Spanish Testament is a 1937 book by Arthur Koestler, describing his experiences during the Spanish Civil War. Part II of the book was subsequently published on its own, with minor modifications, under the title Dialogue with Death (see below). Koestler made three trips to Spain during the civil war; the third time he was captured, sentenced to death and imprisoned by the Nationalist forces of General Franco. Koestler was working as an espionage agent on behalf of the Comintern and as an agent of the Second Spanish Republic's official news agency, using for cover accreditation to the British daily News Chronicle .
The book was published in London by Victor Gollancz Ltd. The 'Contents' of the book is in two parts: Part I describes the context in which he was captured, divided into IX chapters, each with its own title. Part II, titled Dialogue with Death, describes Koestler's prison experiences under sentence of death. This part was written in the late autumn of 1937 immediately after his release from prison, when the events were still vivid. [1]
In the second volume of his autobiography The Invisible Writing, written by Koestler fifteen years later, the following footnote appears:
In all foreign editions, including the American, Dialogue with Death appeared as a self-contained book. In the original English edition, however (Gollancz and Left Book Club, 1937), it formed the second part of Spanish Testament the first part of which consisted of the earlier propaganda book on Spain that I had written for Muenzenberg. Spanish Testament is (and shall remain) out of print; Dialogue with Death has been reissued in England under that title, in the form in which it was originally written. [2]
INTRODUCTION (by Katharine Atholl) [3]
AUTHOR'S FOREWORD
PART I
I. Journey to Rebel Headquarters
II. Historic Retrospect
III. The Outbreak
IV. The Background
V. The Church Militant
VI. Propaganda
VII. The Heroes of the Alcázar
VIII. Madrid
IX. The Last Days of Malaga
PART II
Dialogue with Death
EPILOGUE
Koestler had taken an ill-considered decision to stay at Málaga in southern Spain when the Republican forces withdrew from it. He had only narrowly escaped arrest by Franco’s army on his previous sojourn into Nationalist territory, when on his second day in Nationalist-held Seville he was recognised by a former colleague of his from Ullstein’s in Berlin, who knew that Koestler was a Communist. [4] This time he was less fortunate and was arrested, summarily sentenced to death and sent off to imprisonment in Seville. The episode is recorded in detail in the memoirs of Sir Peter Chalmers Mitchell, a 72 year old retired zoologist (and the driving force behind the creation of Whipsnade Zoo) who was providing Koestler with safe haven at the time and who was also arrested. [5]
The second half of the book is devoted to Koestler's time in the prison, in the company of numerous political prisoners – most of them Spanish Republicans. Prisoners lived under the constant threat of summary execution without trial, without warning and without any evident logic in the choice of victims. Every morning, prisoners would wake to find that some of their number had been executed during the night.
The daily routine in the prison until the moment of execution was quite comfortable, and conditions were better than in many British jails at the time. As Koestler notes, the Seville Prison was established just a few years before, during the brief period of the Second Spanish Republic, when liberal reformers wanted to make of it a model for the humane treatment of prisoners. After taking over the city, the Nationalist forces made little change to the prison regulations and routine, and kept on much of the original staff – except for adding their execution squads in the prison courtyard.
The contradiction between relatively humane daily treatment and the constant threat of summary execution forms a central theme of the book. It seems to have created a feeling of dislocation and disorientation, and Koestler spent much of his time in some kind of mystical passivity. He alternated between using the well-stocked prison library, to whose books he was given access, and going on hunger strikes. After some time, it became evident to Koestler and his fellow-prisoners that he was in an exceptional situation and that his captors were reluctant to carry out the execution order against him. Although he did not know it at the time, the British Foreign Office was taking an interest in his case, and their inquiries made the Spanish reluctant to execute him.
Koestler quotes a message he got from three other prisoners, Republican militiamen: "Dear comrade foreigner, we three are also condemned to death, and they will shoot us tonight or tomorrow. But you may survive; and if you ever come out you must tell the world about all those who kill us, because we want liberty and no Hitler."
The three were executed shortly afterwards. Koestler considered his book, written after he was released and returned to Britain, to be the testament of the three men and his other fellow prisoners who did not survive.
