Stage Fort across Gloucester Harbor | |
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Artist | Fitz Henry Lane |
Year | 1862 |
Medium | Oil on canvas |
Dimensions | 96.5 cm× 152.4 cm(38.0 in× 60.0 in) |
Location | Metropolitan Museum of Art, New York |
Accession | 1978.203 |
Stage Fort across Gloucester Harbor is a mid 19th century painting by American artist Fitz Henry Lane. The painting is in the collection of the Metropolitan Museum of Art in New York city. [1]
Done in oil on canvas, the work depicts the Stage Fort in Gloucester, Massachusetts, once a military installation and now in Stage Fort Park. The detailed foreground links to the sparely rendered background via the curving spit of land in a style typical of Lane's later work.
The painting is on view at the Metropolitan Museum's Gallery 761.
Gloucester is a city in Essex County, Massachusetts, in the United States. It sits on Cape Ann and is a part of Massachusetts's North Shore. The population was 29,729 at the 2020 U.S. Census. An important center of the fishing industry and a popular summer destination, Gloucester consists of an urban core on the north side of the harbor and the outlying neighborhoods of Annisquam, Bay View, Lanesville, Folly Cove, Magnolia, Riverdale, East Gloucester, and West Gloucester.
Cape Ann is a rocky peninsula in northeastern Massachusetts on the Atlantic Ocean. It is about 30 miles (48 km) northeast of Boston and marks the northern limit of Massachusetts Bay. Cape Ann includes the city of Gloucester and the towns of Essex, Manchester-by-the-Sea and Rockport.
Edward Stuart Davis was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century. With the belief that his work could influence the sociopolitical environment of America, Davis' political message was apparent in all of his pieces from the most abstract to the clearest. Contrary to most modernist artists, Davis was aware of his political objectives and allegiances and did not waver in loyalty via artwork during the course of his career. By the 1930s, Davis was already a famous American painter, but that did not save him from feeling the negative effects of the Great Depression, which led to his being one of the first artists to apply for the Federal Art Project. Under the project, Davis created some seemingly Marxist works; however, he was too independent to fully support Marxist ideals and philosophies.
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
Fitz Henry Lane was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.
The Cardsharps is a painting by the Italian Baroque artist Michelangelo Merisi da Caravaggio. The original is generally agreed to be the work acquired by the Kimbell Art Museum in 1987, although Caravaggio may have painted more than one version.
Chuck Connelly is an American painter.
Richard Hayley Lever was an Australian-American painter, etcher, lecturer and art teacher. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
John Currie Wilmerding Jr., is an American professor of art, collector, and curator, and is best known as a prolific author of books on American art.
Stage Fort Park is a park at Stage Head in Gloucester, Massachusetts, part of the Essex National Heritage Area. It contains two beaches, a large playground, picnic benches, two baseball fields, a basketball court, a dog park and plenty of room for any weekend activities. The park includes Gloucester's Visitor and Welcome Center and Stage Fort, a reconstructed Civil War fort on a site fortified since 1635.
This is a timeline of the history of the city of Gloucester, Massachusetts, USA.
Mary Blood Mellen was an American painter who was one of several individuals who studied under Fitz Henry Lane. Mellen is one of a number of women painters associated with the Hudson River School of artists in nineteenth-century New England. Her paintings often included landscapes and maritime images. Though she spent time in New York and Connecticut, Mellen lived primarily in Massachusetts, and many of her paintings find their source in the Massachusetts and Maine landscapes and seascapes. In 1840, she married the Rev. Charles W. Mellen, a Universalist minister at a number Massachusetts churches prior to his death in 1866.
The Channel of Gravelines, Petit Fort Philippe is a pointillist painting by French artist Georges Seurat, located in the Indianapolis Museum of Art in Indianapolis, Indiana. Painted in 1890, the year before his death, it depicts a harbor in the small French port of Gravelines. Described as "wistful and poetic," it is one of the treasures of the IMA.
Fort Defiance was a fort that existed from 1794 to after 1865 on Fort Point in Gloucester, Massachusetts. The location protecting the inner harbor was also called Watch House Point.
Eastern Point Fort was a fort that was garrisoned or maintained from 1863 to 1867 on Eastern Point in Gloucester, Massachusetts, built for the American Civil War. References indicate the name has also been used to refer to the much-older Stage Fort across the harbor.
Searchlight on Harbor Entrance, Santiago de Cuba is an early 20th century painting by American artist Winslow Homer. It is currently (2018) in the collection of the Metropolitan Museum of Art.
The Golden State Entering New York Harbor is an 1854 painting of an American three-masted clipper merchant ship by Fitz Henry Lane (1804-1865). Lane was an American lithographer and a maritime painter who lived most his life in the New England fishing city of Gloucester, Massachusetts, north of Boston, Massachusetts, on Cape Ann. The painting is in the collection of the Metropolitan Museum of Art.
Entrance to a Dutch Port is an oil on canvas painting by Dutch artist Willem van de Velde the Younger, created c. 1665. The painting depicts a bustling harbor in the Netherlands. The work is indicative of the historical mercantile power of the Netherlands during the 17th century. Entrance to a Dutch Port is in the collection of the Metropolitan Museum of Art, in New York.
Stage Fort was a fort that existed from 1635 to 1898 on Stage Head in what is now Stage Fort Park in Gloucester, Massachusetts.