St. Elmo (novel)

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Augusta Jane Evans. Augusta Jane Evans Wilson.jpg
Augusta Jane Evans.
A frame from the lost film St. Elmo (1914), based on the novel by Augusta Jane Evans. Elmo kills Murray.JPG
A frame from the lost film St. Elmo (1914), based on the novel by Augusta Jane Evans.

St. Elmo is a novel by American author Augusta Jane Evans published in 1866. Featuring the sexual tension between the protagonist St. Elmo, a cynical man, and the heroine Edna Earl, a beautiful and devout girl, the novel was about the agency of women who could save men from apostasy. [1] The novel became one of the most popular novels of the 19th century. The novel sold a million copies within four months of its publication.

Contents

Augusta Jane Evans (May 8, 1835 – May 9, 1909) finished her celebrated novel at El Dorado, a historical home in Columbus, Georgia. In 1878, the home was purchased by Captain and Mrs. James J. Slade who changed its name to St. Elmo in honor of the novel which it had inspired. [2]

Female characters

She wrote in the domestic, sentimental style of the Victorian Age. Critics have praised the intellectual competence of her female characters, even though her heroines eventually succumb to traditional values. The book opens with a quote attributed to John Ruskin:

Ah! The true rule is —a true wife in her husband's house is his servant; it is in his heart that she is queen. Whatever of the best he can conceive, it is her part to be; all that is dark in him she must purge into purity; all that is failing in him she must strengthen into truth; from her, through all the world's clamor, he must win his praise; in her through all the world's warfare, he must find his peace.

She has been described as an antifeminist. [3] In St. Elmo Wilson describes feminists as "unamiable and wretched wives" and calls them the "embittered, disappointed old maids of New England". [4]

Recent feminist scholars have noted the complexity in categorizing her work, reading the typical marriage themes of the Victorian novel superficially, and giving more weight to the intellectual capability of her female characters. [5] Of St. Elmo one critic maintained, "the trouble with the heroine of St. Elmo was that she swallowed an unabridged dictionary." Wilson's works are considered to fall within the genre of "domestic fiction", and so have never been included in the literary canon because that genre is not considered worth including. [4]

Wilson's female characters diverged from the Victorian ideal. Women's lives changed in the aftermath of the Civil War, and during the War, they had assumed responsibilities outside the home. Evans herself had worked at a Confederate hospital in Mobile, Alabama over the objections of her male relatives. [6] Evans likely had this post-bellum context in mind. Edna, the heroine in St. Elmo's was responsible and educated. Although Edna was not fully confined to the domestic sphere, Wilson's feminine ideal was not the suffragette style of feminism, which did not appeal to all classes of women in 1886. Critics, especially modern feminists, have viewed Edna's marriage as a disappointing conclusion to the character's otherwise spirited defense of women's intellect and agency. [7]

Editions and censorship

Some of the novel's controversial passages were removed from the New York Grosset and Dunlap edition (1896) of the book. These include passages on feminism and the "woman's sphere" from Chapter XXVI. Some of the content casts women of the French Revolution in a negative light, calling them "perverted" and accusing feminists of criminal acts. Twelve lines from Edna's speech were excised including "utter ignorance is infinitely preferable to erudite unwomanliness". Another forty-five lines were removed including: "I never hear that word 'equality' without a shudder". It remains a mystery why these parts of the text found in the W. Nicholson & Sons edition were left out of the New York edition. [8]

Her books were banned by the American Library Association in 1881: "by reason of sensation or immoral qualities". [1]

The novel St. Elmo was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand.

St. Elmo, Texas located in Freestone County near Winkler (Navarro County) southeast of Corsicana on the southside of Richland-Chambers Resivor, is believed to be named after the book. St. Elmo School, though first unnamed and founded around 1850, took on the novel's name around 1875 when a wood-framed, one-room schoolhouse was first constructed in the rural setting.

The book's heroine Edna Earl became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954.

