Space Marines | |
---|---|
![]() | |
Directed by | John Weidner |
Written by | Rob Moreland |
Cinematography | Garett Griffin |
Edited by | Brian L. Chambers Daniel Lawrence |
Music by | Randy Miller |
Distributed by | Republic Pictures |
Release date |
|
Running time | 95 minutes |
Language | English |
Space Marines is a 1996 American science fiction film directed by John Weidner and written by Bob Moreland.
In the future, space has been colonized. As humanity expanded, the Marine Corps evolved into the Space Force. Colonel Fraser, a former Marine officer turned pirate, leads his pirates in hijacking a new synthetic explosive. This explosive, both light and concealable, serves as an ideal improvised explosive device. Fraser takes hostages at a local colony to draw out an Earth negotiator, who is escorted by a Marine fire team under the command of Captain "Gray Wolf" Gray. Fraser subsequently takes the negotiator and the Sergeant in charge of the security detail hostage on his ship. Following a brief space chase, Fraser issues demands for gold in exchange for the negotiator's life. Colonel Fraser is ultimately killed by a new recruit, who shoots him through his own torso, resulting in the deaths of both individuals.
The film is one the first Rob Moreland wrote. [1] It was shot in Dallas. [2]
The film received a mixed review in The Washington Post , writing it was very "silly but also cheerfully watchable". [3] Video Movie Guide stated: "Fans of old sci-fi serials should love this retro" production, where "Billy Wirth shines as the gleefully maniacal villain" and conceded that "Moreland's script has the sense not to take itself too seriously." [4] The film was also described as a "(c)heesy cable thriller (with) intergalactic marines", [5] in which Weidner's direction did not "always succeed in making derring-do look believable". [6]
Psychotronic Video found that "Although there are space ships and space battles, most of the slo mo deaths, explosions and gun battles take place in a James Bond type cavem/factory. Also with subplots, silicone packed hologram bar dancers and an especially weak ending." [2] "The effects aren't all bad but otherwise this is a standard direct to video fare with a dull script peppered with the usual violence, explosions and gunfire", wrote Howard Maxford in The A-Z of science fiction & fantasy films. [7] The entry for the film in Radio Times guide to science fiction contains a similar appraisal. [8]
Science fiction films This is a list of science fiction films organized chronologically. These films have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. This includes silent film–era releases, serial films, and feature-length films. All of the films include core elements of science fiction, but can cross into other genres such as drama, mystery, action, horror, fantasy, and comedy.
Bishop, designated HS17B48XG5-D5, is a fictional character in the movie Aliens, who was portrayed by actor Lance Henriksen. The character is the science officer of the Sulaco, and his actions and self-sacrifice are critical to the survival of Ellen Ripley. When Ripley discovers that Bishop is an android, just like Ash, an antagonist of the first Alien film, she initially treats him with extreme distrust due to her previous experiences.
Missile to the Moon is a 1958 independently made American black-and-white science fiction film drama, produced by Marc Frederic, directed by Richard E. Cunha, that stars Richard Travis, Cathy Downs, and K. T. Stevens. The film was distributed by Astor Pictures and is a remake of an earlier Astor Pictures-distributed film, Cat-Women of the Moon (1953). Missile to the Moon was released in late 1958 as a double feature with Cunha's Frankenstein's Daughter.
Wilma Deering is a fictional character featured in the various iterations of Buck Rogers which have spanned many media over the years.
Laserblast is a 1978 American independent science fiction film directed by Michael Rae and produced by Charles Band, widely known for producing B movies. Starring Kim Milford, Cheryl Smith and Gianni Russo, featuring Keenan Wynn and Roddy McDowall, and marking the screen debut of Eddie Deezen, the plot follows an unhappy teenage loner who discovers an alien laser cannon and goes on a murderous rampage, seeking revenge against those who he feels have wronged him.
Alienator is a 1990 science fiction film directed by Fred Olen Ray, produced by Jeffrey C. Hogue, and starring Jan-Michael Vincent.
The Creation of the Humanoids is a 1962 American science fiction film release, directed by Wesley Barry and starring Don Megowan, Erica Elliot, Frances McCann, Don Doolittle, and Dudley Manlove. The film is not based on the plot of Jack Williamson's novel The Humanoids (1949), to which it bears little resemblance, but on an original story and screenplay written by Jay Simms.
The Psychotronic Man is a 1979 American science fiction cult film directed, shot and edited by Jack M. Sell, and written, produced and starred Peter G. Spelson. The film opened in Chicago at the Carnegie Theatre on April 23, 1980.
The Midnight Hour is a 1985 American made-for-television comedy horror film directed by Jack Bender and starring Shari Belafonte-Harper, LeVar Burton, Peter DeLuise, and Dedee Pfeiffer. Its plot focuses on a small New England town that becomes overrun with zombies, witches, vampires, and all the other demons of hell after a group of teenagers unlocks a centuries-old curse on Halloween.
Deathsport is a 1978 science fiction action sports B-film produced by Roger Corman and directed by Allan Arkush and Nicholas Niciphor. The film stars David Carradine and Playboy Playmate Claudia Jennings. It would be one of Jennings' last films before her death.
Psychotronic Video was an American film magazine founded by publisher/editor Michael J. Weldon in 1980 in New York City, covering what he dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release: horror, exploitation, action, science fiction, and movies that used to play in drive-ins or inner city grindhouses." It was published through 2006. Most of the magazine's hundreds of reviews were written by Weldon himself. Other contributors provided career histories/interviews with cult filmmakers and actors such as Radley Metzger, Larry Cohen, Jack Hill, William Rotsler, David Carradine, Sid Haig, Karen Black, and Timothy Carey. Regular features included "Record Reviews" by Art Black, "Spare Parts" by Dale Ashmun, and "Never To Be Forgotten", an obituary column.
Terror Is a Man is a 1959 black-and-white Filipino/American horror film directed by Gerardo de Leon.
Nicholas "Nick" J. Corea was an American author, television writer, director, producer and painter. Though best known for his work on The Incredible Hulk and its sequel 1988 telefilm The Incredible Hulk Returns, he was involved with many television series during the late 1970s and 1980s including The Oregon Trail, Airwolf, Street Hawk, Hard Time on Planet Earth and Booker. He was also the creator of the 1986 western series Outlaws.
Future Force is a 1989 science-fiction film written and directed by David A. Prior and starring David Carradine. A 1990 sequel to the film was made called Future Zone.
Dead Men Don't Die is a 1990 American horror-comedy film written and directed by Malcolm Marmorstein and starring Elliott Gould and Melissa Sue Anderson.
Alien Seed is a 1989 American science fiction film written and directed by Bob James and starring Erik Estrada. It was released by action International
Attack of the Beast Creatures is a 1985 American independent horror film produced, and directed by Michael Stanley. It stars Robert Nolfi, Julia Rust, Robert Lengyel, Lisa Pak, and Frank Murgalo. The film centers on a group of survivors who wash up on the shores of a seemingly deserted island in 1920, after their ship capsizes. While there, it slowly becomes apparent that the island is home to a tribe of small doll-like creatures, who begin stalking and killing the survivors one by one.
Sara Suzanne Brown is an American actress who is best known for her appearances in softcore erotic films between 1991 and 1995. She made her film debut in a small role as a background dancer in The Last Boy Scout (1991). Among her films include Secret Games 2: The Escort (1993), Mirror Images 2 (1993), Test Tube Teens from the Year 2000 (1993), and Killer Looks (1994).
{{cite book}}
: CS1 maint: others (link)