Spotting (filmmaking)

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The term spotting is used in the motion-picture and video production industries to refer to the process of deciding where within a film the musical score and sound effects will be located, a process often referred to as "spotting for sound". [1] Spotting takes place after the director "locks" the film, an act which signifies his or her decision that no more shot changes will be made to the piece. The results of spotting are "spotting sheets" which contain the time cues – organized by scene, shot, and time code reference – that will subsequently be useful to those artists contributing to the project's sound design. After being locked and spotted, the cut goes into postproduction. [2]

Film sequence of images that give the impression of movement

A film, also called a movie, motion picture, moving picture, or photoplay, is a series of still images that, when shown on a screen, create the illusion of moving images.

A film score is original music written specifically to accompany a film. The score forms part of the film's soundtrack, which also usually includes pre-existing music, dialogue and sound effects, and comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers, under the guidance of, or in collaboration with, the film's director or producer and are then usually performed by an ensemble of musicians – most often comprising an orchestra or band, instrumental soloists, and choir or vocalists – and recorded by a sound engineer.

Film director occupation of a person who directs a film

A film director is a person who directs the making of a film. A film director controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film.

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The Matrix is a 1999 science fiction action film written and directed by The Wachowskis and starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano. It depicts a dystopian future in which humanity is unknowingly trapped inside a simulated reality called the Matrix, created by thought-capable machines to control humans while using their bodies as an energy source. Hacker and computer programmer Neo learns this truth and "is drawn into a rebellion against the machines", which involves other people who have been freed from the Matrix.

Frame rate is the frequency (rate) at which consecutive images called frames appear on a display. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the frame frequency, and be expressed in hertz.

<i>Star Wars</i> (film) 1977 American epic space opera film directed by George Lucas

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<i>Fantasia</i> (1940 film) 1940 American animated film produced by Walt Disney and released by Walt Disney Productions

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Post-production part of filmmaking, video production and photography process

Post-production is part of the process of filmmaking, video production, and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments.

<i>Clerks</i> 1994 American comedy film directed by Kevin Smith

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A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script; coordinating writing, directing, and editing; and arranging financing.

B-roll

In film and television production, B-roll, B roll, B-reel or B reel is supplemental or alternative footage intercut with the main shot. The term A-roll referring to the main footage has fallen out of usage.

A feature film or theatrical film is a film with a running time long enough to be considered the principal or sole film to fill a program. The term feature film originally referred to the main, full-length film in a cinema program that also included a short film and often a newsreel. The notion of how long a feature film should be has varied according to time and place. According to the Academy of Motion Picture Arts and Sciences, the American Film Institute and the British Film Institute, a feature film runs for at least 45 minutes, while the Screen Actors Guild asserts that a feature's running time is 75 minutes or longer.

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Dailies, in filmmaking, are the raw, unedited footage shot during the making of a motion picture. They are so called because usually at the end of each day, that day's footage is developed, synced to sound, and printed on film in a batch for viewing the next day by the director, some members of the film crew, and some actors. Dailies serve as an indication of how the filming and the actors' performances are progressing. However, the term can be used to refer to any raw footage, regardless of when it is developed or printed.

Foley (filmmaking) reproduction of sound effects in filmmaking

Foley is the reproduction of everyday sound effects that are added to film, video, and other media in post-production to enhance audio quality. These reproduced sounds can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. The best Foley art is so well integrated into a film that it goes unnoticed by the audience. It helps to create a sense of reality within a scene. Without these crucial background noises, movies feel unnaturally quiet and uncomfortable.

This glossary of motion picture terms is a list of definitions of terms and concepts related to motion pictures, filmmaking, cinematography, and the film industry in general.

References

  1. Mick Hurbis-Cherrier (10 September 2012). Voice and Vision: A Creative Approach to Narrative Film and DV Production. CRC. p. 456. ISBN   978-1-136-06789-1 . Retrieved 14 September 2013.
  2. Donald L. Diefenbach (10 September 2012). Video Production Techniques: Theory and Practice From Concept to Screen. Routledge. p. 425. ISBN   978-1-135-65416-0 . Retrieved 14 September 2013.