The Soundfield microphone is an audio microphone composed of four closely spaced subcardioid or cardioid (unidirectional) microphone capsules arranged in a tetrahedron. It was invented by Michael Gerzon and Peter Craven, and is a part of, but not exclusive to, Ambisonics, a surround sound technology. It can function as a mono, stereo or surround sound microphone, optionally including height information.
The Soundfield microphone was invented by Michael Gerzon and Peter Craven. Their theoretical design was developed into a practical microphone system by Calrec Audio Limited, who launched the first Soundfield microphone in 1978. [1]
In 1993, the Soundfield microphone part of Calrec was separated out as the company SoundField Limited, who further developed the range of products. [2] Since the original patents relating to the Soundfield microphone expired, other companies have started to manufacture Soundfield microphones.
In 2016, the parent company of RØDE Microphones, The Freedman Group, acquired SoundField from then-owner TSL Products. As well as keeping the existing range of SoundField microphones and processors in production, RØDE launched a collaboration marque, 'SoundField By RØDE'. The first microphone under the collaboration, the SoundField By RØDE NTSF-1, was released in September 2018. [3]
A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called A-Format and B-Format. The sound processor may be either dedicated hardware, or a computer running software. The software processing may be done in real-time during the recording, or later offline.
The first set, the A-Format, is produced by the Soundfield microphone itself and consists of the four signals from the microphone capsules. These four signals are not intended to be used without further processing. The A-Format is normally transformed into the second set of audio signals, the B-Format. This process is described in the two sources listed under Further reading. Depending on the microphone model, this transformation can be performed in either hardware or software.
The B-Format is the standard audio format produced by a soundfield kit. It consists of the following four signals:
These are the constant (W) and linear (X, Y, Z) terms in the multipole expansion of a function on the sphere – in effect, it approximates the wave field on a sphere around the microphone.
It is possible to recreate the three-dimensional soundfield, however the soundfield microphone particularly shows its versatility in a stereo or mono application. For example, a forward-facing cardioid is produced by. By combining the signals in various proportions, it is possible to derive any number of first-order microphones, pointing in any direction, before and after recording. For instance, provided the W, X, Y and Z signals are recorded separately, it is possible to pinpoint the microphone to a certain response from the audience even after recording. Examples of software that perform these calculations are Visual Virtual Microphone, [4] SoundField's Surround Zone [5] and Ambisonic Studio's B2X decoders [6] plug-ins.
In other words, the B-format recording can be decoded to model any number of microphones pointing in arbitrary directions: each microphone's pattern can be selected to be omnidirectional, cardioid, hypercardioid, figure-of-eight, or anything in between. This can be done live or in post-production (after the recording is made).
The playback configuration is equally flexible. Again in post-production, the B-format recording can be decoded to any number of speakers arranged in both the horizontal and vertical planes.
Note however that this information only allows the direction of sound at the microphone to be reproduced – microphone responses pointing in any direction can be synthesized, but it does not allow the reconstruction of what a microphone at a different point in space would record. To do that requires reconstructing the wave field in more detail (as in wave field synthesis).
A microphone array is any number of microphones operating in tandem. There are many applications:
A microphone, colloquially called a mic or mike, is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers for recording voice, speech recognition, VoIP, and for other purposes such as ultrasonic sensors or knock sensors.
Quadraphonic sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are independent of one another.
Ambisonics is a full-sphere surround sound format: in addition to the horizontal plane, it covers sound sources above and below the listener.
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener. Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three screen channels of sound that played from three loudspeakers located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction around the listener.
Matrix decoding is an audio technology where a small number of discrete audio channels are decoded into a larger number of channels on play back. The channels are generally, but not always, arranged for transmission or recording by an encoder, and decoded for playback by a decoder. The function is to allow multichannel audio, such as quadraphonic sound or surround sound to be encoded in a stereo signal, and thus played back as stereo on stereo equipment, and as surround on surround equipment – this is "compatible" multichannel audio.
Nimbus Records is a British record company based at Wyastone Leys, Ganarew, Herefordshire. They specialise in classical music recordings and were the first company in the UK to produce compact discs.
Blumlein pair is the name for a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.
There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including:
The Trifield process is a form of audio rendering in which a conventional two-channel signal is decoded to an additional number of loudspeakers, typically three in the form of a Left-Centre-Right front stage. The technique provides significant additional image stability, especially when the listener is moving or off-axis.
Ambisonic UHJ format is a development of the Ambisonic surround sound system designed to be compatible with mono and stereo media. It is a hierarchy of systems in which the recorded soundfield will be reproduced with a degree of accuracy that varies according to the available channels. Although UHJ permits the use of up to four channels, only the 2-channel variant is in current use. In Ambisonics, UHJ is also known as "C-Format".
Michael Anthony Gerzon is probably best known for his work on Ambisonics and for his work on digital audio. He also made a large number of recordings, many in the field of free improvisation in which he had a particular interest.
This page focusses on decoding of classic first-order Ambisonics. Other relevant information is available on the Ambisonic reproduction systems page.
The H2 Handy Recorder is a handheld digital audio recorder from Zoom first announced at the NAMM tradeshow in February 2007. It records very high quality digital stereo or 4-channel audio on a hand-held unit, and has been called "the studio on a stick."
Røde Microphones is an Australian audio technology company that designs and manufactures microphones and related accessories, audio interfaces and consoles, and audio software. It is recognised as a world-leader in several audio categories across consumer, prosumer and professional markets, specialising in products for music recording, location sound recording, broadcast and podcasting, filmmaking, and content creation.
Ambiophonics is a method in the public domain that employs digital signal processing (DSP) and two loudspeakers directly in front of the listener in order to improve reproduction of stereophonic and 5.1 surround sound for music, movies, and games in home theaters, gaming PCs, workstations, or studio monitoring applications. First implemented using mechanical means in 1986, today a number of hardware and VST plug-in makers offer Ambiophonic DSP. Ambiophonics eliminates crosstalk inherent in the conventional stereo triangle speaker placement, and thereby generates a speaker-binaural soundfield that emulates headphone-binaural sound, and creates for the listener improved perception of reality of recorded auditory scenes. A second speaker pair can be added in back in order to enable 360° surround sound reproduction. Additional surround speakers may be used for hall ambience, including height, if desired.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
The design of speaker systems for Ambisonic playback is governed by several constraints:
The Oxford University Tape Recording Society (OUTRS) was a student's club of recording enthusiasts that has existed from at least 1966 until at least 1976. Among its members were AES fellow Michael Gerzon and Peter Craven, co-inventors of the Soundfield microphone, Nimbus Records director Jonathan Halliday and sound engineer and prolific Ambisonic recordist Paul Hodges.
1978: Calrec launches the Soundfield microphone, the world’s first single point-source microphone capable of recording sound in three-dimensions for surround-compatible playback.
In 1993, the company SoundField Ltd. was formed specifically to manufacture and further develop the range of products and their application in both stereo and multi-channel audio environments.
In April, SoundField By RØDE, a new marque bridging the two brands, was launched at NAB in Las Vegas. The first product is the NT-SF1, modelled on the SPS200’s simplicity, the tetrahedral array holds for TF45C capsules, developed with classical music recording legend, Tony Faulkner, who was at the Merton College Chapel experimental recording in 1971.