The square-mouthed vases culture (Italian: cultura dei vasi a bocca quadrata) is a culture of the Middle Neolithic period, widespread in northern Italy during the fifth millennium BC. The name comes from the characteristic type of vessel, which has a square mouthpiece instead of circular.
The culture is divided into three different time periods, depending on the style of the pottery decoration: the oldest is known as the Finale-Quinziano and shows a decoration of small incisions and graffiti; the middle period or Rivoli-Chiozza is characterized by meander and spiral decorations; while the most recent phase, the Rivoli-Castelnuovo, is typified by vessels with figures engraved and imprinted. [1]
This culture shares a lot of features, including square-mouthed vases, with the Danubian cultures of the middle Danube valleys. [2] The culture of the square-mouthed vases spread widely in northern Italy, penetrating deeply among local populations, replacing the previous cultures, in a process which may not always have been peaceful. The typical elements of this culture (grave goods with polished axes, use of bow and arrow, cylindrical frames) are often found to suddenly supplant the pre-existing cultural groups. [3] Sometimes elements have been assimilated as decorative features, e.g. in the Veneto and Trentino area. These cultural upheavals, occurring around 4000 BC, led to a strong unification of the territories, with a homogeneity of style in subsequent archaeological findings.
The people of this culture were very active in agriculture and trades. Behind the development of the culture, it seems that there was a vast wealth of flocks and herds, which gave mobility, resources, and ability to adapt. The society engaged in both arabal and pastoral forms of agriculture. A warrior component was behind the spread of the culture and its peoples. The leader of social groups was a farmer-shepherd-warrior; a family head who ran all the group's activities. [3]
Trojan Horse refers to a wooden horse said to have been used by the Greeks, during the Trojan War, to enter the city of Troy and win the war. There is no Trojan Horse in Homer's Iliad, with the poem ending before the war is concluded, and it is only briefly mentioned in the Odyssey. But in the Aeneid by Virgil, after a fruitless 10-year siege, the Greeks at the behest of Odysseus constructed a huge wooden horse and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under cover of night. The Greeks entered and destroyed the city of Troy, ending the war.
The Bell Beaker culture is an archaeological culture named after the inverted-bell beaker drinking vessel used at the very beginning of the European Bronze Age. Arising from around 2800 BC, it lasted in Britain until as late as 1800 BC but in continental Europe only until 2300 BC, when it was succeeded by the Unetice culture. The culture was widely dispersed throughout Western Europe, from various regions in Iberia and spots facing northern Africa to the Danubian plains, the islands of Great Britain and Ireland, and also the islands of Sicily and Sardinia. The Bell Beaker phenomenon shows substantial regional variation, and a study from 2018 found that it was associated with genetically diverse populations.
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Red-figure vase painting is one of the most important styles of figural Greek vase painting.
The National Museum of Brazil was Brazil's oldest scientific institution. It is located in the city of Rio de Janeiro, where it is installed in the Paço de São Cristóvão, which is inside the Quinta da Boa Vista. The main building was originally the residence of the Portuguese Royal Family between 1808 and 1821 and was later used to house the Brazilian Imperial Family between 1822 and 1889. After the monarchy was deposed, it hosted the Republican Constituent Assembly from 1889 to 1891 before being assigned to the use of the museum in 1892. The building was listed as Brazilian National Heritage in 1938 and was largely destroyed by a fire in 2018.
Castro culture is the archaeological term for the material culture of the northwestern regions of the Iberian Peninsula from the end of the Bronze Age until it was subsumed by Roman culture. It is the culture associated with the Gallaecians and Astures.
The Golasecca culture was a Late Bronze Age/Early Iron Age culture in northern Italy, whose type-site was excavated at Golasecca in the province of Varese, Lombardy, where, in the area of Monsorino at the beginning of the 19th century, Abbot Giovanni Battista Giani made the first findings of about fifty graves with pottery and metal objects.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from c. 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period, in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
In the Archaic phase of ancient Greek art, the Orientalizing period or Orientalizing revolution is the cultural and art historical period that began during the later part of the 8th century BC, when there was a heavy influence from the more advanced art of the Eastern Mediterranean and the Ancient Near East. The main sources were Syria and Assyria as well as Phoenicia and Egypt. With the spread of Phoenician civilization by Carthage and Greek colonisation into the Western Mediterranean, these artistic trends also influenced the Etruscans and early Ancient Romans in the Italian peninsula.
The Bronze and Iron Age cultures in Poland are known mainly from archeological research. Early Bronze Age cultures in Poland began around 2400–2300 BCE, while the Iron Age commenced in approximately 750–700 BCE. The Iron Age archeological cultures no longer existed by the start of the Common Era. The subject of the ethnicity and linguistic affiliation of the groups living in Central Europe at that time is, given the absence of written records, speculative, and accordingly there is considerable disagreement. In Poland the Lusatian culture, spanning both the Bronze and Iron Ages, became particularly prominent. The most famous archeological finding from that period is the Biskupin fortified settlement (gord) on the lake from which it takes its name, representing the Lusatian culture of the early Iron Age.
The Gaudo Culture is an Eneolithic culture from Southern Italy, primarily in the region of Campania, active at the end of the 4th millennium BC, whose typesite necropolis is located near Paestum, not far from the mouth of the river Sele. Its name comes from the Spina-Gaudo necropolis.
The Nuragic civilization, also known as the Nuragic culture, was a civilization or culture on Sardinia (Italy), the second largest island in the Mediterranean Sea, which lasted from the 18th century BC up to the Roman colonization in 238 BC. Others date the culture as lasting at least until the 2nd century AD and in some areas, namely the Barbagia, to the 6th century AD or possibly even to the 11th century AD.
The Prehistory of Transylvania describes what can be learned about the region known as Transylvania through archaeology, anthropology, comparative linguistics and other allied sciences.
Chalcidian pottery is an important style of Western Greek black-figure vase painting.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Pre-Nuragic period refers to the prehistory of Sardinia from the Paleolithic until the middle Bronze Age, when the Nuragic civilization flourished on the island.
The Bonuighinu culture or Bonu Ighinu culture, sometimes also called Bonu Ighinu Phase, is a middle neolithic, pre-Nuragic culture from Sardinia and roughly dates to the first half of the 5th millennium BC. It takes its name from a locality in the municipality of Mara, province of Sassari, where the cave of Sa de Ucca of Tintirriolu is located. The first Bonu Ighinu pottery was discovered here by Renato Loria and David H. Trump in 1971.
Neolithic Italy refer to the period that spanned from circa 6000 BCE, when neolithic influences from the east reached the Italian peninsula and the surrounding island bringing the so-called Neolithic revolution, to circa 3500-3000 BCE, when metallurgy began to spread.
The San Agustín culture is one of the ancient Pre-Columbian cultures of Colombia. Its beginnings go back at least to the fourth millennium B.C. Several hundred large monolithic sculptures have been found here.
The Macau Scientific and Cultural Centre Museum in Lisbon is Portugal's main museum of Chinese artefacts and artworks. Made to document Sino-Portuguese relations, the museum contains over 3,500 works of art including decorative artwork, costumes, a collection of opium-smoking paraphernalia and an important extensive collection of Chinese ceramics.