The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb. [9]

A film and website on Augusta Evans Wilson entitled The Passion of Miss Augusta [10] was produced by Alabama filmmaker Robert Clem and aired on public television in 2016, the 150th anniversary of the publication of St. Elmo.

Film adaptations

The novel has inspired the production of a number of films. These include in chronological order:

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<i>St. Elmo</i> (1923 American film) 1923 film

St. Elmo is a 1923 American silent drama film directed by Jerome Storm. Distributed by Fox Film Corporation, the film is based on the 1867 novel of the same name written by Augusta Jane Evans.

Saint Elmo or St. Elmo may refer to:

St. Elmo is a 1923 British silent drama film directed by Rex Wilson and starring Shayle Gardner, Gabrielle Gilroy and Madge Tree. It was an adaptation of the 1866 novel St. Elmo by Augusta Jane Evans. An American adaptation St. Elmo was released the same year.

<i>St. Elmo</i> (1914 film) 1914 film

St. Elmo is a 1914 American silent drama film produced by the Balboa Amusement Producing Company and distributed by William Fox's Box Office Attractions Company. It was the first feature-length film adaptation of Augusta Jane Evans's 1866 novel of the same name. The story follows the life of the title character, who kills his cousin over the love of Agnes, falls from grace, and eventually finds redemption and love with Edna. It is disputed who directed the film; many sources credit Bertram Bracken, while others list St. Elmo as J. Gordon Edwards's directorial debut.

<i>Lifes Shop Window</i> 1914 silent drama film directed by J. Gordon Edwards

Life's Shop Window is a 1914 American silent drama film directed by J. Gordon Edwards and starring Claire Whitney and Stuart Holmes. It is a film adaptation of the 1907 novel of the same name by Annie Sophie Cory. The film depicts the story of English orphan Lydia Wilton (Whitney), and her husband Bernard Chetwin (Holmes). Although Wilton's marriage is legitimate, it was conducted in secret, and she is accused of having a child out of wedlock. Forced to leave England, she reunites with her husband in Arizona. There, she is tempted by infidelity with an old acquaintance, Eustace Pelham, before seeing the error of her ways and returning to her family.

<i>St. Elmo</i> (1910 Thanhouser film) 1910 American film

St. Elmo is a 1910 American silent short drama produced by the Thanhouser Company. The scenario was adapted by Lloyd Lonergan from Augusta Jane Evans's 1866 novel of the same name. Frank H. Crane and Anna Rosemond play the leading roles in the simplified plot that was reliant on inter-titles to tell the story. The film follows St. Elmo who is engaged to his cousin Agnes, being betrayed by his friend Dick Hammond who has an affair with Agnes. St. Elmo challenges and kills Hammond in a duel. A young girl, Edna witnesses the duel and leads Agnes and the sheriff off the trail. St. Elmo disappears and returns five years later to woo Edna. She rejects then accepts his affections only to stop him from committing suicide. The production was met with mixed reviews by critics, but was successful. The film is presumed lost.

<i>St. Elmo</i> (1910 Vitagraph film) 1910 American film

St. Elmo is a 1910 American silent short drama produced by the Vitagraph.

References

  1. 1 2 Ayres 2016, p. 252.
  2. National Register of Historic Places, http://www.nps.gov/nr/
  3. Censer 2003, p. 92.
  4. 1 2 The History of Southern Women's Literature. LSU Press. 2002. p. 153.
  5. Gabler-Hover, Janet. Augusta Jane Evans.
  6. Mobile: The New History of Alabama's First City. University of Alabama Press. 2001. p. 112.
  7. Homestead, Melissa J. (2005). American Women Authors and Literary Property, 1822-1869. Cambridge University Press. p. 234.
  8. Evans, Augusta Jane (1992). St. Elmo or Saved at Last. University of Alabama Press. p. xx.
  9. Harris, Susan K. Nineteenth-Century American Women's Novels: Interpretative Strategies. New York: Cambridge University Press, 1990: 60. ISBN   0-521-38288-2
  10. Foundation for New Media Inc. - The Passion of Miss Augusta

Bibliography