddie Palmieri, Tito Puente, Celia Cruz, José Alberto "El Canario", Cheo Feliciano, The Fania All-Stars, Santana and Larry Harlow. His second solo album, Alfredo, released in 1979, received a Grammy nomination as "Best Latin album".
RMM Records, also known as RMM Records & Video Corp, was an independent Latin music record label established in 1987 and based in New York City. The label was most active during the late 1980s and early 1990s and produced primarily salsa, Latin jazz, and merengue music. At its peak, RMM Records employed 55 staff members and had distribution deals in 42 cities around the world, occupying 9,000 square feet in two floors at its Soho headquarters. The label was established by Fania Records promoter Ralph Mercado, who had established RMM Management in 1972 as an artist management and booking agency, providing bookings for Latin artists Tito Puente, Celia Cruz, and Ray Barretto.
Barron W. "Barry" Rogers was a salsa musician and jazz fusion trombonist.
Adalberto Santiago is an internationally known Salsa singer.
Mario Rivera was a Latin jazz saxophonist from the Dominican Republic. Besides saxophone, Rivera played trumpet, flute, piano, vibraphone, congas, and drums.
Rebeca Mauleón is an American pianist, composer, arranger and writer, specializing in salsa and other Latin American and Afro-Caribbean music.
Louie Ramirez was a boogaloo, salsa and latin jazz percussionist, vibraphonist, band leader and composer. He co-wrote with Johnny Pacheco the 1961 hit "El Güiro De Macorina". He has been called "the Quincy Jones of Salsa."
Ernesto Antonio "Tito" Puente was an American musician, songwriter and record producer. The son of Ernest and Felicia Puente, native Puerto Ricans living in New York City's Spanish Harlem, Puente is often credited as "The Musical Pope", "El Rey de los Timbales" and "The King of Latin Music". He is best known for dance-oriented mambo and Latin jazz compositions that endured over a 50-year career. He and his music appear in many films such as The Mambo Kings and Fernando Trueba's Calle 54. He guest-starred on several television shows, including Sesame Street and The Simpsons two-part episode "Who Shot Mr. Burns?". His most famous song is "Oye Como Va".
"Chanchullo" is a danzón-mambo composed by Cuban bassist Israel "Cachao" López. It was first released as a single in 1957 by Arcaño y sus Maravillas. It was the third single released on Cuban independent record label Gema and has been covered by multiple artists including Tito Puente, Típica '73 and Rubén González. Puente himself reworked the song as the successful "Oye cómo va", later recorded by Santana, for which Cachao received no credit. Instrumental versions of the song have been recorded variously under the titles "Mambolandia" and "Mambología", often credited to Peruchín.
Harvey Averne has been described as "one of several prominent Jewish Americans in New York's bustling Latin music scene."
References
- ↑ Yanow, Scott (2000). Afro-Cuban Jazz . Miller Freeman Books. pp. 23. ISBN 0-87930-619-X.
 | This article on a Cuban musician is a stub. You can help Wikipedia by expanding it. |
| This article about a jazz pianist is a stub. You can help Wikipedia by expanding it. |