Saint Stephen's Purse (Latin : Sacculum idem Sanctus Stephanus, German : Stephansbursa or Stephansburse) is a rectangular gold 9th-century reliquary studded with gem stones. It is part of the Imperial Regalia of the Holy Roman Empire.
It consists of a purse containing soil that is claimed to be soaked with the blood of St. Stephen. [1] It is held in the Imperial Treasury Museum in Vienna. [2]
The reliquary was created circa 830 and is 32 cm tall.
It was believed that the purse had been kept in the church of San Lorenzo fuori le mura in Rome, until Pope Leo III gave it to Charlemagne. Traditionally the purse was used during coronations in the Palatine Chapel of Aix-la-Chapel where it would be placed in a specially created niche in Charlemagne's marble-slab throne. [3]
The purse originally had a core made from willow wood where the relics were kept. It was created using gold foil with pearls and precious stones.
The stones are arranged at the front so that they outline the purse into a box with a roof. Five more stones are arranged as a crux gemmata. A variety of stones complete the artwork. The sides of the purse are worked with gold foil and show representations of hunters, fishermen, falconers and a goddess of vengeance. The back of the purse was originally similar to the sides, but at the start of the 19th century, it was recovered with gilt silver foil. [4]
Charlemagne was King of the Franks from 768, King of the Lombards from 774, and Emperor of what is now known as the Carolingian Empire from 800, holding these titles until his death in 814. He united most of Western and Central Europe, and was the first recognised emperor to rule from the west after the fall of the Western Roman Empire approximately three centuries earlier. Charlemagne's reign was marked by political and social changes that had lasting influence on Europe throughout the Middle Ages.
The Sainte-Chapelle is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France.
Crown jewels are the objects of metalwork and jewellery in the regalia of a current or former monarchy. They are often used for the coronation of a monarch and a few other ceremonial occasions. A monarch may often be shown wearing them in portraits, as they symbolize the power and continuity of the monarchy. Additions to them may be made, but, since medieval times, the existing items have been typically passed down unchanged, symbolizing the continuity of a monarchy.
A crown is a traditional form of head adornment, or hat, worn by monarchs as a symbol of their power and dignity. A crown is often, by extension, a symbol of the monarch's government or items endorsed by it. The word itself is used, particularly in Commonwealth countries, as an abstract name for the monarchy itself as distinct from the individual who inhabits it. A specific type of crown is employed in heraldry under strict rules. Indeed, some monarchies never had a physical crown, just a heraldic representation, as in the constitutional kingdom of Belgium.
Aachen Cathedral is a Catholic church in Aachen, Germany and the cathedral of the Diocese of Aachen.
The Imperial Crown of the Holy Roman Empire, a hoop crown (Bügelkrone) with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury at the Hofburg in Vienna, Austria.
The French Crown Jewels and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal or Imperial power between 752 and 1870. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.
The Austrian Crown Jewels are the regalia and vestments worn by the Holy Roman Emperor, and later by the Emperor of Austria, during the coronation ceremony and other state functions. The term refers to the following objects: the crowns, sceptres, orbs, swords, rings, crosses, holy relics and royal robes, as well as several other objects connected with the ceremony. The collection dates from the 10th to the 19th centuries, and it reflects more than a thousand years of European history. It is kept in the Imperial Treasury at the Hofburg Palace in Vienna, Austria.
The Imperial Regalia, also called Imperial Insignia, are regalia of the Holy Roman Emperor. The most important parts are the Crown, the Imperial orb, the Imperial sceptre, the Holy Lance and the Imperial Sword. Today they are kept at the Imperial Treasury in the Hofburg palace in Vienna, Austria.
The Imperial Crown of Austria is a crown formerly in use by the monarchs of the Habsburg monarchy. The crown was originally made in 1602 in Prague by Jan Vermeyen as the personal crown of Holy Roman Emperor Rudolf II, and therefore is also known as the Crown of Emperor Rudolf II. The crown was used as a private crown of the Holy Roman Emperors and Kings of Hungary and Bohemia from the House of Habsburg. In 1804 it became the official crown of the newly constituted Austrian Empire. After 1867 it remained the imperial crown of the Cisleithanian part of the Austro-Hungarian Empire until 1918.
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres.
The Holy Roman Emperor received the imperial regalia from the hands of the Pope, symbolizing both the pope's right to crown Christian sovereigns and also the emperor's role as protector of the Catholic Church. The Holy Roman empresses were crowned as well.
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry, to house a relic of the Crown of Thorns. The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest. It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse, or "in the round", which had been recently developed when the reliquary was made, to create a total of 28 three-dimensional figures, mostly in white enamel.
The Treasury of the Basilica of Saint Servatius is a museum of religious art and artifacts inside the Basilica of Saint Servatius in Maastricht, Netherlands.
Münster Cathedral or St.-Paulus-Dom is the cathedral church of the Catholic Diocese of Münster in Germany, and is dedicated to Saint Paul. It is counted among the most significant church buildings in Münster and, along with the City Hall, is one of the symbols of the city.
The Bust of Charlemagne is a reliquary from around 1350 which contains the top part of Charlemagne's skull. The reliquary is part of the treasure kept in the Aachen Cathedral Treasury. Made in the Mosan region, long a centre of high-quality metalwork, the bust is a masterpiece both of late Gothic metalwork and of figural sculpture.
The Aachen Cathedral Treasury is a museum of the Roman Catholic Diocese of Aachen under the control of the cathedral chapter, which houses one of the most important collections of medieval church artworks in Europe. In 1978, the Aachen Cathedral Treasury, along with Aachen Cathedral, was the first monument on German soil to be entered in the List of UNESCO World Heritage Sites. The treasury contains works from Late Antique, Carolingian, Ottonian, Staufen, and Gothic times. The exhibits are displayed in premises connected to the cathedral cloisters.
The Talisman of Charlemagne is a 9th-century Carolingian reliquary encolpion that may once have belonged to Charlemagne and is purported to contain a fragment of the True Cross. It is the only surviving piece of goldwork which can be connected with Charlemagne himself with some degree of probability, but the connection has been seriously questioned. The talisman is now kept in Rheims in the Palace of Tau.
The Treasury of Saint-Denis, kept at the Basilica of Saint-Denis in Paris until the French Revolution, was the main repository of the regalia of the Kingdom of France, including the ancien régime portion of what are now known as the French Crown Jewels. Its surviving items are presently scattered between the Louvre, the Cabinet des Médailles of the French National Library, and other museums.
Saint Charlemagne is an oil tempera on beech board painjting by Czech painter Master Theodoric. It is included in the set made for the Chapel of the Holy Cross at Karlštejn by the artist himself. The portrait was placed in a prominent position in the middle of the row of rulers on the west wall of the nave. The quality of the artwork ranks it among the finest works of 14th century European painting. The painting is on display in the collection of medieval art of the National Gallery in Prague.
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