Sounds of Glory | ||||
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Studio album by | ||||
Released | 1976 | |||
Label | Arcade Records ADE P 25 | |||
Producer | Irving Martin | |||
London Philharmonic Choir chronology | ||||
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Sounds of Glory was a hit album for The London Philharmonic Choir in 1976. It made it into the UK Top 10 album chart.
Following on from their previous album, Berlioz Te Deum, this album was conducted by John Alldis. [1] The album and was Produced by Irving Martin. [2] It was released in the UK on Arcade Records ADE P 25 in 1976. [3] [4] It was followed up with Star Clusters, Nebulae & Places in Devon which was released in 1977. [5]
The record first entered the chart on November 13, 1976. [6] By 25 December, in its seventh week on the Music Week Top Albums chart, it was at no. 20. [7] It peaked at no. 10 and spent a total of ten weeks in the chart. It made another brief chart appearance and was at no. 50 for a week on January 29, 1977. [8]
"Bohemian Rhapsody" is a song by the British rock band Queen, released as the lead single from their fourth album, A Night at the Opera (1975). Written by lead singer Freddie Mercury, the song is a six-minute suite, notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. It is one of the few progressive rock songs of the 1970s to achieve widespread commercial success and appeal to a mainstream audience.
TheTabernacle Choir at Temple Square, formerly known as the Mormon Tabernacle Choir, is an American choir, acting as part of The Church of Jesus Christ of Latter-day Saints. It has performed in the Salt Lake Tabernacle for over 100 years. The Tabernacle houses an organ, consisting of 11,623 pipes, which usually accompanies the choir.
This is a list of notable events in music that took place in the year 1977. This year was the peak of vinyl sales in the United States, with sales declining year on year since then.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
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A Day at the Races is the fifth studio album by the British rock band Queen, released on 10 December 1976 by EMI Records in the United Kingdom and by Elektra Records in the United States. Recorded at The Manor, Sarm East, and Wessex Sound Studios in England, it was the band's first completely self-produced album, and the first completed without the involvement of producer Roy Thomas Baker; engineering duties were handled by Mike Stone. It serves as a companion to Queen's previous album, A Night at the Opera, with both taking their names from Marx Brothers films and having similar packaging and eclectic musical themes.
Julian Anderson is a British composer and teacher of composition.
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"World in Union" is a theme song for the Rugby World Cup. Its melody is "Thaxted", from the middle section of "Jupiter, the Bringer of Jollity", a movement from Gustav Holst's The Planets, and was originally adapted by Holst for its use in the British/Anglican patriotic hymn, "I Vow to Thee, My Country", using words by Sir Cecil Spring Rice.
The Festival Te Deum is the popular name for an 1872 composition by Arthur Sullivan, written to celebrate the recovery of Albert Edward, Prince of Wales from typhoid fever. The prince's father, Prince Albert, had died of typhoid fever in 1861, and so the prince's recovery was especial cause for celebration.
John Alldis was an English chorus-master and conductor.
David Anthony Temple is a British conductor and musical director of Crouch End Festival Chorus and Hertfordshire Chorus. He has conducted at the Barbican Centre, Royal Festival Hall and Symphony Hall, Birmingham, Royal Albert Hall, Sage Gateshead, The Roundhouse, Snape Maltings and St Albans Cathedral.
The London Philharmonic Choir (LPC) is one of the leading independent British choirs in the United Kingdom based in London. The patron is Princess Alexandra, The Hon Lady Ogilvy and Sir Mark Elder is president. The choir, comprising more than 200 members, holds charitable status and is governed by a committee of 6 elected directors. As a charity, its aims are to promote, improve, develop and maintain education in the appreciation of the art and science of music by the presentation of public concerts.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Life, Love & Hope is the sixth studio album by American rock band Boston, released on December 3, 2013, by Frontiers Records, making it their first studio album in eleven years. It is the first album released following the death of Brad Delp in 2007, whose vocals are posthumously featured on the songs "Didn't Mean to Fall in Love", "Sail Away", "Someone", and "Te Quiero Mia", the last of which being a rearrangement of "I Had a Good Time", from Corporate America.
Irving Martin is an award-winning Executive Producer, Creative Director and Record Producer. Not including other record labels he worked with, during the 1960s, he produced more than forty-five singles that were released on the CBS label. He produced Guy Darrell's Top 20 hit, "I've Been Hurt" and had further chart success with the London Philharmonic Choir. In addition to producing solo artists and bands, he has either produced or composed music for television shows or films such as Return of the Saint, The Sweeney, Space 1999 and The Jigsaw Man, and has appeared on Make 'Em Laugh. He has often worked with Brian Dee and has also worked with Des Champ.
A virtual choir, online choir or home choir is a choir whose members do not meet physically but who work together online from separate places. Some choirs just sing for the joy of the shared experience, while others record their parts alone and send their digital recordings, sometimes including video, to be collated into a choral performance. There may be a series of rehearsals which singers can watch online, and their performance recordings may be made while watching a video of the conductor, and in some cases listening to a backing track, to ensure unanimity of timing. The worldwide COVID-19 pandemic in 2020 inspired a large growth in the number of virtual choirs, although the idea was not new.