St. Michael Had a Rooster | |
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Directed by | Paolo and Vittorio Taviani |
Written by | Paolo and Vittorio Taviani |
Produced by | Giuliani G. De Negri |
Starring | Giulio Brogi Renato Scarpa |
Cinematography | Mario Masini |
Edited by | Roberto Perpignani |
Music by | Benedetto Ghiglia |
Release date |
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Country | Italy |
Language | Italian |
St. Michael Had a Rooster (Italian : San Michele aveva un gallo) is a 1972 Italian drama film directed by Paolo and Vittorio Taviani. It is an adaptation of Tolstoy's novel The Divine and the Human. [1]
The film was described as "A charming fable about the political and existential conflict between utopian socialism and scientific socialism, between two ways of understanding the revolution, the anarchist one and the Marxist one". [2]
The film was selected for the Quinzaine des Realisateurs in the 1972 Cannes Film Festival. [3]
In 1870 the internationalist anarchist Giulio Manieri led a group of comrades in an unrealistic revolutionary attempt in a small Umbrian town, Città della Pieve, which ended in an inevitable failure that cost him the death sentence.
However, the sentence is commuted to life imprisonment and Manieri spends the interminable days of solitary confinement staging political debates with himself, thus managing to survive the isolation but gradually sliding towards insanity.
After ten years of imprisonment, it is decided to transfer him to another prison. During the boat trip to the new accommodation, in the Venetian lagoon, he meets another boat carrying a group of subversive young people to the same destination. Convinced of finding in them a common feeling and of being able to resume together that debate that has continued alone for years, he discovers instead that his utopian idealism and his methods of struggle are not at all shared, but rather disavowed if not even mocked by the new generation of rebels, animated by a radically different political strategy, less dreamy and more concrete, based on the scientific analysis of reality, and convinced that they cannot personally witness the great changes but to work for the future.
Deeply disappointed by this confrontation, feeling useless and overtaken by history, he lets himself slip into the water to drown.
The Piazza Fontana bombing was a terrorist attack that occurred on 12 December 1969 when a bomb exploded at the headquarters of Banca Nazionale dell'Agricoltura in Piazza Fontana in Milan, Italy, killing 17 people and wounding 88. The same afternoon, another bomb exploded in a bank in Rome, and another was found unexploded in the Tomb of the Unknown Soldier. The attack was carried out by the Third Position, neo-fascist paramilitary terrorist group Ordine Nuovo, and possibly undetermined collaborators.
Paolo Taviani and Vittorio Taviani, collectively referred to as the Taviani brothers, were Italian film directors and screenwriters who collaborated on numerous film productions.
The Nastro d'Argento for Best Director is a film award bestowed annually as part of the Nastro d'Argento awards since 1946, organized by the Italian National Association of Film Journalists, the national association of Italian film critics.
Allonsanfàn is a 1974 Italian historical drama film written and directed by Paolo and Vittorio Taviani. The title of the film, which is also the name of a character, comes from the first words of the French Revolutionary anthem La Marseillaise.
The 25th annual Cannes Film Festival was held from 4 to 19 May 1972. The Palme d'Or went to the Italian films The Working Class Goes to Heaven by Elio Petri and The Mattei Affair by Francesco Rosi.
The 30th Cannes Film Festival was held from 13 to 27 May 1977. The Palme d'Or went to the Padre Padrone by Paolo and Vittorio Taviani. A new non-competitive section, "Le Passé composé", is held at this festival only and focuses on compilations. This section, along with sections "Les Yeux fertiles" and "L'Air du temps" of the previous two years, were integrated into Un Certain Regard in 1978.
The 35th Cannes Film Festival was held from 14 to 26 May 1982. The Palme d'Or was jointly awarded to Missing by Costa Gavras and Yol by Şerif Gören and Yılmaz Güney.
The 62nd annual Berlin International Film Festival was held from 9 to 19 February 2012. British film director Mike Leigh was the president of the jury. The first five films to be screened in the competition were announced on 19 December 2011. American actress Meryl Streep was presented with the Honorary Golden Bear on 14 February. Benoît Jacquot's film Farewell, My Queen was announced as the opening film.
Caesar Must Die is a 2012 Italian drama film directed by Paolo and Vittorio Taviani. The film competed at the 62nd Berlin International Film Festival where it won the Golden Bear. The film is set in Rebibbia Prison, and follows convicts in their rehearsals ahead of a prison performance of Julius Caesar.
Pier Paolo Capponi was an Italian actor and screenwriter.
Under the Sign of Scorpio is a 1969 Italian drama film written and directed by Paolo and Vittorio Taviani. It was screened at the Venice Film Festival.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Mario, Maria and Mario is a 1993 Italian drama film written and directed by Ettore Scola.
Like Crazy is a 2016 Italian comedy-drama film directed by Paolo Virzì, starring Valeria Bruni Tedeschi and Micaela Ramazzotti. It tells the story of two women from different backgrounds who become friends while being treated at a mental institution. It was screened in the Directors' Fortnight section at the 2016 Cannes Film Festival.