"Soon I'll Be Loving You Again" | |
---|---|
Song by Marvin Gaye | |
from the album I Want You | |
Released | 1976 |
Recorded | 1975 |
Genre | Soul |
Label | Tamla |
Producer(s) | Leon Ware Marvin Gaye |
"Soon I'll Be Loving You Again" is an album track issued in 1976 by singer Marvin Gaye on the I Want You album. The song's explicit nature is shown throughout the song, in which Marvin chants "I'm gonna give you some head", in other words performing oral sex on his woman. The song's erotic nature was explicit for then-1976 standards. The song would later be interpolated in a sample of a Montell Jordan song and would be covered by singer Joe for the tribute album, Marvin Is 60, in 1999. The song was also sampled for the Jay-Z album American Gangster.
Marvin Pentz Gay Jr., who also spelled his surname as Gaye was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul".
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single to date.
Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Here, My Dear is the fifteenth studio album by music artist Marvin Gaye, released as a double album on December 15, 1978, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place between 1977 and 1978 at Gaye's personal studios, Marvin Gaye Studios, in Los Angeles, California. The album was notable for its subject matter focusing largely on Gaye's acrimonious divorce from his first wife, Anna Gordy Gaye.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his album Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It is listed at number 233 on Rolling Stone's list of 500 Greatest Songs of All Time, and rose to 198 in the 2021 version of the list. "Sexual Healing" is written and composed in the key of C minor and is set in time signature of common time with a tempo of 94 beats per minute.
"I Want You" is a song written by songwriters Leon Ware and Arthur "T-Boy" Ross and performed by singer Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name on the Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. Songs such as this gave him a disco audience thanks to Ware, who produced the song alongside Gaye.
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records-subsidiary label Tamla.
"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, Let's Get It On and the b-side of the second single from that album, "Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three-year gap between Let's Get It On and his following 1976 album, I Want You.
"You Sure Love to Ball" is a song released by American recording artist Marvin Gaye. Released on January 2, 1974, it was the third and final single to be released from Gaye's album, Let's Get It On.
"Just to Keep You Satisfied" is a song by soul singer Marvin Gaye. The song was the b-side to Marvin's modest 1974 hit, "You Sure Love to Ball" and was the eighth and final song issued on the singer's 1973 album, Let's Get It On.
In Our Lifetime? is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown label Tamla Records. Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980. The album cover was designed by Neil Breeden. Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of Here, My Dear, a double album which chronicled the singer's divorce from Anna Gordy. Entirely written, produced, arranged, and mixed by Gaye, In Our Lifetime? was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Leon Ware was an American songwriter, producer, composer, and singer. Besides a solo career as a performer, Ware was best known for producing hits for other artists including Michael Jackson, Quincy Jones, Maxwell, Minnie Riperton and Marvin Gaye, co-producing the latter's album, I Want You.
Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
"Ego Tripping Out" is a 1979 funk-styled dance record released by American soul singer Marvin Gaye, released as a single on the Tamla (Motown) label. The record was originally meant to be the lead single for the singer's aborted Love Man album. However, as the album was scrapped and reworked into In Our Lifetime, the song received further work, before being omitted from the final album tracklist. The single was later included in a 1994 re-release of In Our Lifetime and a 2007 re-release deluxe edition featured two different alternate mixes for the sessions of In Our Lifetime as well as the original Love Man single of it.
"I Wanna Be Where You Are" is a song written by Arthur "T-Boy" Ross and Leon Ware for Michael Jackson, who took the song to number 7 in Cash Box and number 16 on the Billboard Hot 100 pop chart. It also reached number 2 on the Billboard R&B singles chart in 1972.
Vulnerable is the third posthumous album by Marvin Gaye. Recorded in sessions throughout 1977, the album was a decade in the making, first being worked on in 1968 during sessions in New York with Bobby Scott. Reworked by Gaye a decade later, the album was originally going to be released in 1979 under the title, The Ballads, but was shelved. Two decades later, Motown released it under the title Vulnerable, including seven songs from the sessions and three alternate cuts.
"When Did You Stop Loving Me, When Did I Stop Loving You" is a 1978 song recorded by singer Marvin Gaye. Taken from his Here, My Dear album, it was written following his 1976 divorce when he was ordered to give half the takings of his next album to ex-wife Anna Gaye. In the album, he "poured his emotions into songs agonisingly documenting their relationship's rise and fall."
"If I Should Die Tonight" is a song written by songwriter Ed Townsend and American recording artist Marvin Gaye. Gaye recorded the track, a soul ballad, for his Let's Get It On album. It was issued as the third track on the album's set list.