Koestler's prison experience contributed to his acute psychological insight in his portrayal of events in Darkness at Noon (1941), an anti-Communist novel which became a best-seller and gained him international attention.
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Dialogue with Death, a book by Arthur Koestler, was originally published in 1937 as a section of his book Spanish Testament, in which he describes his experiences during the Spanish Civil War. Part II of the book was subsequently decoupled from Spanish Testament and, with minor modifications, published on its own under the title Dialogue with Death. The book describes Koestler’s prison experiences under sentence of death. The book was written in the late autumn of 1937 immediately after his release from prison, when the events were still vivid in his memory.
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The Invisible Writing: The Second Volume Of An Autobiography, 1932-40 (1954) is a book by Arthur Koestler.
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The Spanish Civil War was fought from 1936 to 1939 between the Republicans and the Nationalists. Republicans were loyal to the left-leaning Popular Front government of the Second Spanish Republic, and consisted of various socialist, communist, separatist, anarchist, and republican parties, some of which had opposed the government in the pre-war period. The opposing Nationalists were an alliance of Falangists, monarchists, conservatives, and traditionalists led by a military junta among whom General Francisco Franco quickly achieved a preponderant role. Due to the international political climate at the time, the war had many facets and was variously viewed as class struggle, a religious struggle, a struggle between dictatorship and republican democracy, between revolution and counterrevolution, and between fascism and communism. According to Claude Bowers, U.S. ambassador to Spain during the war, it was the "dress rehearsal" for World War II. The Nationalists won the war, which ended in early 1939, and ruled Spain until Franco's death in November 1975.
Arthur Koestler was a Hungarian-born author and journalist. Koestler was born in Budapest and, apart from his early school years, was educated in Austria. In 1931, Koestler joined the Communist Party of Germany, but he resigned in 1938 after becoming disillusioned with Stalinism.
Koestler Arts is a charity which helps ex-offenders, secure patients and detainees in the UK to express themselves creatively. It promotes the arts in prisons, secure hospitals, immigration centres and in the community, encouraging creativity and the acquisition of new skills as a means to rehabilitation. The Koestler awards were founded in 1962 and the organisation became a charitable trust in 1969 following a bequest from the British-Hungarian author, Arthur Koestler.
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The first book contained chapters by two other authors; the second I wrote alone; the third contained chapters by Manès Sperber.
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The July 1936 military uprising in Seville was part of a nationwide coup d'état, prepared by part of the army. It was supposed to topple local republican structures in Seville and western Andalusia. The rising commenced on 18 July 1936, led by general Gonzalo Queipo de Llano. The rebels overpowered regional military command and some key units without a shot being fired, but were offered resistance by Guardia de Asalto, subordinated to the civil governor José María Varela; it was overcome later in the day. The days of 19–22 July were mostly about seizing the districts of Triana, Macarena and San Julián; they were controlled by revolutionary trade unions and radical left-wing militias. On 23 July Queipo was fully in control. The successful coup in Seville proved of vital importance for the rebels nationwide; the insurgent pocket in south-western Andalusia enabled the shift of the Army of Africa to the peninsula, and then its rapid advance towards Madrid.
Gonzalo Queipo de Llano y Sierra was a Spanish Army general. He distinguished himself quickly in his career, fighting in Cuba and Morocco, later becoming outspoken about military and political figures which led to his imprisonment, removal from posts and involvement in plots against Spanish governments. He was a Nationalist military leader during the Spanish Civil War under Francisco Franco, gaining the soubriquet "El general de la radio" ["radio" or "broadcasting general" in English media] for his threats and explicitness on air. Under his control of southern Spain, tens of thousands of Spaniards perished as part of the Nationalists' White Terror. In his post-war roles he was effectively sidelined by Franco.
Manuel Díaz Criado was a Spanish infantry officer. With a reputation as a brutal sadist, he was during the Spanish Civil War responsible for the arrest, sexual abuse, torture and execution of thousands of people in the regions of Andalucia and Extremadura who opposed the Nationalist military uprising. The crimes frequently extended to the relatives and the associates of those targeted.