Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.
An antiphon is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers.
Vespro della Beata Vergine, SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice as Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae, cum nonnullis sacris concentibus, ad Sacella sive Principum Cubicula accommodata, it is sometimes called Monteverdi's Vespers of 1610.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
The Cathedral Church and Minor Basilica of the Immaculate Mother of God, Help of Christians, Patroness of Australia is the cathedral church of the Roman Catholic Archdiocese of Sydney and the seat of the Archbishop of Sydney, currently Anthony Fisher OP. It is dedicated to the "Immaculate Mother of God, Help of Christians", Patroness of Australia and holds the title and dignity of a minor basilica, bestowed upon it by Pope Pius XI on 4 August 1932.
The Choir of King's College, Cambridge is an English Anglican choir. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day.
Inter pastoralis officii sollicitudines was a motu proprio issued 22 November 1903 by Pope Pius X that detailed regulations for the performance of music in the Roman Catholic Church. The title is taken from the opening phrase of the document. It begins: "Among the concernsof the pastoral office, ... a leading one is without question that of maintaining and promoting the decorum of the House of God in which the august mysteries of religion are celebrated...." The regulations pointed toward more traditional music and critiqued the turn toward modern, orchestral productions at Mass.
The Church Music Association of America (CMAA) is a nonprofit 501(c)(3) association of Catholic church musicians and others who have a special interest in music and liturgy, active in advancing Gregorian chant, Renaissance polyphony, and other forms of sacred music for liturgical use. Founded in 1964, it is affiliated with the Consociatio Internationalis Musicae Sacrae (Roma), an advisory organization on sacred music founded by Pope Paul VI.
Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council. The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a marked difference between this style and those that were both common and valued in Catholic churches before Vatican II.
St. Paul's Choir School is a Catholic choir school located at St. Paul’s Church, Harvard Square in Cambridge, Massachusetts. Founded in 1963, by Theodore Marier, the middle school for boys in third through eighth grades is the only boys' choir school in the United States of America affiliated with the Roman Catholic Church, and one of the few church-affiliated choir schools in the United States. The Choir School educates and trains the choirboys who sing soprano in the choir of St. Paul's, a choir of boys and men. The choir sings for liturgical services at St. Paul's Church and performs primarily in and around the Boston area. It is located within the Archdiocese of Boston.
The Cappella Giulia, officially the Reverend Musical Chapel Julia of the Sacrosanct Papal Basilica of Saint Peter in the Vatican, is the choir of St. Peter's Basilica that sings for all solemn functions of the Vatican Chapter, such as Holy Mass, Lauds, and Vespers, when these are not celebrated by the Pope. The choir has played an important role as an interpreter and a proponent of Gregorian chant and sacred polyphony.
The Santa Cecilia Choir is a polyphonic male choir composed of seminarians of the Rachol Seminary of the Catholic Archdiocese of Goa and Daman in Goa, India.
Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century. The sources for Scottish Medieval music are extremely limited. There are no major musical manuscripts for Scotland from before the twelfth century. There are occasional indications that there was a flourishing musical culture. Instruments included the cithara, tympanum, and chorus. Visual representations and written sources demonstrate the existence of harps in the Early Middle Ages and bagpipes and pipe organs in the Late Middle Ages. As in Ireland, there were probably filidh in Scotland, who acted as poets, musicians and historians. After this "de-gallicisation" of the Scottish court in the twelfth century, a less highly regarded order of bards took over the functions of the filidh and they would continue to act in a similar role in the Scottish Highlands and Islands into the eighteenth century.
Church music in Scotland includes all musical composition and performance of music in the context of Christian worship in Scotland, from the beginnings of Christianisation in the fifth century, to the present day. The sources for Scottish Medieval music are extremely limited due to factors including a turbulent political history, the destructive practices of the Scottish Reformation, the climate and the relatively late arrival of music printing. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, which led to the development of a distinct form of liturgical Celtic chant. It was superseded from the eleventh century by more complex Gregorian chant. In the High Middle Ages, the need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schools, to train boys as choristers and priests. From the thirteenth century, Scottish church music was increasingly influenced by continental developments. Monophony was replaced from the fourteenth century by the Ars Nova consisting of complex polyphony. Survivals of works from the first half of the sixteenth century indicate the quality and scope of music that was undertaken at the end of the Medieval period. The outstanding Scottish composer of the first half of the sixteenth century was Robert Carver, who produced complex polyphonic music.
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. It is loosely based on the canonical hours of vespers and compline. Old English speakers translated the Latin word vesperas as æfensang, which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church.
John Albert Delany, usually referred to as John A. Delany, was an organist and composer in Sydney, Australia, a champion of choral music. He has been called "Australia's greatest musician" and "The Australian Gounod".
Christian Music in Australia has been played since the first European settlers arrived in the late 18th century, and forms part of the cultural life of religion in Australia and worldwide Christian Music. Australians have contributed to a variety of genres of Christian music including the liturgical music, classical music, hymns, Christian rock, country gospel, and Christmas music, as well as cross-over contemporary music sung by popular artists such as Johnny O'Keefe, Paul Kelly, Nick Cave and Slim Dusty. Notable contemporary Christian music milestones in Australia include Sister Janet Mead's rock version of "The Lord's Prayer", which was the first Australian record to sell over a million copies in the United States of America; Jimmy Little's Royal Telephone, which made him the first Aboriginal to attain a No. 1 hit on the Australian charts; and Guy Sebastian's Receive the Power, which welcomed the Pope to World Youth Day 2008.
Catherine Fitzpatrick (1785–1861), née Milling, was the founder and first conductor of St. Mary's Cathedral Choir, in Sydney, Australia.
John Thomas Hill KS RAM was a church organist, choirmaster and orchestra conductor in Australia. He is remembered for his brief marriage to the prima donna Ilma de Murska.
William John Cordner was an Irish-born organist and choirmaster in Sydney, Australia.
