The spinettone ("big spinet") was a kind of harpsichord invented in the late 17th century by Bartolomeo Cristofori, who was later the inventor of the piano. Other names for this instrument were spinettone da teatro ("of the theater"), spinetta traversa ("transverse spinet"). [1]
The spinettone was a kind of spinet, which means specifically that its strings were placed in pairs along a diagonal relative to the position of the keyboard. The jacks that plucked the strings were placed in opposite-facing pairs within the larger gaps between strings. Most spinets are smaller than regular harpsichords. The spinettone was very long, but narrower than a regular harpsichord.
The novelty of Cristofori's spinettone was that unlike any other spinet, it deployed multiple choirs of strings. Its disposition was 1 × 8′, 1 × 4′, which means one set of strings in the normal octave and one set that sounded an octave higher. As with all multichoired harpsichords, this necessitated two sets of jacks, one for each choir. The player could choose which choir of strings would sound (8′, 4′, or both together) by sliding the keyboard forward and backward. The internal mechanism that accomplished this was the same as the one that Cristofori had earlier used for his oval spinet. [2]
As Kottick (2003) points out, the design of the spinettone attested to the extraordinary ingenuity of its inventor, which has been remarked on by a number of modern scholars (see Bartolomeo Cristofori). It is not at all straightforward to fit two sets of paired spinet jacks into the ordinary string layout of a spinet, which is more crowded owing to the slant of the strings. Cristofori was able to do this by using iron in the upper strings instead of his customary brass. These strings could then be made tenser — therefore longer, to sustain the same pitch — and thereby create the space needed for the jacks.
The spinettone that Cristofori built were intended for the Medici family of Florence, more specifically for his patron Prince Ferdinando, the son of Grand Duke Cosimo III and heir to the Tuscan throne.
Prince Ferdinando was a great enthusiast for opera, and he organized many operatic productions at the Medici villa at Pratolino. According to Holmes (1999), the prince often participated as the continuo player, seated at a harpsichord among the orchestral musicians. The theatre the Prince had available at Pratolino was not very spacious, so there would be a strong incentive for the prince to have an instrument that was physically compact and able to fit easily in the orchestra, but endowed with multiple choirs of strings so as to be audible in performance. The spinettone was Cristofori's second effort to fulfill this requirement, the first one having been his (less successful) oval spinet.
Besides being smaller than a regular harpsichord, the spinettone had another advantage, pointed out by Kottick: owing to the diagonal geometry of the strings, the player could be seated more or less facing the performers on stage, while the sound was projected in the direction of the audience.
The great length of the spinettone was an advantage in the deep bass; as harpsichord scholar Grant O'Brien noted, "the bass strings are very long with very little bass string-scaling foreshortening" [3] — in other words, their low pitch was achieved almost optimally, through length, rather than having to resort as in many instruments to lower tension or greater thickness. Kottick suggests that the instrument may have been designed to have a powerful bass because it was substituting for the theorbo, a plucked bass instrument, in performances.
The spinettone was a local success among the musicians of the Medici court. Montanari (2002) documents that Cristofori's spinettoni were constantly being loaned out from the Medici collection for use. He eventually built a total of four of them. [4] Yet another was built later by his student Giovanni Ferrini.
A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700.
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings.
A plectrum is a small flat tool used to pluck or strum a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is a separate tool held in the player's hand. In harpsichords, the plectra are attached to the jack mechanism.
Bartolomeo Cristofori di Francesco was an Italian maker of musical instruments famous for inventing the piano.
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ.
The short octave was a method of assigning notes to keys in early keyboard instruments, for the purpose of giving the instrument an extended range in the bass range. The rationale behind this system was that the low notes F♯ and G♯ are seldom needed in early music. Deep bass notes typically form the root of the chord, and F♯ and G♯ chords were seldom used at this time. In contrast, low C and D, both roots of very common chords, are sorely missed if a harpsichord with lowest key E is tuned to match the keyboard layout. A closely related system, the broken octave, added more notes by using split keys: the front part and the back part of the (visible) key controlled separate levers and hence separate notes.
Giacomo Antonio Perti was an Italian composer of the Baroque era. He was mainly active at Bologna, where he was Maestro di Cappella for sixty years. He was the teacher of Giuseppe Torelli and Giovanni Battista Martini.
The virginals is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods.
A fortepiano[ˌfɔrteˈpjaːno], sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose today in specialist workshops.
A clavicytherium is a harpsichord in which the soundboard and strings are mounted vertically facing the player. The primary purpose of making a harpsichord vertical is the same as in the later upright piano, namely to save floor space. In a clavicytherium, the jacks move horizontally without the assistance of gravity, so that clavicytherium actions are more complex than those of other harpsichords.
Ferdinando de' Medici was the eldest son of Cosimo III de' Medici, Grand Duke of Tuscany, and Marguerite Louise d'Orléans. Ferdinando was heir to the Grand Duchy of Tuscany, with the title Grand Prince, from his father's accession in 1670 until his death in 1713. He is remembered today primarily as a patron of music. An excellent musician himself, he attracted top musicians to Florence and thus made it an important musical center. Through his patronage of Bartolomeo Cristofori, Ferdinando made possible the invention of the piano.
Tony Chinnery is a builder of historical keyboard instruments, particularly of harpsichords and early fortepianos. He keeps a workshop not far from Florence in Italy. The instruments from their workshop, which generally are replicas of particular historical instruments, are widely used by performers and have appeared in many recordings. They have been played in concert by such performers as Gustav Leonhardt, Kenneth Gilbert, and Ton Koopman.
The oval spinet is a type of harpsichord invented in the late 17th century by Bartolomeo Cristofori, the Italian instrument maker who later achieved fame for inventing the piano. The oval spinet was unusual for its shape, the arrangement of its strings, and for its mechanism for changing registration.
Hieronymus Albrecht Hass was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords.
The harpsichord was an important keyboard instrument in Europe from the 15th through the 18th centuries, and as revived in the 20th, is widely played today.
Americus Backers, sometimes described as the father of the English grand pianoforte style, brought the hammer striking action for keyboard instruments from his master Gottfried Silbermann's workshop in Freiburg to England in the mid-18th century. Unlike the eleven other ex-apprentices of Silbermann who followed him to England and built square pianos with his action, Backers developed Silbermann's action into a reliable, powerful and responsive form that he built into a grand harpsichord case and added two tonal effects – una corda and damper lift – activated by pedals built into the dedicated trestle stand, again his original innovation. This new instrument altered the landscape of English music, causing composers and musicians to consign the plucked string harpsichord and its music to history. It is upon Americus's design that the modern grand pianoforte we know today is based.
The folding harpsichord was a kind of harpsichord meant for travel. Since it could be folded up into a fairly compact space, it was more easily transported than a conventional harpsichord. The folding took place on hinges and was in the longitudinal dimension, preserving the tension on the strings. The folded instrument formed a package about the size of a large suitcase.
Albert Delin was a harpsichord maker in the Low Countries.
Girolamo Zenti was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm.
