Splat (furniture)

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Sheraton chair with elaborately carved splat Sheraton chair.jpg
Sheraton chair with elaborately carved splat
Ernest Taylor chair of 1905 with rectilinear design elements Ernest Archibald Taylor - chair around 1905.jpg
Ernest Taylor chair of 1905 with rectilinear design elements

A splat is the vertical central element of a chair back. [1] Typically this element of a chair is of exposed wood design. The splat is an important element of furniture identification, since its design has a multitude of variations incorporating the themes of different furniture periods. Chippendale's furniture was designed using varied splat details to include Gothic, Chinese, English and some with French details.

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Arne Jacobsen Danish architect

Arne Emil Jacobsen, Hon. FAIA 11 February 1902 – 24 March 1971) was a Danish architect and furniture designer. He is remembered for his contribution to architectural functionalism and for the worldwide success he enjoyed with simple well-designed chairs.

Chair Piece of furniture for sitting on

A chair is a type of seat, typically designed for one person and consisting of one or more legs, a flat seat and a back-rest. They may be made of wood, metal, or synthetic materials, and may be padded or upholstered in various colors and fabrics.

George Hepplewhite was a cabinetmaker. He is regarded as having been one of the "big three" English furniture makers of the 18th century, along with Thomas Sheraton and Thomas Chippendale. There are no pieces of furniture made by Hepplewhite or his firm known to exist but he gave his name to a distinctive style of light, elegant furniture that was fashionable between about 1775 and 1800 and reproductions of his designs continued through the following centuries. One characteristic that is seen in many of his designs is a shield-shaped chair back, where an expansive shield appeared in place of a narrower splat design.

Splat may refer to:

Chairs are known from Ancient Egypt and have been widespread in the Western world from the Greeks and Romans onwards. They were in common use in China from the twelfth century, and were used by the Aztecs. In Sub-Saharan Africa, chairs was not in use before introduced by Europeans.

Shaker furniture Furniture developed by the United Society of Believers in Christs Second Appearing

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Windsor chair

A Windsor chair is a chair built with a solid wooden seat into which the chair-back and legs are round-tenoned, or pushed into drilled holes, in contrast to standard chairs. The seats of Windsor chairs were often carved into a shallow dish or saddle shape for comfort. Traditionally, the legs and uprights were usually turned on a pole lathe. The back and sometimes the arm pieces are formed from steam bent pieces of wood.

Morris chair

A Morris chair is an early type of reclining chair. The design was adapted by William Morris's firm, Morris & Company, from a prototype owned by Ephraim Colman in rural Sussex, England. It was first marketed around 1866.

Bead (woodworking)

A bead is a woodworking decorative treatment applied to various elements of wooden furniture, boxes and other items.

Club foot (furniture)

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Ébéniste is a loanword for a cabinet-maker, particularly one who works in ebony.

Cabriole leg

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Lyre arm Design motif emulating the shape of a lyre

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Thomas J. Duffy

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Steam bending Woodworking technique

Steam bending is a woodworking technique where wood is exposed to steam to make it pliable. Heat and moisture from steam can soften wood fibres enough so they can be bent and stretched, and when cooled down they will hold their new shape.

Art Nouveau furniture Furniture style, 1890s to 1914

Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the form and the decoration. Other common characteristics were asymmetry and polychromy, achieved by inlaying different colored woods.

William and Mary style Furniture design

What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, the Kingdom of England, the Kingdom of Scotland, Kingdom of Ireland and later, in England's American colonies. It was a transitional style between Mannerist furniture and Queen Anne furniture. Sturdy, emphasizing both straight lines and curves, and featuring elaborate carving and woodturning, the style was one of the first to imitate Asian design elements such as japanning.

Aspen Golann is an American woodworker who produces furniture.

References

  1. Bird, Lonnie (2003). Taunton's Complete Illustrated Guide to Period Furniture Details. Taunton Press. p. 64. ISBN   1-56158-590-4.